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Everything I saw during 2012. This work will show you the dynamic moment of changing from film image to digital image. —Takashi Makino

8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s Testament - Sequel or IDOMU II. In Saitama prefecture Chichibu city there’s a mountain which was most loved by Tokugawa Ieyasu (founder of Tokugawa shogunate). It is Mount Buko, which rose 2 hundred million years ago when the pacific plate moved the underwater volcanoes around Hawaii. It is like the giant turtle shell where Myouken bodhisattva stood. A gentle mountain which heals people’s hearts and gives them the blessings of green and water.

The stair of steps appear checkerboard room. Conflict between a young man tries to fit the situation and the stickman ridicules him.

In deep Hengduan Mountain Range, western Yunnan of China, there hides a special village which is not known by people outside. All the villagers inhabited here are children between 6 and 14. They live in the village all year round to complete their six-year study in a primary school. Quite a few documentaries focus on this area, but "A student Village" is particularly touching because it portrays the optimism of the poor and shows respect toward them. Upon finishing the film, Director Wei Xing brought it back and showed it in the village. Villagers from miles away walked to the screening and shared in the festival-like atmosphere. The documentary received great feedback after it was broadcast on television.

The person in the photo is my grandma. She passed away… After developing this roll of film, I found out this is the only portrait. My grandma is blurred in this photo. I neither knew the reason what happened to me back then. The distance between me and Grandma has always been so far, and the closest one. It's the moment when our eyes meet in the camera.

Can both your parents with mental disorders affect you being a teacher?

Feature-film directorial debut by Nobutomo Naoko, who has made numerous TV documentaries based on her personal experiences, including her own struggles with breast cancer. The film patiently captures her 95-year-old father caring for her senile mother as seen from her perspective as their daughter.

This music documentary follows the path of Yoon Do-hyun Band on its daring adventure of a tour of Europe. During the month-long tour of Europe, sharing a bus with an unknown British rock band, the band members are faced with the challenge of performing for 2 hours in front of an audience of 20. Such experience brings them back to where everything started. What they were faced with was not a new audience but perhaps their own forgotten selves.

Shot in Japan, the film brings together the voices of today’s women with the lives and texts of Fumiko Hayashi and Yuriko Miyamoto, focusing on gender, politics and love.

About the Japanese artist Takashi Murakami. We get an unique look at the creative process before a solo exhibition in Tokyo during 2024.

Documentary of Nana Mizuki's summer tour of LIVE SENSATION, filmed at Shibuya Public Hall with Zepp and Hal Another Side.

The last live performance of Number Girl's last tour, recorded on November 30, 2002 at Sapporo Penny Rain.

A five-part documentary chronicling Toshio Matsumoto, the legendary filmmaker known as a pioneer of experimental cinema in Japan and also active as a film theorist, who exerted a profound influence on innovative film expression from the 1950s onward. Directed by filmmaker and critic Takefumi Tsutsui—himself both a filmmaker and critic like Matsumoto—the project was filmed over the course of ten years. Interweaving excerpts from Matsumoto’s works with an extensive series of interviews with collaborators and critics, the documentary retraces, through the figure of Matsumoto, the tumultuous decades from the 1950s to the 2000s across five parts, totaling 700 minutes.

10-Feet Movement anti-nuclear documentary film

1997 documentary, part of the Taiwan-produced series "Personal Memoir of Hong Kong", is both a self-portrait and a depiction of Hong Kong during the 40 years preceding the handover by the United Kingdom to China.

In February 2012, I went to Ishinomaki, a town North of Tokyo that was half destroyed by the tsunami of March 11th, 2011, to meet the disaster victims who now live in temporary housing. I spent several days in the North, under the snow, listening to these people talk candidly about what they had lived through, telling their own stories without the media as an intermediary. Their testimonies were terrifying, harsh and sad, but at the same time touching, sincere and human. From the pictures and interviews that I collected, I decided to make a film, not to reflect how awful the events were, but to communicate the singular and even surreal nature of each person’s experience. My intention wasn’t so much to focus on this particular event in Japan, but rather to make these stories more universal as a way of paying tribute to all the victims of natural disasters throughout the world.

Finalist for the 1991 Yamagata International Documentary Film Festival. The pottery produced in Penyao Village, Henan Province, is black, which is the same texture of the exquisite pottery of Longshan culture in China in 2000 BC. In the village, these black pottery basins and black pottery jars are indispensable to life. Wang Zhengcheng began to learn how to make pottery at the age of 13. He has always wanted to become an excellent craftsman like his grandfather in order to restore the glory of his family.

