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A Seventy-Four Year-Old Fellow

Documentary about the history of Jornal do Brasil, founded on April 14, 1891. In 1965, the Jornal do Brasil marked its innovative and active position, as recorded in the documentary "A Seventv-Four- Year-Old Fellow" by the filmmaker Nelson Pereira dos Santos, and the story itself was in charge of confirming. In the following years, the newspaper would witness the most remarkable events of the second half of the twentieth century in Brazil and in the world. It would applaud the democratic struggles and independence of peoples, support social demonstrations against oppression and justice at all levels. Tirelessly, he did not hesitate to report the truth of the facts, regardless of the circumstances in which they presented themselves.

A Seventy-Four Year-Old Fellow

NR 1964
Jerusalem (al-Quds)

A short film made by Vladimir Tamari following the first anniversary of the occupation of Arab Jerusalem by the Israeli army at the start of the Arab Israeli War on June 5, 1967. Using footage from UNRWA (United Nations Relief and Works Agency for Palestine Refugees) cinema archives where he worked as a technician, Tamari edited this film and organized its narration and addition of music by his friends, all volunteers and amateurs as he was, in order to express the feelings of the Palestinians at the loss of their capital city and center of their spiritual, commercial and intellectual life.

Jerusalem (al-Quds)

NR 1968
Window

The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice

Window

5.0 1964
The Meaning of 1/24 Second

The Meaning of 1/24 Second is Korea's first experimental film and was filmed in 1969. This 16mm film in color and black and white is composed of hundreds of inconsistent scenes. Taking the basic structure of the film, which consists of 24 frames per second, The Meaning of 1/24 Second expresses the steep reality faced by modern man, and the sense of alienation that comes from uncontrollable speed. The video file that remained only in digital format since it went missing in 2001 was restored to 16mm film for screening for his retrospective exhibition , which has been held at Seoul Museum of Art, Republic of Korea in 2013, thus providing an opportunity to look back on its meaning.

The Meaning of 1/24 Second

7.0 1969
Hans Werner Henze: Summer of 1966

Hans Werner Henze: Summer of 1966 follows the acclaimed German composer to Salzburg and Berlin, documenting his rehearsals for his now famous opera, "The Bassarids". Based on a fragment of a Euripides play, the opera was a widely celebrated point in Henze's career, capturing his compositional style and progressive musical attitudes. Celebrating his 40th birthday at the time, Henze was then living in Rome and enjoying a growing reputation all over Western Europe as a conductor and composer.

Hans Werner Henze: Summer of 1966

NR 1967
Incontri 1969 - Roberto Rossellini: i segreti di un mito

An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship with the young critics of the Cahiers du Cinéma who would become the authors of the French New Wave, but also talks about his participation in the May '68 events in Paris. Passing from one theme to another emerges the thought of one of the key figures of the last century and not only in the cinematographic field, a lucid and passionate vision, typical of Rossellini, which combines science, conscience and knowledge and an obstinate faith in the capacities of Man.

Incontri 1969 - Roberto Rossellini: i segreti di un mito

NR 1969