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Decoding Saqqara, The Secret Hieroglyphs of the Pyramids

With Its Myriad Of Mysteries Ancient Egypt Continues To Work Its Spell. The Necropolis Of Saqqara Roughly 30 Kilometers From Cairo Holds One Of Egypt's Most Fascinating Treasures The Pyramid Of Pharaoh Pepi Ii. Few Know Of It As It Is Closed To The Public Yet It Holds The Vastest Collection Of Texts Of All Currently Known Pyramids. For The First Time In 90 Years Teams From The International Archeological Mission In Saqqara Open And Decipher This Wondrous Tomb. How Did The Egyptians Build The Pyramids? Their Walls Are Covered In Hieroglyphs But What Story Do They Tell? How To Crack The Mystery Of Texts That Are Over Four Thousand Years Old? Using Technological Innovations Such As Photogrammetry Endoscopes Hyperspectral Imaging And Ultrahigh Resolution Photography This Documentary Alternates Live Scenes With Staged Interviews To Plunge Us Into Saqqara's History And Offer New Insights Into The Pharaohs' Tombs.

Decoding Saqqara, The Secret Hieroglyphs of the Pyramids

10.0 2020
A Man is Dead

Brest, 1950. The war ended five years ago and nothing remains of the city. Massive bombings and intense fighting lasting more than a month turned the city, its docks, its arsenal, into ashes. Thousands of workers will build it up again, brick by brick. But with awful work conditions protests quickly arise and a strike begins. Violent confrontations happen during manifestations. Until one man falls. The next day René Vautier lands at Brest clandestinely to make a movie about the movement.

A Man is Dead

6.4 2018
Propagande, les nouveaux manipulateurs

Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.

Propagande, les nouveaux manipulateurs

8.3 2021
Hawaii, l'âme du ukulélé

A passionate ukulele player, cartoonist Joann Sfar ("The Rabbi's Cat") flies to Hawaii to explore the history of the little instrument, as well as the culture that surrounds it. For the pocket guitar, imported in 1879 by the Portuguese from Madeira who had come to harvest sugar cane, is the vector of a philosophy specific to the archipelago: the spirit of "Aloha", which condenses hospitality, joy, love and respect. With brushes in hand, Joann Sfar set out in search of the ideal instrument, meeting craftsmen, musicians, dancers and guardians of Hawaiian culture.

Hawaii, l'âme du ukulélé

NR 2020
Bullfight in Okinawa

Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.

Bullfight in Okinawa

3.0 1994
Daphnia

Titles in French and English help us know what we're seeing. In all waters, daphnia abound. They are crustaceans about 2 ml long, with one eye that turns in all directions. Antennae enable daphnia to move: in a close up magnified 150,000 times, we see the muscles of the antennae pulse. We see the eye, the nerve mass, blood globules, and the heart, beating several times per second. The intestine forms a long line. All are females; eggs develop above the intestine. New generations come rapidly. Inside each daphnia are tiny infusoria; we watch them clean the intestine of a dead daphnia. An enemy, the hydra, approaches. A daphnia dies, but many remain.

Daphnia

6.1 1928
Qui est Alice Guy?

A compelling investigation aimed at restoring the legacy of a fundamental yet often overlooked figure: Alice Guy, the first female director in history. Utilizing rare archival materials and staged scenes depicting moments from her life, the film traces the career of this pioneer who played a key role in the transition of cinema into a narrative medium. The work goes beyond celebrating her technical milestones —such as her early experiments with sound or the founding of an independent production company in the United States— to offer a sharp critique of the historical silence and erasure imposed on her work by scholars and film archives. Ultimately, the documentary serves as a necessary act of rediscovery to uncover the deep roots of female creativity in the cinematic world and challenges the traditional narratives that have long excluded women as active creative forces

Qui est Alice Guy?

NR 1976
Unknown Quantity

In the immediate aftermath of the 11 September Paul Virilio suffered from a malaise found very seldom among philosophers, which was caused by an excessive degree of confirmation on the part of reality. He broke off work on his book "L'accident Intégral" to put together an exhibition that was designed to illustrate the concept of the global accident in all its topicality. The outcome was the much-vaunted Ce qui arrive, which was housed in the Fondation Cartier pour l'art contemporain in Paris from 29 November 2002 to 30 March 2003. The cinematic installation, Unknown Quantity, which was a key part of the exhibition, features the staging of a discussion between Paul Virilio and Svetlana Alexiyevich, the author of the book "Chernobyl. Chronicle of the Future", the essential witness's statement on the conversion of history in catastrophe.

Unknown Quantity

NR 2005