Kabukicho, located on the east side of Shinjuku, is one of the more famous red light districts in Tokyo. There are over 3000 registered bars, and at least 1000 of them are Taiwanese-owned. In the late 1970s, over 10,000 Taiwanese women left for Japan for work and wealth. Most of them settled in Shinjuku. The women worked over 20 years at bars to send money back home

An experimental documentary beginning as a cold chronicle that describes hygiene management in industrial sites in Korea, then suddenly jumping into sociology of leisure and hobby that represents today's thinking about labor.

In 1978 Deng Xiaoping set up Shenzhen as a Special Economic Zone in China, and this decision led to the rapid development of Guangdong economy. Numerous factories have been established, millions of people are attracted because of gold rush. Over 30 years later, young people who were away from their home have already stepped in the midlife. Guangdong has become a representative of job hunting and has been drawing a newly young generation who has faith and uncertainty to the future. This video revolves around three working-class boys who are the 90s generation.

A diary film about Kawase's relationship with her grandma and her search for her father, whom she has not seen since her parents divorced during her early childhood.

After quitting filmmaking about the tidal flat that underwent Saemangeum Seawall Project a few years ago, she moved to Gunsan-si, a city of Saemangeum, as she seemed destined to. Sura: A Love Song delivers the course of rediscovering the beauty of the tidal flat working together with the Citizens’ Survey Group on Saemangeum that has continued its research for nearly twenty years.

Feature film by Donut Manatan Phanlitwongsakun Making a movie with a sense of benevolence And commemorating His Majesty King Bhumibol Adulyadej Borommanabophit through the story of King Rama IX's residence in Lausanne, Switzerland in 1933 until His Majesty King Bhumibol Adulyadej in .Prof. 1951 to officially ascend the throne "Record of the distance ... to the Father" compiles the journey of King Rama IX in the year 1933 - 1951 through the royal writing And postcard Including photos of his hands Video interviewed And interviewing important people who used to offer His Majesty's work

The documentary “Be Water” records the clash in West Kowloon on 20th October, 2019. Police issued objection notice to the march protest organised by Civil Human Rights Front. The march eventually turns into a clash. Protestors flowed like water, disperse and re-assemble while contending the police.

In 1871, a ship traveling from Miyako Island to Shuri to deliver annual tribute was caught in a storm and drifted to southern Taiwan. Onboard were 69 Ryukyuan passengers who reached an area inhabited by the Paiwan people. However, some Ryukyuans were killed in a tragic incident that later became known as the Mudan Incident. This event was used as a pretext for Japan’s invasion of Taiwan (the 1874 Taiwan Expedition) and also influenced Japan’s annexation of Ryukyu, significantly shaping the geopolitical landscape of East Asia.

My mother left our home in Korea when I was 7 years old. I lived as if our father’s new wife was our real mother. My first name changed, we moved, I enrolled in a new school. My mother was a fallen woman never to be talked about. I could only stare at holes cut out of family photos, knowing it was her. Years later, now a filmmaker in France, I suddenly started having vertigo attacks that prevented me from working - my brain was deleting one of my eyes’ two images instead of merging them. As my world span, my thoughts returned to the blind spot in my existence: my mother. I learnt my father accused her of adultery, a crime in Korea until 2015. Sentenced to 8 months in jail, with no support from her family, she had to resign as a teacher and didn’t own a place to live. What was it like to be stamped an ill-reputed woman and shunned by 90’s Korean society?

Visualizing the 2030 Bangkok from the eyes of an activist who dreams of "the new imagination". Along with the generated images of the city by the AI Midjourney.

The documentary film Chinafrika.mobile is tracking the life cycle of a mobile phone. From its birth in the mines in the Kolwezi, DR Congo, to its manufacturing in Chinese factories in the Pearl River Delta to its use and death in the markets and recycling dumps in Lagos, Nigeria, the mobile phone camera sends images of its global journey to the viewer's mobile phone display.

An intimate character study of the complex figure Ittetsu Nemoto, an aimless and rebellious former punk rocker-turned-Buddhist priest. He is renowned in Japan for saving the lives of countless suicidal men and women through his wise and compassionate counsel. But Nemoto is now approaching middle-age with a wife and young boy of his own, when he learns his life is at risk from heart disease, compounded by the heavy emotional workload of supporting those who no longer want to live. When saving others takes such a toll, can he find the resiliency to save himself?

