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A Representative

A black-and-white documentary film about the large housing estate "Lütten Klein" in the northwest of Rostock in June 1968. On the basis of the construction worker and shop steward Hans Schmidt, the efforts to fulfil the plan are clearly shown, even if the supplies and weather conditions are not optimal. The group meeting of the construction brigade shown here describes, among other things, the hardships and disappointments of some of the workers on the construction site. On the other hand, the construction management and shop steward Schmidt try to motivate the workers to achieve even higher performance by demanding competition and obligations.

A Representative

7.0 1968
The National Water Carrier

A film produced by the Hasbarah Center in collaboration with Mekorot, Israel’s national water company. Two million work days, of engineers, contractors and of course laborers, allowed the completion of the first part of Israel’s National Water Carrier, an ambitious aquaduct carrying water from the sea of Galilee to population centers and arid regions. The film outlines challenges that faces the builders of the aqueduct: the paving of canals, the creation of a dramatic siphon, allowing the water to cross the Canyon of Nahal Ammoud, the creation of a reservoir at Nahal Tzalmon, etc.

The National Water Carrier

NR 1964
ABC Close-Up: Yanki, No!

A 1960 cinéma vérité documentary on anti-American sentiment in Latin America, combining observational footage from Caracas and political events, directed by Robert Drew and shot by Maysles, Leacock, and Pennebaker. (Note: Originally broadcast as a standalone documentary on ABC, "Yanki, No!" is widely cited and archived as a discrete direct-cinema film with its own title, production identity, and critical reception, rather than as an anonymous TV news magazine episode.)

ABC Close-Up: Yanki, No!

6.8 1960
Tell Me Lies

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Tell Me Lies

6.4 1968
Five Columns on the Front Page: Hong Kong as seen by Orson Welles

Filmed in 1960 during a break in the production of "Ferry to Hong Kong," this short documentary records Orson Welles’s three-week journey through colonial Hong Kong and Macau. The film documents the refugee crisis and extreme social inequality of the period, contrasting overcrowded rooftops, sampans, hillside settlements, and street life with the city’s visible wealth and colonial luxury. Structured as a reportage essay, the film presents a stark observational portrait of displacement, poverty, and privilege within a divided urban landscape.

Five Columns on the Front Page: Hong Kong as seen by Orson Welles

NR 1960