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A documentary of 24th April, 1970 assassination of Chiang Ching-kuo.

Can music truly become a rallying cry? Danpyunsun, a veteran of Hongdae's indie scene, forms Danpyunsun & The Moments and records the album Hail to the Music. "Music must be vulgar!" he cries. But after the December 3 Martial Law, the world proves more grotesque than art. So he shouts louder: to those enduring this world—come with me. Fight!

Sono's first film, 30 minutes long and shot on 8mm. A free-wheeling intimate cinematic journal in which the artist contemplates his life as he approaches his birthday.

Artist-filmmakers Bêka & Lemoine take us to Bangkok on a one day hectic journey through the chaotic concrete jungle of the South-Asian megacity. Led by the moving personal story of Boonserm Premthada, one of today's most important Thai architects, the film unfolds through a free wander, punctuated by stunning encounters, events and places, which have contributed to shape Premthada's unique identity and sensibility. Deaf from birth, the architect evokes how his disability led him to develop an alternative way of listening using his whole body as a resonance chamber of sound vibrations. Despite their large ears, elephants also perceive sound mostly through their feet. Learning from elephants, Boonserm has developed an architecture of the senses where sound vibrations become the voice of space.

A film written and directed by Bruno Monsaingeon. Drawing on archival performance footage and interviews, The Art of Violin evokes the vast panorama of the world of the violin in the 20th century and its most outstanding performers. It is hard to express the explosions of joy occasioned by the discovery of long sought-out but undreamed-of archives, such as some silent - and later resynchronised - film footage, or the few brief moments of Chausson's Poeme played by Ginette Neveu, the silent yet moving (in every sense of the word)images of Kreisler and Ysaye, the awe of a young Menuhin, the superb single camera shot of David Oistrakh performing the cadenza from Shostakovich's First Concerto. Contributions from Ivry Gitlis, Ida Haendel, Hilary Hahn, Laurent Korcia, Yehudi Menuhin, Itzhak Perlman, and Mstislav Rostropovich, Produced by Pierre-Olivier Bardet & Stephen Wright.

"Sex in a typhoon", a depressed pianist AV actress Nana Honda and Katsuyuki Hirano.

Features LOVEBITES' gig held at MyNavi BLITZ Akasaka held on January 27. Contains 17 songs in total. 1 Clockwork Immortality 2 Addicted 3 Bravehearted 4 The Crusade 5 Pledge Of The Saviour 6 Rising 7 Scream For Me 8 Break The Wall 9 Shadowmaker 10 Above The Black Sea 11 Empty Daydream 12 M.D.O 13 Journey To The Otherside 14 Edge Of The World 15 We The United 16 Epilogue 17 Don't Bite The Dust 18 Under The Red Sky 19 The Everlasting

The Documentary record the life of a panda, Ying, and his Trainer, Bai, in their small residential room inside China Wuhan Acrobatic Troupe. They both share a life behind bars where the outside world is out of reach and only accessible through a television.

Dazhongli is one of Shanghai's oldest neighborhoods. Shu Haolun's family has lived there for three generations, enjoying a close-knit, communal way of life with their neighbors. Now Dazhongli and its surrounding neighborhoods are in the process of being demolished to make way for gleaming skyscrapers, towering apartment complexes and luxury shopping centers. In NOSTALGIA, Shu relays vivid details of growing up among narrow alleys and courtyards murmuring with neighborhood gossip, back when Shanghai was still closed to the world. While sharing a wealth of memories, Shu uses his camera to capture the everyday details of his home before they are wiped out forever.

In winter 2010, “I” set off on a six-day trip to Bali with almost no plan, except for one vague intention: to listen to gamelan music. This work is the first part of a fast-moving self-documentary that captures the turbulent experiences encountered during that journey. Who could have predicted that this trip would completely change my life? With no narration and a structure filled with subjective on-screen text, the film offers an immersive feeling of solo travel.

