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The film follows Volodymyr Zelensky through a year that pushes him to his political, personal, and moral limits. In 2025, Ukraine suffers under relentless attacks, the army is exhausted, and society is deeply unsettled. At the same time, Zelensky seeks allies between Europe and an unpredictable Washington — in a struggle for weapons deliveries, security guarantees, and a peace framework that preserves Ukrainian sovereignty.

What is it like to grow up in times of war? In a documentary film they developed themselves, nine young Ukrainian women offer a unique insight into their lives—into everyday life in a state of emergency. In the documentary, nine Ukrainian teenagers tell their stories. Some of the young women have fled to other countries, while others remain in Ukraine, but all of them become co-authors of their own lives: How much is left for oneself when fear for family and fellow human beings, when death, separation, and trauma are omnipresent?

Forty-six years after its completion, the International Trade Fair Complex in Lagos, Nigeria, lies waterlogged and in disrepair, its modernist concrete pavilions flooded and overgrown with vegetation, and its shopping stalls and convention centers now serve as makeshift workshops, bike repair stalls, and playgrounds. Shooting in a soft-edged standard-definition video, Komljen observes the complex’s grounds with equanimity and warmth, marking both its history as a former utopian project and its present-day vernacular uses.

For Tamara Lunger, freedom means pushing herself beyond her limits, daring the impossible, and deeply knowing her true self. The South Tyrolean mountaineer was the youngest woman to climb Lhotse (8,516 meters) and the second Italian to reach the summit of K2. However, failure is not unfamiliar to her, a subject that could have changed her life. Markus Frings and Nora Ganthaler recount the ups and downs of this extraordinary woman's life, accompanying her and her mentor Simone Moro on winter expeditions to Nanga Parbat and the 8,596-meter peak of Kangchenjunga.

This film, three years in the making, The remote forests of Kalkalpen National Park in Austria, the largest area of wilderness in the European Alps, have been left untouched by humans for nearly a quarter of a century in order to return to their natural, primeval state. The landscape regenerates itself in dramatic cycles of growth and decay, and this bold hands-off method of conservation yields salient results: the lynx, absent from the area for 115 years, has returned.

The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.

Documentary film.

Documenting the rebuilding of Potsdam one year after the war under Soviet supervision.

Every year, the most beautiful, best and proudest representatives of German youth meet in Dresden to take to the streets together.

“Guess what we’re doing! We’re going to practice swimming.” Hanan accompanies her brother to classes in the public pool. The first swimming badge is called the Seahorse, their instructor explains, because it “stands” in the water and doesn’t drown. When Hanan’s family came to Europe in a rubber dinghy, she couldn’t swim. To forget this experience, she learned not to go under in the water – like a seahorse.

Two statues come to live and start to sing.

One last time, Hubertus Meckelmann sounds the horns for a big drive hunt in the wild. In the central area of the former military training ground, hunting will soon be prohibited. For the hunting grounds in the area, this is quite an imposition: the populations of red deer, fallow deer and wild boar, limited only with great effort, will get out of control. Nor will the return of the wolf change anything – according to the hunters in the area, the wolf has no place here, anyway. The film accompanies three hunters in their forests and in long, tranquil shots provides insights into the hidden world behind hunting terminology and loden coats.

Loosely inspired by Stefan Zweig’s novella, in which playing chess is depicted as a means of surviving fascism, The Avalanche recounts the events of the Armenian genocide, still contested by the Turkish state. Pinar Öğrenci uses archives and present-day footage of the region to uncover the traumas left by the Armenian people on their landscape and their memories.

The Candlemas Festival in Spergau in the district of Halle, one of the few examples of a traditional custom that is still largely true to the original. Archival footage from 1925 allows a comparison with current footage of the festivities. In interviews, participants talk about the significance of this custom. The colorful costume of the Candlemas runner consists of many colorful ribbons and floral decorations, which are intended to represent the reawakening of life and spring. The runner, together with other costumed figures such as the singer, trader, peep-box man, kitchen boy, sausage stick bearer, registrar, pritcher, black maker, egg woman, the pea (straw) bear, bear leader, horses and soldiers, parade through the streets from house to house, delighting the locals. The crowning glory of this Candlemas celebration, which takes place every 1st Sunday in February, is a fun party in the marquee with music and dancing.

The pandemic has many faces. It has affected everyone across the world, but each of us in a different way. A collection of individual fates observed in fine detail. And a filmic world tour that looks down on places of residence from above and yet gets very close to the people.

