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Los resistentes

Stories of protagonists of the clandestine struggle called Peronist resistance, between 1955 and 1965. First the bombings of the civilian population of Buenos Aires on June 16 and then the military coup of September 16, 1955, drive workers and people from the people to come out in defense of the Perón government. There the "abnormal, excessive, hallucinatory odyssey of the Resistance" was born, the clandestine struggle against a bloody dictatorship called the "Liberating Revolution" and renamed the "Fusiladora". Today, those same men and women with more than 70 years, remember their struggle, and still vindicate themselves as resistant.

Los resistentes

NR 2009
Gustavo Bueno. La vuelta a la caverna

At 91 years old, Gustavo Bueno is a living example of the philosopher, in the sense that Plato gave to this activity in his myth of the cave 2,500 years ago: in our complex world saturated with information, objects and ideas that often stun us, philosophical criticism allows us to reinterpret the appearances and shadows to which we are chained. The role of the philosopher is to constantly return to the cave to undo its shadows, as Gustavo Bueno literally did when he went down into the mines in the 70s or when he went to television sets to debate about "Gran Hermano".

Gustavo Bueno. La vuelta a la caverna

7.0 2015
Crowd

In the margins of the city, two lots sharing coincidences are placed in a dialogue. They were both locations for entertainment built by different dictatorships: The Sport City of La Boca was built during Ongania's de facto government, and the Interama amusement park opened near the end of the last military regime. Today both places are in ruins and their surroundings harbor settlements and shanty towns where thousands of families live, many of them migrants and in extreme poverty. Through a thorough investigation, Oesterheld becomes an explorer with a privileged eye who films the transit of those characters as they frequently pass through these places, and he depicts the present day over the tracks history left on the urban landscape. The result is a Buenos Aires City seen from its ends with perplexity, beauty, emotion and a neutral eye. The film combines densities with an analytical storytelling that is yet deeply atmospheric and transforming through the reality it manages to capture.

Crowd

NR 2013
Cautivas

Currently, 24 countries prohibit the termination of pregnancy under any circumstances. El Salvador has one of the most restrictive abortion laws in the world. There, women accused of having an abortion can be sentenced to up to 40 years in prison for aggravated homicide. Cautivas tells the story of Cristina Quintanilla, who was sentenced to 30 years in prison for having an abortion. She was released from prison after four and a half years when her case was reviewed, with her life already ruined and a criminal record that will haunt her for the rest of her life.

Cautivas

NR 2024
The Sisters of Rocinante

The outbreak of the economic crisis in Spain led thousands of horses (a symbol of prestige in the years of plenty for nouveau-riches) to be abandoned by their owners. On the southeastern coast of Spain, a 45-year-old British woman, aided by her volunteer helpers, has set up a rescue farm; a modern-day Noah’s Arc that offers refuge and healing to undernourished and tortured horses (and other animals). A humble yet noble tale of perseverance and endurance and a parable for our times, which applies to people as well: once our shine comes off, society deems us redundant.

The Sisters of Rocinante

NR 2019
30 Years of Darkness

When the Spanish Civil War came to an end, Manuel Cortes was unable to flee the country. After a long journey, he managed to get back home in the dark without being discovered. His wife, Juliana, told him how the winning forces were shooting many of their fellow citizens. Manuel and Juliana decided to dig a small hole in the wall for Manuel to hide in. He could not even begin to imagine that this small hideaway was to become his private jail for the following 30 years. This is the story of the so-called post-war moles, people who had to put their lives on hold in order to escape from the repression imposed by the victors of the civil war.

30 Years of Darkness

7.2 2012
Buñuel: A Surrealist Filmmaker

Javier Espada explores how Luis Buñuel, one of the greatest precursors of surrealist cinema through works like An Andalusian Dog and The Golden Age, began to move away from this movement but never completely abandoned it, maintaining a strong oneiric element in his films. Taking us deep into his past and evolution as a creator, this documentary provides an unprecedented window into the world and work of an irreplaceable genius whose influence has reached the rest of the arts.

Buñuel: A Surrealist Filmmaker

6.8 2021
sin título

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

sin título

NR 2021