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The Lions of Etosha

Nearly 500 lions roam the vast land of Etosha National Park in Namibia, each pride guarding territory, raising young, and feasting on prey. Filmmakers Des and Jen Bartlett spent nearly five years filming the Ombika pride, a family of 19, resulting in this 1 hour documentary. They tracked their special pride of lions to record the rivalries, loyalties, and complex animal relationships. Catch a rare glimpse into the pride system, from family interactions and shared responsibilities to raising cubs and teaching them to hunt. Watch the pride's success and failures, battles and births, and encounters with elephants and the rarely seen black rhino

The Lions of Etosha

7.0 1981
DEFA: Wurzeln

The compilation film looks back on four decades of East German film production to mark the 40th anniversary of DEFA. Beginning with the founding event of DEFA on May 17, 1946, it continues with film clips from many test recordings of the first feature films after licensing. Well-known directors, screenwriters, actors and musicians accompany the historical newsreel and feature film excerpts and thus bear witness to the reconstruction work in the early post-war years. A documentary that reflects the diversity of DEFA productions in the film and newsreel sector.

DEFA: Wurzeln

NR 1987
Body Fluid

A skillful, sensual rendering of an intriguing performance orchestrated by the artist. Through a fog-laden atmosphere, iconic figures emerge to perform on a huge turntable. Our look at this garishly lit spectacle is mediated by the gaze of a female Red Guard. All flesh and brilliance, this tape appears to critique popular culture by robbing it of any ostensible content. Hollywood proverb says, beneath the surface of fake tinsel lies only the real tinsel – the detritus of our times.

Body Fluid

NR 1987
The View from Avenue A.

Shot in NYC in 1984 and commissioned as a portrait of the Dutch expatriate artist Anton van Dalen, The View From Avenue A is also and more interestingly and profoundly, a portrait of another disappearing place, in this case, the dying (or revivifying, depending on your point of view) lower east side of Nest York. Deutsch brilliantly charts a history of a lost place, here not just a physical land- scape, but a landscape of the mind, that is, the artistic "bohemia" of the 60's and 70'e, changing soon to be completely gone, crushed, inexorably, by history." —Steven Simmons

The View from Avenue A.

8.0 1985