This dialogue-free short is edited to music and the rhythms of change in a small town in the Ruhr region, shot a few years after the first mining pits were closed in the area. Nestler takes his audience on a journey through mining pits, coal heaps, cold stores, and to workingmen settlements and pubs of Mülheim.

In the remote mountains of central Afghanistan, a Hazara family embarks on a journey for truth and justice after their daughter Zahra mysteriously dies at Kabul University. Told through the eyes of Zahra's younger sister, Freshta, the film is a moving contemplation of love, loss, and perseverance in spite of increasing unrest on the eve of the Taliban takeover of the country.

Documentary short by Romuald Karmakar.

Documentary about one of the most severely contaminated regions in the world, located in the southern Ural Mountains.

Tuna are among the top predators in the oceans. But the hunter is also the hunted: many species are overfished. Can we use the riches of the oceans without destroying them?

A cheerful, amusing and melancholic look back at the Munich film festival from the perspective of the people who make up the film festival.

The guided tours in the Reichstag building are well attended; there’s lots of laughter at the simulated vote on a bill. At the Bundestag’s “Infomobile” in Dresden, a citizen complains that the government is out of touch with the people. SPD parliamentarians attend a workshop to practise strategies for dealing with right-wing populist topics. A crowd chants: close the borders! Journalists from the taz and Bild-Zeitung newspapers discuss the issues of the day. An editorial team from TV station MDR produces a report entitled “Attack on Democracy – the New Right.”

Rolf and Susanne visit an indoor swimming pool. They learn how to buy tickets at the ticket office, how to find and use the changing rooms and showers and how to behave correctly in the pools for swimmers and non-swimmers.

Short-documentary by Wolfgang Becker

In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.

Chronicles the adventurous life of Hungarian-born Jewish lawyer Benjamin Ferencz, who fled to the USA as a child and later became chief war crime prosecutor in the Nuremberg Trials of 1945-1949 and one of the founding members of the International Criminal Court, which entered into force in 2002.

The louder the glacier, the stronger the melt. The creaking, cracking and rippling is the voice of impermanence. Sound artist Ludwig Berger shows how important it is to listen to the world that surrounds us. The film follows him on one of his numerous visits to Morteratsch glacier in the Swiss Alps, where he collects fascinating sounds that might disappear forever.

Leftist extremist groups operating in Europe have chosen violence as a political tactic: they attack the right-wing parties offices, attack the police, provoke riots in demonstrations. Although leftist violence is increasing, it receives almost no public attention. An investigation into the alleged good violence exercised in the name of a supposedly just cause.

People who dare to question important themes today, are often silenced or labeled as suspicious and dangerous. Where once democracies valued and encouraged debate society is dividing itself with stark lines between the left, the right, the good or the bad. What is strangling debate? How liberal is the West? Should we ignore or embrace other perspectives? A critical, thought-provoking journey through ancient tribal conflicts, in a new era wherein world views clash and free speech crumbles under pressure to conform.

There are few places on earth that have such a diverse variety of terrain and range of climates concentrated in a relatively small area - temperate coastline, scorching arid deserts and tundra, tropical rainforests and frozen snowcapped mountains. And there are few places that are as heavily exploited by humans, yet remain a wilderness.

Forty years since Chernobyl. Volker Heise’s new film recounts the 1986 nuclear disaster for the first time from the perspectives of both East and West Germany and Ukraine, using archive footage only. TSCHERNOBYL 86 is a gripping political thriller featuring previously unseen archive material which brings the events of that time into an unsettlingly present-day context.​

Documentary looking at the culture of three motels and their owners who remain untouched by homogenization and corporatism, located in Santa Fe, New Mexico; Florence, Arizona; and the semi-ghost town of Death Valley Junction, California. Everyone has an unusual story to tell.

The story of two siblings. Their parents loved and nurtured them. But the parents also used brute force: The children were beaten, even on wounds. They were slapped when they fell down. Sometimes for no reason. For the parents, this was no contradiction. They claimed to love their children, and the children believed it.

Hannes Schönemann reconstructs the story of his love affair with the Danish communist Julia Szaba a decade after her suicide.

Interviews with the filmmakers from the film Die Kinder von Golzow.

Throughout the colonial period, military doctors accompanied France's colonial army. On the one hand, they served their troops, but on the other hand, they also helped the local population. They saw themselves as humanitarians who helped treat and contain epidemics. The dark side of their mission is also highlighted.

