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This analysis is based on an ideological commentary on Renoir's film. From the beginning, the reading, unilateral, gives keys to interpret the characters: "These are shadows returning to the castle". Renoir "paints the lie of a society that no longer believes in its own values".

Thomas Sankara, former president of Burkina Faso, was known as "the African Che", and became famous in Africa due to his innovative ideas, his devastating humor, his spirit and his altruism. More than a classic biography, this film sheds light on the impact that this man and his politic made on Burkina Faso and Africa in general.

French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.

Peyangki is a dreamy and solitary eight-year-old monk living in Laya, a Bhutanese village perched high in the Himalayas. Soon the world will come to him: the village is about to be connected to electricity, and the first television will flicker on before Peyangki's eyes.

An in-depth investigation into the double crime of the Papin sisters, which made headlines in the early 1930s and has fascinated readers ever since. Claude Ventura returns to the circumstances of the savage murder of their boss by the Papin sisters, which occurred in Le Mans on February 2, 1933. This case fascinated Jean-Paul Sartre and Simone de Beauvoir as much as Jean Genet and Jacques Lacan.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

Three young cinephiles follow Jean Douchet, question his friends and former students. This documentary reveals the man and his critical philosophy, a part of the history of Cahiers du Cinema and this art of loving to which he has devoted his existence.

Being and Becoming explore the choice not to school ones children, to trust them and to let them learn freely what they are passionate about. Through four countries, the US, Germany (where it's illegal not to go to school), France and the UK, the film is a truth quest about the natural desire to learn.

Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.

The Making of Amour

Inland from the chalk plateau of Pays de Caux, the rituals of smoking hives and honey extraction are documented by an apprentice beekeeper, and a schoolboy watches from his classroom window over fields of rapeseed blown about by a coastal zephyr.

A short portrait of the United States, conceived from historical footage of Native Americans to police bodycam recordings and strip club scenes. This short film reflects on the tensions, contradictions, and realities that shape the nation. It is presented as a segment from the larger work Naughty America.

After decades of inaccessibility due to unrest and wars, teams of archaeologists from around the globe return to the greatest sites in Mesopotamia in a bid to save what can still be saved.

Directed by Paris-based filmmaker Joaquim Bayle, PRECIOUS builds on Carhartt WIP’s last full-length skate project INSIDE OUT, which was released in 2022. The name of the project derives from the delicate yet gruelling process of shooting tricks on film. “Now that I understand skateboarding a little more, I wanted to pay tribute to its subversive form, its poetic form,” says Bayle of the feature, describing a “precious feeling I had when I started skateboarding and which, as I have gotten older, I've tended to forget.” In encapsulating this, he employs a multi-sensory approach. Warm, gauzy footage is punctuated by shutter clicks and black and white photography. Quiet moments of reflection are interrupted by the sound of wheels on concrete. Softly spoken word drifts in and out of a soundtrack of sludge metal and synthwave.

Discovering Paris under the German occupation through the story of an SS soldier and more generally of Wehrmacht soldiers allows us to follow the daily life on the German side. These soldiers enjoyed privileged status, during their stay, they were led to believe that they belong to a social elite, a status unreachable back in Germany during peacetime. And who better than a German who has led such lifestyle to serve as a common thread and tell this story?

Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures.

Lumiere panorama shot.

October 8, 2005. Togo, one of Africa's poorest countries, qualifies for the World Cup for the first time in its history. The achievement is not only historic; it also hastens the end of the bloody civil war that has been ravaging the country for several months. On the eve of the World Cup opening in Germany, hopes are high in Lomé, the capital of Togo, that the national team will restore pride and prosperity to an entire people. However, disillusionment quickly sets in. The team had not even entered the competition when it was already beset by endless internal problems. What if soccer, in the end, was nothing more than a reflection of the deep-seated problems that have been plaguing Africa for years?

Lacus is a film made up of a single fixed sequence shot, about thirty minutes long, which shows the communal lake of the village of Priay, in the Ain department, dug out of old gravel pits, on the left bank of the Ain river.

The life of the writer, journalist and painter Borvine Frankel, who crisscrossed Europe and the world.

A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.

A short personal filmed journal about the director's nervousness in presenting a script and awaiting the decision about whether it can be made.

Shot while he was preparing Un Flic, Melville carefully leads Labarthe through the trajectory of his career, from his daring debut The Silence of the Sea to his great successes of the 1960s, Le Samourai and Le cercle rouge. Labarthe also details the development of the Melville “myth: the dark glasses, the trenchcoats, the Ford Mustang, and his general tough-guy demeanor. This documentary first appeared as an episode on the French television series "Cinéastes de notres temps".

Because he found a box washed up by the sea holding unknown contents, a poor and despised fisherman and his daughter are suddenly courted by everyone in the village.

Connie Converse was a trailblazing singer-songwritter who bared her soul through thought-provoking music only to discover that 1950's America was unprepared for such candor from a woman. Discouraged, Connie packed her VW Bug and disappeared forever, leaving behind a body of work in a carefully indexed filing cabinet, hoping the world might someday be ready.

400 years ago, in Japan, a revolutionary art was born and would influence the greatest Western artists of the late nineteenth century, the Ukiyo-E "floating images of the world." A wonderful trip in a world of beauty and discovery. The concept and objectives of this documentary are, on the one hand, to show, teach and discover Japanese art (Japanese stamps and prints) and, on the other hand, to demonstrate the influence of Japanese stamps on Western modern art, showing in comparison some of the Most famous paintings (impressionism or paintings by Van Gogh).

