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Solartaxi: Around the World with the Sun

What began as a childhood dream is now an epic 18-month adventure that spans the globe. More than a few have embarked on an 'around the world' adventure; some have even completed it, but no one has ever done so powered exclusively by the sun. Meet Louis Palmer and his home-made "Solartaxi". Full of surprises and apparently insurmountable obstacles, his journey begins in the summer of 2007. Solar energy is functional, efficient, and most importantly, reliable. A car with zero emission is not a dream. This film is proof. Along the way, Louis and his Solartaxi meet princes, movie stars, politicians and scientists, but most importantly, encounter ordinary people, showing them, mobility with the mere power of the sun is possible.

Solartaxi: Around the World with the Sun

8.0 2010
Desert View

The film Desert View is dedicated to the study of building and living in the semi - built satellite city Madinaty, located in the desert east of Cairo. The movie was made during a four-week residency experiment, to which the filmmakers had invited the three-generation Barakat family from ashweyat (informal residential district) Bashtil as a sort of cinematic diary. The temporary residents of Madinaty, filmmaker and Barakat family, captured their observations and experiences of architecture and their use from their respective perspectives and cameras. Two external perspectives on the desert dreams of the Egyptian middle and upper classes.

Desert View

NR 2017
Into the Violet Belly

Interweaving family lore, mythology, science fiction, and digital abstraction, Thuy-Han Nguyen-Chi’s film follows the collaboration between the artist and her mother, Thuyen Hoa, who fled Vietnam after the end of the American War via a near-calamitous sea journey. Oscillating between voices, visual registers, and timescales—was it seven months or seven thousand years?— Into The Violet Belly offers up an image of its multiplicitous structure: a massive digital swarm, tiny avatars of migrating bodies, swimming in an infinite blue.

Into the Violet Belly

2.0 2022
50 Jahre nach Stonewall

Fifty years after gays and transvestites resisted police harassment and the LGBTI movement began in June 1969 on Christopher Street in New York, homosexuals are legally equated almost everywhere in the western world. Homophobia is omnipresent not only in countries with rigid oppression, but also in our country. And that, although Parshippen, getting married and having children has also arrived in the LGBTI world and bars like the Stonewall Inn have outlived themselves. An inventory of our society 50 years after Stonewall.

50 Jahre nach Stonewall

NR 2019
Schocken, on the Verge of Consensus

Salman Schocken was the King of department stores in Germany. Before WWII, he owned 22 department stores with 6,000 employees. He possessed a unique collection of 60,000 rare books in German and Hebrew and founded a modern, Jewish publishing house. He was the lifelong supporter of Shmuel Yosef Agnon and he owned the Haaretz newspaper which still survives on the border of consensus. He supported secular, Jewish culture and identified with humanist, liberal Judaism, a relic of 19th century Europe. Today, in an age of unscrupulous market economy and militant Judaism, Salman Schocken’s ways point to an alternative, perhaps not entirely lost.

Schocken, on the Verge of Consensus

6.0 2020
Bonjour, Capitaliste...

This documentary film without commentary examines and describes the confrontation of (white) tourists with the still "undiscovered" North Camaroon. A combination of documentation, acting by lay people, interviews and self-portrayals are used. It is shown above all from the viewpoint of black Africans and narrated by four natives. The chief of an untouched village high in the Mandara mountains represents the "original" Africa; Christophe Colombe plays the guide in his native village, Rhumsiki; an African who has visited Europe and has got to know white people; and finally, the famous poet, René Philombé, recites poems.

Bonjour, Capitaliste...

NR 1982
Why is Mrs B. Happy?

The story of a miner's wife in the Ruhr area, and the story of 40 years of a worker's life in Germany. The biographical film acknowledges the proletarian tradition and is considered to be one of the most important documentary films of the late 60s that tried to combine the private sphere with the reality of society. The film's fascination lies, above all, in the personal charisma of the miner's widow from Duisburg. She knows how to tell the story in a vivacious and exciting way.

Why is Mrs B. Happy?

6.0 1968
Springtime Stories

Spring is a time of new beginnings and new life. The world is bursting with joie de vivre, and the sheer force of nature is never more tangible than during this season. In forests, fields, meadows and gardens, nature awakens from her icy grey winter sleep. The world takes on colour again. The magic of spring in all its glory is the focus of this film. Unusual animal stories – some humorous, some dramatic – create a very special springtime feel. Upbeat, amusing and exciting, the film illustrates vividly that spring in Germany is the loveliest season of all.

Springtime Stories

NR 2015
The Six Great North Faces of the Alps

Six big north faces of the Alps. The film consists of six films: "Die Wand der Wände" (Eger by Robert Jasper, Roger Schäli), "Das letzte Wort hat der Berg" (Matterhorn by Michael Lerjen, Jorge Ackermann), "Selig, wer in Träumen stirbt" (Grandes Jorasses by Felix Berg, Robert Steiner), "Licht und Schatten" (Piz badile by Hansjörg Auer), "Grenzen der Felskletterei" (Drei Zinnen by Alexander Huber) and "Der zerfallene Berg" (Petit Dru by Steve House, Andy Parkin).

The Six Great North Faces of the Alps

10.0 2014
MansFeld

A magical film about the mysteries of childhood and a thousand-year-old custom. Tom, Sebastian and Paul are three children from very different families. They live in a small village in 'Mansfelder Land', an area where the demise of mining has left its scars. Despite the changing times, the villagers have retained an archaic custom over the centuries. Just once a year, the younger ones are able to triumph over their elders, and this is the first hint at the changing of generations: springtime drives out the winter, and thus the young drive out the old. That's the way it's always been, and how it will always be - and once a year, this old magic returns to the hearts of the villagers.

MansFeld

NR 2013
Heavy Metal auf dem Lande

Donzdorf on the edge of the Swabian mountains in Southern Germany. A village just like any other, with a pointed church spire, a supermarket and a new housing estate. But Donzdorf is the seat of "Nuclear Blast Records", one of the world's most successful independent heavy-metal record companies. The company's boss, Markus Staiger, grew up with heavy metal, like many young people in rural areas, and has turned his enthusiasm into an empire with branches in Los Angeles and other major cities. Housewives from the village work for the mail order department, sending out bloody skulls to every conceivable place in the world. Listening Sessions are held in the village pub, where the offerings are commented on by the regulars as critically as by international journalists. The film takes a look at the occasionally comical interaction of the tranquil village inhabitants with the rather crude hard rock scene.

Heavy Metal auf dem Lande

NR 2006
Cicero - Zwei Leben, eine Bühne

Eugen and Roger Cicero were father and son, but above all they were extraordinary artists. While Eugen achieved fame as a piano virtuoso in the 1960s and performed with star singers such as Ella Fitzgerald and Shirley Bassey, Roger filled huge concert halls years later as one of Germany's most gifted singers. Their life stories are inextricably interwoven and show fascinating parallels - genius paired with an unparalleled passion, the overcoming of boundaries, the balancing act between commercial success and artistic integrity and ultimately the tragic outcome that still shakes the music world today.

Cicero - Zwei Leben, eine Bühne

5.0 2022
Robert Redford: The Golden Look

More than anyone in the cynical film industry, legendary artist Robert Redford embodies the United States' brightest side: perseverance, independence, idealism, and integrity. A champion of active environmentalism and the right to openly criticize any institutional abuse, he has put his artistic work at the service of his political commitments, whether as an actor, director, producer, or founder of the Sundance Festival, a formidable forum for his struggles since 1985.

Robert Redford: The Golden Look

6.7 2019