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Jusqu'au bout

"Jusqu'au bout" is dedicated to the hunger strike, in the Ménilmontant church in Paris, by fifty-six Tunisian workers to obtain their work permits. After a sequence showing the recruitment of workers in Tunisia itself, other immigrant workers testify to the harshness of their living conditions in France. Underlining the continuity between the anti-racist struggle and the fight against exploitation, the film follows the hunger strikers to victory, celebrated collectively in an unbridled dance.

Jusqu'au bout

NR 1975
Tomorrow. 31st of April, 1st of May 1970

There's no April 31 and May the 1st is a Labour Day - the most important communist holiday. A gritty morning in the city of Lodz seen through the eyes of a worker who spends it with his colleagues drinking and talking about shady businesses. He's proud of his proletarian roots, but the reality is rather bitter than sweet for him. However, he seems to be happy living in his simple world of dreams, TV programs and drinking cheap wine. The viewer is left with a dissonance between the backyard and the facade, bwetween "normal" existence and the ideology and content of TV programs.

Tomorrow. 31st of April, 1st of May 1970

NR 1970
In the 11th Festival of Song

No one knows why for certain, but from 1968 to 1973 communist Albania enjoyed a brief liberalisation in the arts. Banned books and Beatles records changed hands. Albania’s Nobel-nominated novelist Ismail Kadare wrote two of his most famed masterpieces, Kështjella (The Castle) (1970) and Kronikë në gur (Chronicle in Stone) (1971) during this period. The rock'n'roll and jazz arrangements featured in this concert documentary were the pretext that brought about the end to the artistic thaw. Several performers seen in the festival were sent to prison or internal exile. The portly, smiling music conductor, Gasper Çurçia, was later accused of forging bus tickets and executed.

In the 11th Festival of Song

NR 1971
Junge Ehen

The film looks at the problems of high school students in an 11th grade class in Berlin-Prenzlauer Berg. The focus is on interpersonal relationships. The school, the circle of friends, the parental home, the social milieu, the housing situation and leisure activities form the environment in which the young people find themselves on the threshold to adulthood. The film explores their wishes, thoughts, fears, dreams, hopes and conflicts. Opportunities and offers that go beyond school and can be helpful in resolving problems are also shown. It is up to the viewer to weigh up the different views of the interviewees and form their own opinion.

Junge Ehen

NR 1979
Mao: Seize the Day, Seize the Hour

Mao Zedong was not only a revolutionary leader and thinker, he was also a poet. In poems written in the classic calligraphic tradition he expresses his experiences and visions. In this film, 8 of Mao's poems are sung, recited and interpreted: 'Changsha' (1925), 'Jinggang Mountains' (1928), 'The Long March' (1935), 'Snow' (1936), 'The People's Liberation Army Captures Nanjing' (1949), 'Swimming' (1956), 'Reply to Comrade Guo Moruo' (1961) and 'Reascending Jinggang Mountains' (1965). Through these poems we get a picture of the Chinese revolution from its first beginning in 1921 until the Cultural Revolution. The poems of Mao Zedong have been published in more than 57 million copies

Mao: Seize the Day, Seize the Hour

NR 1972
Transsexuals

In 1971, a group of students in New York City learning how to use the nascent technology of portable video interviewed Deborah Hartin for this documentary short. Having spent 20-plus years trying to conform to life in the body of a man, she followed her destiny all the way to Casablanca to receive the gender affirmation surgery that she had long yearned for and had attempted to self-administer in the past. Along with Esther Reilly (who was recently post-operative) and others in the transgender community, Hartin shares her story, revealing how the procedure had transformed her body, her life and her activism.

Transsexuals

6.0 1971
Gravel Springs Fife and Drum

A compelling and award-winning portrait of Othar Turner, his music and their role in the Gravel Springs community. The film not only demonstrates how to make a cane fife, but also gets to the heart of both Turner and his fife and drum music as he's shown performing at an annual Fourth of July picnic. Quick cuts between dancing band members and the rhythmic movements of Turner's family going about their daily chores capture the mounting excitement and provide a rare, revealing glimpse of the work and play that characterize this traditional rural Mississippi society.

Gravel Springs Fife and Drum

NR 1972
Land of Celtic Ghosts

A collection of Irish legends and sightings, featuring eerie ruins of castles. A moody film, very well narrated by Richard Basehart. Rich in folklore and timeless legends, Ireland possesses a history of supernatural phenomena and in fact, may be the most haunted country in the world. This documentary traces the ghostly paths of the spirits that have roamed the Emerald Isle since the beginning of man. Filmed entirely on locations in Ireland, including the city of Dublin and at many other ghostly places such as Killakee House, St. Michan’s Church, St. Patrick’s Cathedral, Carrickmines, Howth Castle, Malahide Castle, Aillwee Cave (Ballyvaughan), Cliffs of Moher, Kilfenora Cathedral, Glenfesk, Muckross Abbey, Kildemock Church, Castlegregory and many more.

Land of Celtic Ghosts

NR 1979
Document

Two disembodied male colleagues direct Lynda Benglis, who sits between a monitor and a camera lens loudly exclaiming her vision for the video we’re watching. Playing with the idea of originality and how the reproduction of images troubles fine art categories, Benglis affixes a double portrait of herself to the monitor screen and draws moustaches on both likenesses. Document ends with Benglis writing the video’s title and “copyright, Dec. 1972” directly on the monitor underneath the photograph, validating this video accomplishment as an original artwork.

Document

NR 1972
Denali's Wife

The film of the first ascent of Mont Foraker (5,304 m) in the Denali chain in Alaska, by the southeast ridge of independence in 1976, which remains years after an unequaled sporting and human adventure. The 7 members of the expedition, Henri Agresti, Jean-Paul Bouquier, Jean-Marie Galmiche, Werner Landry, Gérard Creton, Isabelle Agresti, Hervé Thivierge, all came to the top after thirty days of climbing in conditions still limits. Breathtaking images where the grandiose views of the icy desert and the scenes of daily life alternate on a most rough mountains on the planet. The film received the Gentiane d'Or Festival prizes from Thirty 1977, Public Prize Festival des Diablerets 1977, SFP Festival de la Plagne in 1977.

Denali's Wife

10.0 1977
Bruno the Black - One Day a Hunter Blew His Horn

Lutz Eisholz’s first feature film was produced at West Berlin’s German Film and TV Academy. In an experimental documentary he portrays the working class outcast Bruno S., who prowls the city as a street musician, performing his own songs. The film unfolds Bruno’s story: abandoned by his mother as a child, he was maltreated in correctional institutions in Nazi Germany. On release after WWII he found work but started performing at the same time as a self-taught musician and poet. Although incapable of “normal” human bonding, he was still able to rejoice in life. When Werner Herzog saw this film he recognized Bruno’s potential and hired him to play starring roles in The Enigma of Kaspar Hauser (1974) and Stroszek (1977).

Bruno the Black - One Day a Hunter Blew His Horn

10.0 1971