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This documentary is a collection of interviews of homosexual boys who are proud to be labeled queers. They discuss the stigma behind the word and how they reacted to homophobic attacks they've face at some point of their lives.

The film tells the trajectory of a peasant, spiritist, socialist and vegetarian leader during the first half of the 20th century.

Simple, emotionally compelling documentary that delves into the songs that hold meaning in people's lives. It is composed of 18 sessions where the director engages his subjects in conversation about the song they picked. The end product is deeply personal stories about music and its intimate connection to memory, love, loss, self-discovery, regret, death, and life.

Through their windows, residents report criticism, poetry and reflections on the Covid-19 pandemic in the Vidigal favela.

A faux documentary about the ongoing social, political and economical crisis in Brazil, where the government cuts the colors of Rio de Janeiro, turning the city black and white.

Who is Bárbara Virginia? a rescue of memories, a search in search of the filmmaker Bárbara Virgínia. This is a work of human and emotional archeology that brings to light the life and work of a woman who made much of the cinema culture and was forgotten ... Barbara was the first portuguese filmmaker to make feature film and the only woman to make a film in the Portuguese dictatorship and was in the competition in the first edition of of Cannes in 1946.Filmed between Portugal and Brazil, in this intimate and poetic film we accompany Searching for Barbara Virginia.

Mr. Biu (Seu Biu) was the last native resident of Tatuoca Island in Pernambuco (Northeast Brazil), a place now considered part of the territory controlled by the Suape Port Industrial Complex. The Suape Complex controls the region and through its #miliciasuape it has been intimidating, expelling and removing the local populations. A carpenter, Mr. Biu has fabricated tables for years; in her project made for “Convocatória para um Mobiliário Brasileiro” (“Open Call for a Brazilian Furniture”) an installation at the MASP (Art Museu of São Paulo), the artist Carla Lombardo dubbed these tables as “Gentrificada” (“Gentrified”). The movie builds a regime of visualization with technical images that invite us to think about representation and orientation in a world of data.

On a sunny day, three individuals reflect on the space they inhabit and the people around them.

“Vira-latas” is a documentary that investigates the relationship between human beings and dogs from the perspective of homeless people and abandoned people: dogs. "Man's best friend" doesn't care about social status, race or religion, only fellowship.

The boys of an Tikmu'un - Maxakali village are initiated by the spirits that live on the ground. From now on they will be able to attend the kuxex (house of religion), socialize, feed and learn from the Yãmiyxop.

“VIVA” is the sixth DVD of the Brazilian singer Luan Santana. It was released on August 23, 2019 exclusively on Globoplay. This is the first music content to be part of the platform's catalog through a partnership with Som Livre. Luan was the artist who inaugurated the "Music" category within the service. The show was recorded in May 2019, in Salvador, Bahia, to an audience of over 20 thousand people. In addition to the presentation, with a setlist formed with hits and new songs, the project features backstage scenes where details of the project are shown, as well as curiosities and interviews.

This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil's colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner. Be aware that the film's final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.

Have you ever imagined what it is like to support a team that hasn't won a title in 94 years? São Cristóvão de Futebol e Regatas, the birthplace of superstars like Ronaldo Fenômeno, resists against all expectations. More than football, this is a film about love.

Documentary about the trajectory of Antônio Polo Galante, known as "The King of Boca". The film maps work and forms of production in Boca do Lixo, popular area in Luz neighborhood located downtown São Paulo, where usually night clubs and sexual services establishments were located.

Prestes on May 1, 1987 at an event held by CUT in São Paulo.

The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.

Maria Bethânia takes her poetic narrative to Mozambique for the first time. The interpreter presents excerpts of works connected by different forms of expression in the Portuguese language. With testimonies from Mia Couto, José Agualusa and several Mozambican and Angolan writers and literary critics, the documentary shows the development of literature in these countries, delving on its importance during the anti-colonial resistance, the connection with native languages, the oral traditions and the influence of Brazilian writers.

Documentary on an elderly nursing home in Rio de Janeiro.

It tells the life of anarchist Antônio Fernandes Mendes from his birth, in 1936, in Quixeramobim-CE until his death, in 2015, in Salvador-BA.

Documentary about Waldemar Iglésias, a man living in Sorocaba, Brazil, who has been to the movies on a daily basis for 58 years. He talks about his childhood, his dreams, his favorite actors and actresses and the classic movies and cartoons.

Morro do Castelo was chosen by the Portuguese to found Rio de Janeiro city. It was an important historical and architectural reference. Despite its relevance, the hill was destroyed by urban reforms aimed to promote real state speculation.

Blending behind-the-scenes footage with eerie undertones, the documentary captures the making of Off Kid with the same unsettling and sensory atmosphere as the short. A journey between the real and the uncanny.

The charming soul of the streets.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

In Brazil, women's football has already been banned, has been the target of sexist comments and still receives less investment than men's practice in several aspects. However, instead of stopping them, women have fought to break down these barriers and continue to grow in the sport. "Beyond the impediment" is a short documentary that uses different perspectives to address women's persistence and passion for football. Here, it's forward and the game continues. This film was created and produced by students of the NÓIS NO DOC ONLINE 2023 course, carried out as part of the É NÓIS NA FITA project.

Originally from Bahia and considered today one of the most globalised musical movements in the world, Axé is a musical rhythm that carries in its essence a good part of all the musical and cultural syncretism of Bahia. The documentary brings together interviews and archive images outlining the birth of Axé.

Documentary about the tradition of clowns in carnival party in the neighborhood Rio Vermelho in Salvador.

During Carnival in Rio de Janeiro a group of men follows the tradition of dressing up as a woman. Only some of them started timidly, a few members of a circle, but the custom has been expanding year by year to become legion. Their wives help them to get the costume, but husbands usually prefer to go to the parade without them.

We follow Thays Bieberbach, a woman, mother, teacher and left-wing activist who decides to run for União da Vitória's city council in Brazil's 2020 elections, in a decisive, but dangerous historical moment for women politicians in Brazil.

Landfill is a documentary that emerged from the perception of a paradox in relation to litter. While most people want to get rid of it, I met some ladies, pioneers of recycling, that they miss the trash from others in side of the house. From the time where I met up making the film, many things happened, both in the media, with all the newly fallacious discourse of sustainability, and in my personal relationship with the trash, when I became the 'householder. ' This is a film of these seven women, who are truly experts.