In a remote mountain village, the lives of three generations of a family are defined by hardship and loss. The aging grandmother fears death while her son struggles to find work and becomes increasingly anxious and impoverished. Meanwhile, her grandson returns from the city to start a chicken farming business, only to fail and go into debt. The village, named after a mythical rock representing a fallen turtle, seems to bind its inhabitants to a shared destiny of defeat and struggle.

Documentary made for Oriental Time • Living Space program on Ma Yun (Jack Ma) trying to sell The Chinese yellow pages in Beijing.

“Pictures at an Election” (the title refers to Mussorgsky’s suite “Pictures at an Exhibition” featuring at the beginning of the film) is a 68 min. documentary that covers the campaigns of those candidates who tried to win one of the five seats in Tokyo during the Upper House election in 2007. It shows Japan’s electoral machinery in full steam and focuses on the question of how Japanese candidates try to appeal to voters. The documentary depicts different strategies and techniques, and presents a lively picture of political culture in Japan.

This is a documentary on "Tai-ke" male-bonding, and a story about the lost and found of life. The director uses black humor in depicting the lives and encounters of each person through out a period of ten years.

When Kacchi came back home for summer break from abroad, she came out to her family as a homosexual. Her mother and father couldn't take it and answered in negative. Though Kacchi had a depression for their reactions, she decided to face her family again throughout a filmmaking about the 'coming-out'.

Changshin-dong. People live along a narrow passageway. And there lives an old woman named Lee So-sun which means a small fairy. Ever since the death of her oldest son, Jeon Tae-il, she always lived sympathizing with the pain and sword-like life of her neighbors. Lee So-sun was the mother of all who waited for a 'humane world', standing straight in the world having no fear of anything. Young artists Baek Dae-hyun and Hong Seung-hee express the pain Jeon Tae-il and his mother Lee So-sun had to endure through their performances. What would be the meaning of Lee So-sun's life to these two artists who beautified all her pains in life? This work is about the final message left by the 'mother'.

The death of a soldier at Panmunjeom, the symbol of the division of the Korean Peninsula, still stands as an unsolved case. Was it death by suicide (as the official investigation team announced) or was he murdered? What is the truth?

A galvanising documentary about the organised resistance of a group of students barricaded at the Takasaki City University of Economics. The university student struggles at the end of the 1960s in Japan were the culmination of over a decade of protests, social dissent and political unrest. All this gave energy to the student movement, which displayed original and sustained forms of organisation and resistance against the government and which would spread to universities all over the country. Together with the filmmakers of the recently formed collective Jieiso, Ogawa Shinsuke joined a group of students barricading themselves inside the Takasaki City University of Economics. Shot over the course of a year, this film documents the nature of the political discussion and organisation as well as the fierce debates going on among the students and their violent struggles with the authorities. Credit: ICA London

My mother is Gong-soon. I was ashamed of her name and spent years looking away. In my thirties, I return home with a camera and begin following her at work.

Honoka was pronounced nearly brain dead immediately after birth. She goes on various outings, has picture books read to her, takes a bath, and is aspirated. This family's precious days reveal the joys of living and labors of life.

I took the southern train at Hua Lamphong for the first time, and I wanted to recorded the experience. However, because of the flood, we eventually returned to our starting place at Hua Lamphong.

A documentary about French illustrator Georges Bigot, who lived in Japan for 17 years and left behind many drawings depicting life and social conditions in the Meiji period.

"Hey Rin, let’s send a jam sandwich to space." Rin came to Kyoto from Seoul, and Sola came to Kyoto from Okinawa. They met at university and have since pursued filmmaking together. They like having fun and they like filming funny things and laughing together. They want to fly a jam sandwich. They want to shoplift a film camera. They want to trace Sora's family roots in Okinawa. The two sublimate their desires to filmmaking. For the two, film is like a magic wand. They transform it into all kinds of genres and put themselves in it. The two desire to know each other, but never compromise and, instead, accept their uncertain identities just to have the greatest conversation.