The tragic story of a fun-loving schoolgirl who was the first in her class to become a mother at seventeen, remained unmarried for a long time, worked as a poultry farmer and died of heart failure at the age of 29. It is also the story of her son, who after his apprenticeship in Golzow was unable to find work as a factory fitter and who is also the father of a disabled child.

The Baselstrasse is a street in Lucerne. People call it "Rue de Blamage" – it's a noisy street tucked into a narrow space between a hill and a train track. The people who live here don't usually mingle with the rich and famous, but even the roughest haunt can be a home to those who live and work there – and Baselstrasse's two kilometers of asphalt are no different.

Documentary short by Bernhard Dörries.

Leipzig is in a period of change. The uproar of Autumn ’89 is followed by a hectic electoral campaign in Spring ’90. Nightly conversations with street sweepers are dominated by hopelessness and broken self-confidence, but one can also recognise a keen sense for the change in social climate following the political unification in the GDR. Despite their lack of illusions, they have an acute view of their surroundings, and for these street sweepers only one certainty prevails: there will always be dirt.

Eastern Ukraine, May 2014. Part of the historic Donbas region falls to pro-Russian separatists. Young journalist Stanislav Aseyev reports for several Ukrainian media outlets from Donetsk, his hometown. In May 2017, he is kidnapped and spends 962 days in detention, mainly in a former cultural center, converted into a prison, called Izolyatsia —or Isolation.

The wildlife of the tundra on Alaska's north coast is particularly threatened by climate change.

Although presented as anonymous and confidential, the data collected by mobile apps is in fact sold by brokers on a vast global market. As part of the Data Broker Files investigation, German journalists reveal the inner workings of a lucrative system that operates outside any regulatory framework.

The camera calmly explores the holes and fissures of a cliff face, the traces of the ocean. The austere landscape seems to have fallen out of time. Only a few decades ago, fishermen threw their trap baskets into the water from here. Today, the sea around Malta has long been fished dry. Punta, a moustachioed islander, wants to have one more go.

The Australians call the endless deserts in the interior of the continent the "dead heart". Here lies the town of Birdsville, 23 houses and a bar with a liquor license. The long-awaited telephone connection arrived in 1979, 90 years after it had been applied for. For one weekend, this place at the end of the world turns into a cauldron when 5,000 Australians, tired of civilization, invade for the annual horse race, the "Birdsville Cup". They come in buses, off-road vehicles, motorcycles and sports planes and have become a veritable plague. Because here, everyone can do what they've always wanted to do: for example, get drunk until they drop and never get up again. The collective mass drinking reaches its peak on Saturday night. By Monday morning, the fun is over. What remains is a village with 23 houses, a bar and a street littered with 80,000 empty beer cans.

Prompted by a seminar given by acclaimed German filmmaker Peter Nestler, Prague, March '92 combines 16mm footage shot over the course of a week in the title city with excerpts from Bohumil Hrabal's essay "The Magic Flute," which considers the 20th anniversary demonstrations in Prague to commemorate the death of Jan Palach, who immolated himself in January 1969 to protest the Soviet invasion.

Tanja spends her vacation on a deserted island, running around naked and watching animals.

El Sistema is a network of childrens and youth orchestras, music centres and workshops in Venezuela, in which more than 250,000 children and young people are currently learning to play an instrument. It was set up over thirty years ago by José Antonio Abreu, who was driven by the utopian vision of a better future. In the dangerous and poverty-stricken shanty towns of Caracas, Abreu lifts children out of poverty through music, changing both people and structures. The film El Sistema shows how Abreus astonishing ideas have led the way out of the vicious circle of poverty - and how the power of music has been able to change the lives of hundreds of thousands of young people.

On the occasion of the 30th birthday of the German Film and Television Academy Berlin, founded in 1966. Graduate Barbara Teufel accompanies a camera seminar led by director Elfi Mikesch. The students are to produce three short films on the subject of blindness with "real" blind people. Absurd, you think at first...

Director Andi Niessner was production manager on Achternbusch's last two major feature films in 1996 and 1998. In conversation, Niessner manages to reveal the universal artist in a previously unknown intimacy and openness: Achternbusch talks about his parents, his childhood in Lower Bavaria and Munich, and his early days as a writer and filmmaker. We learn who and what influenced him, what his relationship with Bavaria is like, how his attitude toward the church has changed, and what his life is like today.