Discover Movies

64,285 Matches Found

Stammer School: Musharaf Finds His Voice

Stammer School follows a cast of struggling stammerers as they enrol in a course that aims to help them finally find their voices. Stammer School features Musharaf Asghar – affectionately known as Mushy – from Educating Yorkshire. He found a place in the hearts of the nation as millions tuned in to watch him learn methods to overcome his crippling stammer and achieve the C grade he needed in his English GCSE. Although Mushy’s stammer has improved, he is often left speechless still. With the help of an intensive programme, led by other stutterers, Stammer School will follow Mushy and others as they attempt to overcome this huge stumbling block in their lives.

Stammer School: Musharaf Finds His Voice

NR 2014
Trust Me

Animated short documentary following a young woman's diagnosis of bipolar: a journey of self-acceptance to challenge everyday stigma. In "Trust Me", a genre-bending short documentary, a young woman uses humour and compassion to share her moving and deeply personal story of coming to terms with her mental health condition. When she starts exhibiting atypical and extreme behaviour, her loved ones trick her into hospitalisation against her will. She is diagnosed with bipolar disorder which starts her challenging journey of self-acceptance, confronting internalised and societal stigma, and learning to trust herself and others again.

Trust Me

10.0 2024
Code-Breakers: Bletchley Park's Lost Heroes

This is a documentary about unsung heroes of World War II. In 1943, a 24-year-old maths student and a GPO engineer combined to hack into Hitler's personal super-code machine - not Enigma but an even tougher system, which he called his 'secrets writer'. Their break turned the Battle of Kursk, powered the D-day landings and orchestrated the end of the conflict in Europe. But it was also to be used during the Cold War - which meant both men's achievements were hushed up and never officially recognized.

Code-Breakers: Bletchley Park's Lost Heroes

8.0 2011
Clarkson: Supercar Showdown

For Jeremy Clarkson's new DVD he has traveled the Planet - from Spain via Strasbourg to Swindon - for the Supercar Showdown to beat them all. His aim is simple - find the ultimate Supercar. Jeremy starts a fight between the Ferrari 430 and Lamborghini Gallardo. The Gallardo's big cousin, the Murcielago, weighs in too. The Ferrari 599 GTB Fiorano struts its stuff and Audi's R8 faces up to the Porsche GT3 as special guest, Nurburgring-know-all Sabine Schmitz takes on The Stig. Jeremy also turns into a Formula 1 hero thanks to a Radical SR3. And has a fantastic time in the Aston Martin Vantage V8 Roadster. Plus there's a new kid on the block in the shape of the stunning Ascari A10. And the line-up would not be complete without the 1000 horsepower, 252 miles per hour Bugatti Veyron. Meanwhile, everything else explodes as Jeremy finds out if there is such a thing as "Too much" turbo power, a Renault Alpine A610 comes to the end of the road.

Clarkson: Supercar Showdown

6.5 2007
Tous en scène! Ou spectacles d'une élection

This film tells the unique story of the 2002 presidential elections, its candidates, and their teams. True to his desire to “film politics differently,” Serge Moati goes behind the scenes and deciphers the issues, gambles, and strategies of the main players for the viewer. Many dream of coming third, others want to become key figures in their camp so they can look to the future with confidence, two believe they will make it to the second round, while the French people's questions punctuate it all, between passion and indifference.

Tous en scène! Ou spectacles d'une élection

10.0 2002
A Corner of Barnet Fair

From the BFI Collection, this film is actually two films spliced together into one. The first is Birt Acres' work 'A Corner of Barnet Fair' which is the first film seen . This shows a merry-go-round and some people sitting in a doorway while street traffic goes by. The second film is a fragment of unknown origin of a street outside a very large building of what looks like a possible theatre, with a large Victorian awning. the shop next door appears to be selling wines and spirits. A horse drawn charabanc goes past, followed by a male bicyclist. This is closely followed by a male and female couple in an open carriage and two carts with workmen staring at the camera as they pass. Both films are believed to be from Barnet, given they have been spliced together. The film is in a deteriorated state with some rippling.

A Corner of Barnet Fair

6.0 1896
Pride and Prejudice: Having a Ball

In Pride And Prejudice: Having A Ball, social historian Amanda Vickery leads the action as a team of experts recreate a Regency ball in honour of the 200th anniversary of Jane Austen’s popular novel. Joined by Alastair Sooke and a coterie of professionals – a food historian, a costume expert, music history academics and a choreographer who trains a team of dance students to take to the floor– cameras will follow the recreation inspired by Austen’s Netherfield ball. This intimate country house ball drives the plot of the Pride And Prejudice, and is a key turning point in the romance between Elizabeth Bennett and Mr Darcy.

Pride and Prejudice: Having a Ball

NR 2013
Cannes: All Access

From its simple beginnings in 1939 in a sleepy beach town in the south of France, the prestigious Cannes Film Festival has become the must-attend red carpet event of the year. Filmmaker Richard Schickel's fascinating documentary captures the glitz and glamour of the festival's incredible 60-year run with archival footage and unforgettable moments. Hollywood's biggest names including Clint Eastwood, Martin Scorsese, Sharon Stone and Harvey Weinstein talk about the politics, madness, and thrills of competing for one of the industry's highest honors - the coveted Palme d'Or - and what it's like to be at the most fabulous festival by the sea.

Cannes: All Access

3.8 2007
Five Columns on the Front Page: Hong Kong as seen by Orson Welles

Filmed in 1960 during a break in the production of "Ferry to Hong Kong," this short documentary records Orson Welles’s three-week journey through colonial Hong Kong and Macau. The film documents the refugee crisis and extreme social inequality of the period, contrasting overcrowded rooftops, sampans, hillside settlements, and street life with the city’s visible wealth and colonial luxury. Structured as a reportage essay, the film presents a stark observational portrait of displacement, poverty, and privilege within a divided urban landscape.

Five Columns on the Front Page: Hong Kong as seen by Orson Welles

NR 1960