In the life of Mr. Lai Man-wai, he had seen the most turbulent times of recent Chinese history. From the fall of the Qing Dynasty to the founding of the Republic, from the Sino-Japanese War to the founding of the People’s Republic. With a patriotic spirit, he joined the revolution and used the theatre to promote the revolutionary course. For a ‘stronger China’, and ‘education for all’, he chose film as his life long goal and career. Lai was more than the father of Hong Kong cinema was; he was also one of the pioneers of the Chinese cinema. He made Hong Kong’s first short fiction film ‘Zhuangzi Tests His Wife’. He opened the first Chinese owned cinema, the New World Cinema, in Hong Kong…. In the several decades, Lai had devoted his life and fortune in writing this glorious inaugural chapter in early Chinese film history. The technical enhancement, the introduction of foreign techniques and equipment were all part of his contribution to the Chinese cinema.

In the years before 1995, young artists who pursued free creativity came from all over the country to Yuanmingyuan, in the western suburbs of Beijing. These people settled in the rental houses of the village farmers, and then ambitiously bought paint-stretched canvases to explore and create art. The biggest difficulty they face is to make up for the monthly rent to be paid to the landlord. Selling paintings is not their only means of survival; they would also rely on other crafts to maintain their lives. Their works were very different; they have a spirit of rebellion, and they do not conform to traditional aesthetics. This is what caused Sate officials to intervene. (Shot May–December 1995.)

To infinity and Beyond combines documented footage with fictional narratives. The film consists of two parts made up of the same footage but narrated from two different, yet related, perspectives. The footage captures the activities of villagers in a Thai ceremonial tradition called 'Boon Bung Fai'. The objective of the ceremony, though quite forgotten, is to worship the sky and beg for the rain. The film explores juxtaposition between documentary and fiction; silence and sound; folk tale and modern-day news reporting, as well as relationships between man and nature, earth and sky, dream and reality, east and west, and most importantly, the past and the present that will lead us to the future.

A follow-up to 1996's documentary on the massacre at Cheju island, Red Hunt 2 exposes the real facts of the outrage upon personal rights and the brutal butchering occurred 50 years ago. Lives of nine survivors with their grieving testimony expose the horror of six yearlong massacres by Rhee Seung-man regime which still lingers today.

The Check Fun Store is an innovative business model. Every store is divided into hundreds of small checks to display and sell a wide range of creative products provided by people who rent these checks. Thanks to its risk diversification nature, the Check Fun Store business model proliferated in Taiwan when the financial crisis hit in 2007 to carry people through the global economic downturn.

The sea around Minamata was heavily polluted with mercury during the 1950s and 1960s from the Chisso Corporation's chemical factory. This highly toxic chemical bioaccumulated in shellfish and fish in the Yatsushiro Sea which, when eaten by the local populace, gave rise to Minamata disease. The disease was responsible for the deaths and disabling of thousands of residents, all around the Yatsushiro Sea. The marine ecosystem was also extensively damaged.

Produced and broadcast by China Media Group, the series invites French director Jacques Malaterre to film at a boarding school in Nyingchi City in Xizang. It authentically depicts how the boarding school positively impacts students’ development. Through a foreign director’s perspective, it reflects local parents’ recognition of the boarding school model and demonstrates the necessity of such education in Xizang, achieving wide influence.

The film takes place against the backdrop of elderly care homes, kindergartens, the 219 Park, and various cityscapes. It portrays the urban ruins and inner turmoil caused by economic decline, and depicts the social contradictions arising from recession and the lingering effects of post-socialism, capturing the impact on the lives and values of people in the Northeast region of China.

Follows Seventeen as they prepare to perform at Lollapalooza Berlin 2024

A documentary that chronicles the declin of DVDs focuses on Lido DVD, one of the few remaining stores still selling DVDs amidst changing technology.

The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.

Circus of Sheng Changfu

"I feel like a piece of neon, I'm just a gas inside a tube." — 'Christopher Doyle: Filming in the Neon World' is part of NEONSIGNS.HK — an online exhibition on Hong Kong's neon signs.

The filmmaker’s own paternal and maternal grandmothers’ stories are compiled into texts and read aloud by two women. This film ventures to convey the memories of two grandmothers from two different families, through the bodies of others.

