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Dali In New York

Filmmaker Jack Bond and Salvador Dali got together at Christmas 1965 to make Dali in New York, a highly entertaining film. Dali devoted two weeks of his life to creating extraordinary scenes for the film, performing "manifestations" with a plaster cast. A thousand ants and one million dollars in cash. When he confronts the feminist writer, Jane Arden, sparks fly. "You are my Slave! I am not your slave. Everybody is my slave." Dali recalls his meeting with Freud, "The last human relationship ever" About his wife, 'But for Gala I would be lying in a gutter somewhere covered with lice" Jim Desmond's dazzling cinematography captures the great artist painting as Flamenco virtuoso Manitas de Plata performs. Dali in New York is a rare treat for anyone who loves film and the living theatre of Dali's surreal universe.

Dali In New York

5.8 1965
Polnische Passion

Polish expatriate Janusz Piekalkiewicz put together this documentary about his homeland's struggle in World War II from 1939 to 1945. He draws from his personal experience as a participant in the Warsaw ghetto uprising and his incarceration in a Nazi concentration camp. Piekalkiewicz, who fled Poland in 1957, also focuses on the terror of the Stalin regime that followed the war, and newsreel footage is used to set the stage for the 1939 agreement between Hitler and Stalin. Piekalkiewicz maintains the film is not anti-Russian but admits it is definitely anti-Stalin in its presentation. He also points out that there were more casualties in Poland than the combined total of casualties suffered by the Western allies.

Polnische Passion

10.0 1964
Ese humo y su historia

“Appearing to be an advertisement for a cigarette factory, this orphan film conceals a utopian project that goes beyond the scope of its original purpose: shot in the Dominican Republic, it consists of illustrations depicting the colonial process, a book of poems by a Dominican writer, the fields of the Cibao region, a man and a woman multiplied by mirrors and smoking, credits that point toward a voice-over narration and songs we never hear, as well as a whole array of film material, perforations, scratches, and secret messages that bind these traces together." - Diego Cepeda

Ese humo y su historia

NR 1963
Oslofilm: The Munch Museum in Oslo

A film about the opening of Norway’s first Munch Museum. It was from this museum that the paintings The Scream and Madonna were stolen in 2004—an event that triggered a national debate and ultimately led to the decision to build the new Munch Museum. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: The Munch Museum in Oslo

NR 1963
Little Ones Describe the Big World

Little Ones Describe the Big World is not so much relevant as a sample of the directorial work of filmmaker Gabriel Barta as much as it is as an example of the early writing of one of Romania’s most peculiar and prolific writers, Radu Cosașu, who, at the time, worked closely with the Sahia studio after going through a difficult patch with the political establishment. The film is structured through the father-daughter dialogue written by Cosașu to lend colour and a narrative to the aforementioned exhibition. The style of his writing combines the wit, irony, and casual tone that have become his trademark: here, however, these qualities are put to work for the benefit of the socialist state’s political agenda.

Little Ones Describe the Big World

8.0 1960
Aga Khan

In 1960, Robert Drew founded his production company Drew Associates; joining him were a number of well-known or soon-to-be well-known documentary filmmakers including Richard Leacock, Albert Maysles and D.A. Pennebaker. Between 1960-63, Drew Associates produced 17 documentary films for television. Aga Khan was part of a 12-film subset of these known as The Living Camera, which were funded by Time and broadcast in syndication around the country. It shows the young Prince Karim at a time when he recently took over as spiritual leader of his Ismaili Muslim community. The film follows him to Switzerland, France and Africa as he steps out of the shadows to lead as the hereditary Imam.

Aga Khan

NR 1961
Oslofilm: Oslofjorden og småbåtene

An informative film about marinas and boating life in Oslo, including a historical retrospective. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Oslofjorden og småbåtene

NR 1961
The Artist Who Did Not Want to Paint

This short, a prologue to the feature film The Agony and the Ecstasy (1965), focuses on Michelangelo’s life and his many famous frescoes and sculptures. After a short visit to Caprese, where the artist was born, and the town where he first studied his craft, we see many of his most important works. They include the Madonna of the Stairs, completed at age 15; the statues of the Medici Tombs; and his two most famous Biblical figures: David and Moses.

The Artist Who Did Not Want to Paint

NR 1965