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The Nights Belong to the Novelist

This documentary explores the imaginative world of Australian novelist Elizabeth Jolley. It combines readings, dramatised segments, and witty and playful interviews in which Jolley talks about the craft and practical problems of writing, and her fictional treatment of old age, women's relationships, exile and displacement. Dramatic sequences bring to life Jolley's unforgettable characters. We see the funny, sad and bizarre worlds created in 'Woman in lampshade', 'Milk and Honey', 'Miss Peabody's Inheritance', 'Mr Scobies' Riddle' and 'Palamino'.

The Nights Belong to the Novelist

10.0 1987
National Geographic: Iceland River Challenge

A remarkable film from the National Geographic's daring EXPLORER series, ICELAND RIVER CHALLENGE follows twelve modern-day pioneers on a treacherous expedition down a remote Icelandic river. Crash through waterfalls and glide through sparkling glacial tunnels on this breathtaking journey. Using kayaks, inflatable rafts, and ultralight aircraft, the adventurers journey through the beauty and isolation of this dangerous waterway. Come explore a river that has, until now, defied exploration; witness the heart-stopping power of nature in all its glory with ICELAND RIVER CHALLENGE.

National Geographic: Iceland River Challenge

7.0 1984
Pitchmen

If you've ever bought a wonder wallet, a food slicer, a canapé maker, a patty stacker, a miracle brush or a super knife, you may know that the CNE, the Calgary Stampede, and virtually every home show, car show, craft show, fall fair and ploughing match in Canada has at least one thing in common. At hallway intersections and bleacher exits work the second cousins of the carnival barker, the crowd pleasers and teasers, jugglers of people, product and pitch: the point-of-sales professionals known as pitchmen. This documentary looks at the psychology of the impulse sale and provides a view of the world of commerce, salesmanship and advertising at the grass-roots level. The men and women featured in the film have mastered the fine art of selling everything you never needed. Shot at fairs and on the set of a late-night TV commercial, the film shows the hard work behind the hustle.

Pitchmen

10.0 1985
When the Fog Is Swept Away

Documents rapidly vanishing old houses and craftsmen in the mountainous eastern Black Sea region. The nail-less dovecoting construction of old log cabins withstands earthquakes. Sites in villages like Savsat were chosen both for their protection from snow and avalanches, and built on the poorest soil to leave the meagre arable areas for cultivation. In Ikizdere there are still stone and half-timbered structures. All these spacious homes are notable for their interior panelled walls and ceiling, elaborately carved and embellished. Various other techniques in Sumene and Rize are illustrated.

When the Fog Is Swept Away

NR 1986
Once I Was a Child

The interviews conducted by Tamara Trampe in a Pankow kindergarten testify to a rare attempt to enter the world of the young interviewees completely, to give their stories a space where reality and fantasy, worries and wishes can mix freely. A space that’s not always provided in the daily life of the kindergarten, as the film casually suggests even after it was toned down by the DEFA censors: toilets without doors, ghastly birthday parties and friendly but unmistakable reprimands when the children let too much dialect slip into the grammar exercise or when their pictures of soldiers are not realistic enough.

Once I Was a Child

NR 1987
Understanding and Choice

A documentary produced to disseminate historical truth about the 1937 Nanjing Massacre to international audiences. It records the Shorinji Kempo Organization of Japan’s 40th-anniversary visit to China, but rather than serving as a simple travelogue, it uses the 299 participants’ journey—beginning in Nanjing—as a confrontation with the facts of Japan’s wartime aggression and the choices demanded in the present. Through Chinese filmmakers’ perspectives, testimony, archival images, and narration addressing the Nanjing Massacre, nuclear war, militarization, and historical responsibility, the film asks viewers to reject indifference, self-justification, and the concealment of inconvenient history. It argues that peace cannot remain an abstract ideal or be left to governments and power-seekers; each person must begin from the shared human right to survival, face history honestly, and choose concrete action toward mutual understanding and peace.

Understanding and Choice

NR 1988
El rey del bandolín

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

El rey del bandolín

NR 1985
You Only Have To Draw The Bow Back

This documentary explores the diversity of Moscow’s underground youth culture during the late Soviet period. Filmed around alternative art scenes and informal gatherings, the film depicts hippies, metal fans, and members of the city’s artistic subculture, including residents of the Bulgakov House squat and participants in the unofficial “Love Street” art festival. Performances by alternative bands such as Zvuki Mu, Nikolai Kopernik, and Oblachny Krai are featured.

You Only Have To Draw The Bow Back

NR 1986
Chris Cree Brown: Electronic Composer

“Sonic artist” Chris Cree Brown discusses composing with new media and how he orchestrates particular sounds into formal compositional structures. Some sounds are made instrumentally, while others are recorded from his environment. In 1980 few classically-trained musicians in New Zealand experimented with synthesized sound and the gloriously large and sturdy equipment Brown uses to create his music will be of sure anthropological interest to many musos. The documentary was recorded with no script to capture the true art of creation.

Chris Cree Brown: Electronic Composer

NR 1980
Only the Ball Was White

Throughout the 1900's, before Jackie Robinson broke baseball's color barrier in 1946, black baseball talent blossomed in the Negro Leagues. Baseball buffs still sing the praises of Josh Gibson who could be counted on to hit 70 homeruns in a season, and Satchel Paige who pitched over 100 no-hitters in his career. Only the Ball Was White pays tribute to the many topflight players from the Negro Leagues. Narrated by actor Paul Winfield, the program documents a bygone bittersweet era in baseball and the men who were denied stardom by the color line. Ballplayers throughout the country were interviewed for this program, all of them quick to tell tales of the life, the competition, and the camaraderie. These include: Satchel Paige, Roy Campanella, Buck Leonard, Jimmy Crutchfield, David Malarcher, Effa Manley, and Quincy Trouppe.

Only the Ball Was White

9.0 1980