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Marguerite Duras in the Lions' Den

Duras, ever the challenging interviewer, forensically questions a Parisian zookeeper regarding the happiness of the animals in his charge. Intercut with her questions is stark black-and-white footage of the animals themselves behind bars, as they pace the length of their small concrete enclosures. Duras is very much on the side of the big cats. “Are you ever careless?” she asks the zookeeper. When he replies in the negative, Duras says smilingly: “In your position I’d be tempted to be careless”.

Marguerite Duras in the Lions' Den

7.0 1966
The Yellow Cruise

The Yellow Cruise is a French documentary film initially directed by André Sauvage and taken over by Léon Poirier following the intervention of André Citroën. The film was presented in Paris in 1934. André Sauvage was hired by the Pathé-Natan company to follow the yellow cruise through Asia. In 1931 and 1932, forty-two men, including Pierre Teilhard de Chardin, scholars and doctors traveled thirty thousand kilometers on the Silk Road through the Middle and Far East, in caterpillar propellants. Together, despite the bad weather, the difficulties of the terrain, the mechanical failures and the political conflicts, they reached Beijing on February 12, 1932. André Citroën who asked to see the film, dissatisfied with the result, bought it from Bernard Natan and entrusted the editing by Léon Poirier, who had filmed La Croisière Noire in Africa in 1926. This film will mark the break in the film career of André Sauvage.

The Yellow Cruise

6.4 1934
Ultra-right and Neo-Nazi Groups: The New Terrorist Threat

In Europe, a new generation of neo-Nazis is radicalizing and carrying out targeted attacks on Muslims, Jews, migrants and leftists. Their goal is white supremacy. They organize themselves in online forums, run dating sites only for whites, or parade through small German towns like Wunsiedel in Bavaria every year with burning torches. They make no secret of their contempt for democratic institutions and want to specifically infiltrate the police and army. The ultra-right are no longer just agitating at the regulars' table, but are also showing an increasing willingness to use violence. In France, security authorities are also monitoring right-wing extremist groups. In 2022, French media revealed that there is a right-wing network within the French army that is openly committed to Nazi ideology. The racially motivated murder of Federico Aramburú in 2022 or the case of the right-wing agitator Daniel Conversano put the authorities on alert.

Ultra-right and Neo-Nazi Groups: The New Terrorist Threat

NR 2023
I Don’t Have the Codes

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.

I Don’t Have the Codes

NR 2025
Gérard Blain : adultes, je vous hais

A portrait of Gérard Blain, actor and film-maker, an unclassifiable artist, a lard-head and a free spirit. This documentary, packed with eyewitness accounts and archive footage, looks back at his brief career as an actor, his stormy relationship with the Nouvelle Vague and his uncompromising work as a filmmaker. Above all, it paints the portrait of a man with an irreducible character who claims to have always hated adults and their cynicism, ever since his damaged childhood.

Gérard Blain : adultes, je vous hais

NR 2019
Hic rosa, partition botanique

From what was to me a gift of friendship day: a book makes some of Rosa Luxemburg's prison letters written by her friends Sonia Liebknecht and Mathilde Wurm between July 1916 and October 1918. And all the jingles who composed this period: songs of birds, plants, colors and sounds passages. Those for events in the events of the being-locked. As for the outside: October, World War Revolution, The emigrant and Chaplin The Adventurer, The affliction flowers and Klee's zoological garden. Appearances / disappearances, present stories, their intertwined. Destinies.

Hic rosa, partition botanique

6.3 2007
House

House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor; requisitioned by the Israeli government as "vacant'; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a patrician villa... The building site is like a theatre in which the former inhabitants, the neighbours, the workers, the builder and the new owner all appear. Israeli television censured the film. "Gitai wants this house to be both a symbol and something very concrete; he wants it to become a character in a film. He achieves one of the most beautiful things a camera can register 'live', as it were; people who look at the same thing but see different things - and who are moved by that vision. In this crumbling shell of a house, real hallucinations begin to take shape. The film's central idea is simple and the film has simply the force of that idea, no more, no less."

House

7.8 1980
In the Mind of Plants

Neurobiology has shown in the recent years that contrary to the traditional boundaries between animal and plants, plants can feel, move and even think. Over the recent years, a small but growing group of researchers from Austria, Germany, Italy, UK, Japan, South Africa and the USA, has developed a new scientific field of research: the neurobiology of plants. Their discoveries question the traditional boundaries set between the animal and the vegetable kingdom: plants are capable to develop the cognitive process claimed by humans and animals. If plants can move, and feel... Could they possibly think ? In a creative and captivating scientific investigation style, through spectacular specialist photography and CGI, and re-creating scientific experiments, this documentary is bound to change your own perception of plants.

In the Mind of Plants

6.5 2009
Nomad Meeting, The Path Of Odette And Jean-Louis Bernezat

The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and nature, and invites you to pay attention to the world. Jean-Louis and Odette Bernezat were born at the foot of the Alps, but it was in the Sahara that they found their way, and devoted almost forty years to the discovery of this environment and have extraordinary knowledge to share. Director Maryse Bergonzat accompanies them, in a meha, in the Hoggar in Algeria, with their Tuareg friends. A privileged place to appreciate the desert, its landscapes, its inhabitants, its laws and its stories, in the company of exceptional guides.

Nomad Meeting, The Path Of Odette And Jean-Louis Bernezat

10.0 2006
Russian Utopia

Russia 2012, year of Putin’s re-election. For the first time in 15 years, the population is rising up for political change, starting with the 20-somethings who make up the National Bolshevik Party. Their guru: Eduard Limonov –punk poet turned radical leader. Zhenia, Marat, Anya, Shuka and Tvorog come from the provinces of a country destroyed by authoritarianism and brutal capitalism. With no true political platform, beliefs that flirt with extremism and revolution as their sole religion, they look up to Stalin and Robespierre, Gandhi and the Che. Galvanised by the stories of their patriotic idols, they have chosen to live like revolutionary heroes.

Russian Utopia

NR 2014
Frank Capra, il était une fois l'Amérique

Frank Capra was one of Hollywood's most popular and respected directors in the 1930s and 1940s. His best-known films include "Isn't Life Beautiful?", "The Bottom Ten Thousand" and "Arsenic and Lace". His career from poor Sicilian immigrant to successful director stands for the American dream and brings him surprisingly close to his characters. But what in his depictions of America and its everyday heroes is reality, and where does the dream begin?

Frank Capra, il était une fois l'Amérique

9.5 2020