Game Girls follows Teri and her girlfriend Tiahna as they navigate their relationship through the chaotic world of Los Angeles’ Skid Row, aka the “homeless capital of the U.S.”

In 2013, a 2,000-year-old statue of Apollo was found near Gaza, only to disappear all of a sudden. Apollo, god of art, beauty and divinations, incites all sorts of rumors, even the craziest ones. The Apollo of Gaza is at once an inquiry and a meditation on history, plunging us into the barely known reality of a territory that is still paying the price of wars and a merciless blockade, but where life also subsists, undefeated. By bringing a little light to the sky of Gaza, the statue and its stupefying story could return some dignity and hope to all people.

In support of undocumented immigrants in France, a collective film jointly signed by 200 French filmmakers, producers, distributors, and cinema owners. Produced by Le Collectif des Cinéastes Pour les Sans-papiers, with Madjiguène Cissé.

French documentary about the Aramaic Bible of Barnabas that was found in Turkey in 2012

Director and Danielle Darrieux specialist Clara Laurent, author of the book Danielle Darrieux, une femme moderne (Danielle Darrieux, a modern woman), analyzes the fascinating career of this iconic French film actress.

This film brings to life a vanished world: that of the Warsaw Ghetto, destroyed by the Nazis after the 1944 uprising. Two authentic "reconstruction" sources have been used to this end: photographic and cinematographic documents recorded at the time and discovered in Poland, East Germany, Israel and France; and the oral testimonies of 44 survivors, invited to evoke their personal tragedy in front of the images put before their eyes.

I Who Fooled the Good God

A documentary about Marcello Mastroianni.

Christopher Doyle is one of the best known and most acclaimed directors of photography in world cinema. Born in Australia, he sees himself as an Asian citizen rather than a Westerner. His artistic contribution to the films of Wong Kar-wai, Zhang Jimou and Fruit Chan films, among others, is indisputable. Filmed in DV and Super8, this documentary is a kind of wild and stylized road movie -- from Bangkok to Hong Kong, via New York. The camera follows this eccentric and outrageous artist as he gives us his thoughts on his past and present work. From the recent sets of Invisible Waves by Thailand's Pen ek Ratanaruang, and M. Night Shyamalan's Lady in the Water, to the locations in Hong Kong where he shot some of his most famous pictures, such as In The Mood for Love and Dumplings, Chris Doyle talks about his cinematic fascination for Asian culture.

Béatrice Dalle, Lio, Brigitte Fontaine, Corinne Masiero, Aïssa Maïga, Virginie Despentes, Maria Schneider, Gisèle Halimi, Juliette Gréco, and Adèle Haenel—these women lived on their own terms, defying conventions and embracing lives often deemed "scandalous." Labeled frivolous, hysterical, or simply too free and too loud, they faced criticism yet used controversy as a force for change, challenging norms and advancing women's rights. This documentary retraces seventy years of their bold and unconventional journeys, telling the story of the fearless women who shaped history and fought for a more equal world.

Filmed by Jean Eustache for the television program, Les Enthousiastes, Hieronymus Bosch's Garden of Delights presents a series of unstructured observations, free associations, and interpretations on the third panel of Bosch's well-known oil on wood triptych.

At Milan’s Niguarda public hospital, the unconventional Dr. Bini leads a bold mission overseeing aspiring parents undergoing in vitro fertilization and the journeys of individuals reconciling their bodies with their gender identities. He navigates the constraints set by a conservative government and an aggressive market eager to commodify bodies.

Georges Delerue (composer). Commentary written by Boris Vian (under his pseudonym Michel Arras) and spoken by Jacques Mauclair. Jacques Rivette: …Chères vieilles choses, de Raymond Vogel, film imparfait, zigzagant, inégal, mais qui, dans les marges d'un essai sans imprévu sur le monde des collectionneurs, sait esquisser en mineur une sorte de phénoménologie amusante du décor et de la possession. (Arts n° 646) (auto-translation:) Jacques Rivette: ...Chères vieilles choses, by Raymond Vogel, an imperfect, zigzagging, uneven film, which, in the margins of an unexpected essay on the world of collectors, sketches out a kind of amusing phenomenology of decoration and possession. (Arts n° 646)

What a revelation and a privilege it is to see Chantal Akerman at work. Its French title a pun, this film offers behind-the-scenes footage from the production of Tomorrow We Move: makeup and costume tests, script readings, scene blocking and rehearsals, and on-set interviews with Aurore Clément and Sylvie Testud, her lead actresses, as well as Akerman herself.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Since 2000, a woman among women upset the world and its inhabitants. This is probably the most popular woman on the planet. It is the origin of the largest global gatherings, performs miracles by thousands, calls for centuries undisputed scientific, multiplies his appearances lately, save secrets to illiterate children cry icons and transmits apocalyptic messages who wants to hear them. His name Mary. Filiation: the three religions of the book. A Jewish woman asked by Muslims. A goddess for Hindus, the Mother of God for Christians, a final appeal to the unbelievers.

The Heroic Cinematographer discusses the relationship between war and cinema beginning in the Civil War.

Claude Lelouch was a Jewish child in occupied France. In this documentary, he talks about the trauma he still feels from that experience, but also how it inspired him to become a filmmaker. The 1940s appear to be a formative period, key to understanding the work and career of this famous director, whose films and life have always been inseparable.