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Miloš Čepelka's Steps

It is well known that Miloň Čepelka plays (not only) female roles in the legendary Jára Cimrman Theater. What is less well known is that, alongside Jiří Šebánek, Zdeněk Svěrák, and Ladislav Smoljak, he is one of the founding members of this groupe of researchers, which is studying the career of the fictional genius from Liptákov. In addition to his roles in theater and film, however, Miloň Čepelka is also a poet developing the ancient Japanese form of haiku, a prose writer, and a lyricist devoted to a wide range of musical genres, from pop hits to brass band music.

Miloš Čepelka's Steps

NR 2021
Sorry Toni

Thagang is the name of six girls' Snapchat group. This is where things happen now that they no longer see each other in school every day. They've been a group since nursery, and in the spring they finished at the Sweden-Finnish School. They've been in a Sweden-Finnish bubble, and now they're exploring new worlds for themselves. But their strong sense of friendship remains. This film portrays a day in their lives. It's a film about being 16, about friendship in the digital age, and puts the spotlight on how new forms of Sweden-Finnish identity express themselves in young people today

Sorry Toni

NR 2021
Hanau - Eine Nacht und ihre Folgen

The murderer came from the neighborhood: On February 19, 2020, an assassin shot and killed nine young people for racist motives in Hanau. Survivors and relatives report how they experienced the night of the crime and the months after it and how they defend themselves against the logic of the perpetrator who wanted to make them strangers in their own homeland. Since that February night, they have been fighting for the memory of the victims and for clarifying what happened. And they ask many pressing questions about the night of the crime and the perpetrator that no one has wanted to answer so far. The documentary consistently looks at the crime from the perspective of the bereaved and uses their stories to tell about troublesome life of a citizen of foreign descent in Germany today, about inequality and about the everyday racism of the authorities and educational institutions.

Hanau - Eine Nacht und ihre Folgen

NR 2021
Water & Coltan

This film contrasts two natural resources, two locations, and two layers in time. The common denominator is mining—and the traces it leaves behind in landscapes and communities. On the one hand, we have the depleted coal mines of Germany’s Ruhr region, where the long-term consequences of mining activity are emerging. On the other, we have the still-active mines in Democratic Republic of the Congo, where coltan—essential for the manufacture of smartphones and other devices—is being extracted from the earth.

Water & Coltan

NR 2021
Watching The Shadow | Controversial Firsts In Turkish Cinema

As we go into the past of Turkish Cinema, we come across a history full of obscurity and uncertainties, which has been narrated by film writers. The purpose of realizing this project is to reveal the wrong or incompletely known “firsts”. Based on the documents produced by cinema historians, one of the main goals was to scan the newspapers and magazines of the period from some missing parts to the whole, or to clarify some of the discussed issues. From the first screening venue to the first women on the silver screen and the stage, from the first color film to the first films that were screened, this documentary takes a journey from stop to stop, like a reference to the trains of the Lumières, which is made with an academic point of view, revealing the "true or incompletely known mistakes" with documents.

Watching The Shadow | Controversial Firsts In Turkish Cinema

NR 2021
La Manplesa: An Uprising Remembered

On May 5th, 1991, people took to the streets of Washington D.C.’s Mount Pleasant neighborhood to protest the police shooting of Daniel Gómez, a young man from El Salvador. Through testimony, song, poetry, and street theatre, La Manplesa weaves together the collective memory of one of D.C.’s first barrios and dives into the roots of the ‘91 rebellion. As people across the world take to the streets to demand an end to police brutality, the film honors the largely untold stories that have come before us, and explores how artists prompt us to remember what we still have to fight for.

La Manplesa: An Uprising Remembered

NR 2021
Utopia in Babelsberg - Science Fiction aus der DDR

DEFA made several science fiction films that are hardly known today. These productions, called "utopian films" in the GDR, show astonishing technical achievements. ...Science fiction at DEFA was never a war of the stars, no alien invasion, but in most cases an establishment of contact with the alien via signals, a recurring plot motif. Communication instead of confrontation. These films provide information about the image of a coming socialist society, about expectations and hopes, and they were counter-images to the officially condemned Western SF art.

Utopia in Babelsberg - Science Fiction aus der DDR

6.0 2021
A History of an Assignment

1962 year. Cuban Missile Crisis. The world is on the brink of nuclear disaster. Khrushchev has no leverage over the stubborn commander. The only thing he could do was send someone to Cuba whom he trusted, someone who could convince Castro. This person was Anastas Mikoyan. He was accompanied on his mission by Roman Carmen, a legendary cameraman who filmed the Spanish Civil War, World War II and the Nuremberg Trials. Mikoyan's business trip lasted almost a month. Day after day, step by step, like a real psychologist, he talked with Castro and Che Guevara, listened to their calls to "die beautifully" and destroy the enemy with one blow, and tried to persuade Cuba to compromise to save the world. This film was born thanks to recently declassified documents.

A History of an Assignment

NR 2021
I Am Not to Be Feared

Dagnis suffered in a serious accident that took place almost 30 years ago. He's had to learn to live with his disability and also his insomnia and loneliness, as he feels people are afraid of him. Now Dagnis has other worries: he's got a video camera in his hands for the first time of his life, and he has to make a film. He walks around the village of Vaidava, films and comments on everything he sees and hears. We have the opportunity to look at the life of a small Latvian village through Dagnis’s eyes. What does Dagnis think about the environment around him, the society and its ability to accept others?

I Am Not to Be Feared

NR 2021