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Omnibus for All

The conflict between the running of an efficient bus service and the increasing motor car traffic in Britain's towns. Describes the traffic problem and some of the measures taken to help overcome it from the point of view of different members of the community; the ways in which the planning of new towns and the rebuilding of town centres can take into account the needs of all road users, and the particular contribution the bus can make as the best user of road space per passenger carried.

Omnibus for All

NR 1963
La sublime fatica

In 1966, Luciano Emmer was commissioned by Twentieth Century Fox to shoot a promotional film for a movie about Michelangelo starring Charlton Heston. When the deal with the Americans fell through, Emmer retrieved the footage and edited it into a documentary about Michelangelo the man, exploring the anxieties and fears revealed in his writings. The sound of the chisel on marble blends with that of a heartbeat. The skewed perspectives on Michelangelo’s sculpture reinforce this idea of the difficulty and effort from which the...

La sublime fatica

6.0 1967
Mists of Time

Mists of Time is a poetic, visual portrait of the mythology surrounding Ireland’s megalithic tombs and standing stones. The monumental dolmen and passage graves of Ireland, once burial grounds from the Late Stone Age, are depicted alongside tales of the pagan Halloween festival, Samhain. Dramatic cinematography depicting sunsets and tombs at the Burren, Country Clare, and Newgrange, County Meath (Ireland’s best-known passage grave) is underscored by the music of Brian Boydell.

Mists of Time

6.0 1968
The Driving Force

Britain operates the most experienced diesel and electric railway in tne world. A century and a half ago she invented the steam engine and introduced a new system of transport; and in only nine years British Rail and the British locomotive industry designed, built and tested enough diesel and electric locomotives to replace fifteen thousand steam engines. The transition from steam to new forms of motive power, and its effects on rallwaymen and passengers, is the subject of this film. Produced in association with the Central Office of Information, the British Locomotive Allied Manufacturers' Association and the British Electrical Manufacturers' Association.

The Driving Force

9.0 1966
Mars

Like the previous film Luna produced by Klushantsev, the film Mars was created at the intersection of educational science films and science-fiction. It consists of seven pieces, which tell (based on scientific understanding of the 1960s) of the physical conditions on planet Mars, the possibility of life on Mars and what forms it might take, of Martian canals and "seas" of the Red Planet. In addition, the film includes the director's fantasy hypothetical forms of life on mars, and of the exploration and colonization of Mars in the near future.

Mars

5.3 1968
The Flight of Icarus

The Fall of Icarus proposes the magnification by the camera of a concrete material, the simple sand placed on a flat screen illuminated from behind, to reveal the changes of form and the movements of the matter once in contact with the elements: water, fire, earth and air. Particular care has been taken in the correspondence between sound and image: the compositions of the image (colors, knots of density, movements) surprisingly find their equivalence on the sound level in the music of Mireille CHAMASS.

The Flight of Icarus

NR 1960