After being transported into a 19th century Edo painting, a university student discovers everyday sustainable practices from history to bring home to modern Japan.

Have you or your partner ever had an experience where you missed your period or been “late”?

Photographer Wang Jiu-liang travels to more than 500 landfills, fearlessly documenting Beijing's unholy cycle of consumption through poignant observational visits with the scavengers who live and work in the dumps. While China's economic ascent commands global attention, less light has been shed upon the monumental problem of waste spawned by a burgeoning population, booming industry, and insatiable urban growth. Award-winning photographer Wang Jiuliang focuses his lens upon the grim spectacle of waste, excrement, detritus, and rubble unceremoniously piled upon the land surrounding the China's Olympic city, capital, and megalopolis, Beijing.

NHK has followed baseball sensation Shohei Ohtani closely since his 2018 Major League debut. We look at Ohtani’s ability to both pitch and bat at the highest level. We hear from those who have supported him on and off the field and examine the importance of his father’s training regime. Join us behind the scenes at such pivotal points as Ohtani’s battle to recover from elbow surgery and reclaim his place as a baseball virtuoso like no other.

After the Great East Japan Earthquake and Tsunami in 2011, Komori Haruka and Seo Natsumi chose to live and film in Rikuzentakata. This work is a visual record of four people who applied for a workshop Komori and Seo devised, showing them visiting the town and getting to know its people and landscape. The opportunity to hear personal experiences of the disaster decreases with time, but this film provides a bridge to new encounters and communication, in addition to including a story written by Seo entitled “Double Layered Town.”

A journey through loss, space and memory. The film commemorates the victims of the tragic Sewol ferry accident, in which 304 out of 476 passengers and crew members died in 2014.

By Chaiyapol Korkiartcajon

On the 1st of April, INFINITE rises to the stage of the Seoul Olympic Gymnasium for their encore concert "SECOND INVASION [ EVOLUTION ]" and faces the heat of fans dying to see them.

A once-prosperous coal mining town is now in decline, as Chinese economic policy has pivoted away from coal. Through the director’s own family, the film depicts the source of life—mined from the darkness of 800 meters underground—that has given, as well as taken away from them.

The Exchange Diary is a collaborative film project of two artists, Im Heung-soon and Momose Aya, since 2015. Having exchanged video clips recorded with the iPhone, the artists edited and recreated each other´s work in their own interpretation. The film explores private and social issues surrounding the artists with asynchronous images and sound, and blended time and space.

1962 Japanese documentary

After 28 years of serving as the governor of Ishikawa Prefecture, Masanori Tanimoto had to finally cede his position in 2022. By observing the struggles of the people from diverse communities in Ishikawa, such as Muslims and van-lifers, the film attempts to expose the ubiquitous patriarchy in Japanese society.

The newest instalment in a series set in a small village in a mountainous region in China. In the winter marking ten years since the director began filming, she tries to get a new building constructed in the village. The girls, who had thus far been the subjects of her films, take up the camera themselves, and begin recording scenes of the village.

Liu Zeyuan is a farmer on the edge of the desert at the junction of Inner Mongolia and Ningxia. He grows food and raises camels, and his family's annual income is 5,000 yuan. Liu Picheng is a fisherman on Jingwa Island, part of the isolated Liaodong Peninsula; he is unwilling to attract attention and becomes hostile to the camera. The living environment and conditions of these two families are different, but the directors try to find some common ground while expressing the two respective unique lifestyles. In fact, these lives are firmly swayed by nature: sand storms can destroy everything, just as the ocean tide can destroy everything, and for the two protagonists, the difficult grasp of the future and their children also brings them the same loneliness. Filmed in 1989, Sand and Sea received the Grand Prix award from the 1991 Asian Broadcasting and Television Union.

My father was a landowner’s son and an ex-Kuomintang Air Force pilot, who remained in mainland China after 1949. For survival, he tried to transform himself from a man of the ‘old society’ to a man of the ‘new society’. As his son, I started investigating his ‘history before 1949’, which he had kept away from me. This film documents the process of my investigation over twenty years.