An exchange of filmed correspondence between three documentarists, respectively Indonesian, Serbian and South Korean. Attentive to cultures other than their own, each films zones with blurred or shifting borders.

My Town, My Youth is an inspiring film shot twenty years after the official recognition of the disease and focuses on a group of young people (many born with the disease) as they mobilise to keep their cause visible by organising a concert by the popular enka singer Ishikawa Sayuri.

A documentary short about a man constructed facial mask map during the pandemic.

Masato Hara made his directorial debut in high school in 1968 and achieved a reputation as a young prodigy. Many years later, he continues to make films and show his old experimental 'live-screening' films, but is saddled with massive debts. This film follows eight years in his life.

Yoo Kyung-geun, who lost her daughter Ye-eun in the Sewol Ferry Disaster, sits down at the podcast production studio. It is to meet with the bereaved families of numerous social disasters before and after the Sewol Ferry Disaster. They are Hwang Myung-ae, the mother of Han Sang-im who died in the 2003 Daegu Subway Fire, Ko Seok, the father of Gahyun and Nahyun who died in the 1999 Sealand Youth Training Center Fire, and Bae Eunsim, the mother of Lee Hanyeol who died in 1987's June Struggle. The bereaved families talk about "the life after" and their daily lives, and Yoo Kyung-geun learns to live without Ye-eun.

A documentary about a man who continues to document the "Yokkaichi Asthma", caused by the pollution in Yokkaichi City, Mie Prefecture, which became a social problem in the 1960s and 1970s. Together with Mr. Yoshiro Sawai, who published the book "Record of Pollution" and has supported the victims not only in court but also mentally, this book brings the problems of Yokkaichi, past and present, into sharp relief.

Nana Xu travels to the place built by her father as a prisoner during the Cultural Revolution: first a work camp, later a prison, fruit farm and treatment centre. Conversations with last remaining witnesses, where home is still shaped by a repressed past.

A renowned old hotel near Nagoya Station has been in the red for four consecutive fiscal terms. When the old management stepped down, Akio Shibata, who has long been in the board of the labor union, is appointed its new general manager. Shibata's method for reviving the hotel consists of neither the laying off of the staff nor the introduction of performance-based system. He wants everyone to take part in the making of new management plans and for all employees to lodge together and engage in heated discussions about their management dreams all night. Yes, his management ideal is to "have the happiest employees in Japan" working in their hotel. He throws birthday parties for employees and has company cafeteria remodeled. All these changes bring about yet another change in the mind of everyone.

In 2009, a group of Korean obstetricians blew the whistle on their fellow doctors and hospitals that performed surgical abortions, leading to an uproar in the society. This gave various organizations such as religious and civic groups to issue statements about this issue, and the media did not miss the chance to make reports almost every day. After a few years, a group of women stand before the camera, holding an online poster that read “I Want to Hear Your Voice.” As the women’s experiences that had been thus hidden behind the arguments are revealed bit by bit, the story then takes us back to the past.

Before the Flood is a study of the final weeks of a dying city, as thousand-year-old Fengjie on the Yangtze River is reduced to rubble and its inhabitants uprooted to make way for the new Three Gorges Dam that will flood the entire valley.

A performance held in Chuncheon celebrates the 50th anniversary of the debut of the mime artist Yu Jin-gyu. The film breathlessly follows what happens before and after the performance – from rehearsals to the after party, interviews and filming. some point out that jin-gyu’s art has changed, while others try and surmise where his desires are directed. jin-gyu reflects on ‘the poetic expression of desire’ through mime and prepares to move forward.

The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.

Shot over 14 months, this film records the everyday lives of children at a boarding kindergarten in Wuhan, Hubei Province. It shows how they experience an education overburdened with social and historical background. It catches their moments of laughter and happiness, their struggles against setbacks that they do not always understand, their thoughts about issues that arise both in their own and in the adult world. It is a film that makes everyone laugh, but the naivety of the children is always shown from their own perspective. Deep insights are embedded in the seemingly light-hearted scenes and not only about childhood. For the film is also a metaphor for the adult world. As the opening line of the film says: "They are our children, but maybe they are us ourselves."

We Love BTS 2018

A semi-documentary film about the violence and conflict of unfairly dismissed workers from the Heungnam fertilizer plant and their efforts to fight the production owners.

Documentary about Japanese pearl fishers.