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No Man's Zone

On March 11, 2011, a tsunami struck the coast of Fukushima causing the meltdown of a nearby power plant. Within 24 hours the population within a 20-km radius was ordered to evacuate. Shortly thereafter Toshi Fujiwara entered the so-called "No Man's Zone," interviewing those who either could not or did not want to leave. Haunted by imperceptible traces of radiation, Fukushima has been transformed into an atmosphere of silence and disintegration, a land of cherry blossoms and ghosts in white protective clothing.

No Man's Zone

5.0 2012
No Body Is Perfect

A documentary exploring the multiple facets of sexuality, the film took over five years of preparation and two years' filming. From the United States to Japan, via Brazil, Raphaël Sibilla delves into the world of the staging and fulfilment of fantasies, from the most straightforward – swinging soirées and SM bars – to the most extreme, fetishism and scarification. Although the notion of sexual pleasure is always present, the filmmaker gradually enlarges upon his subject and moves away from the simple, raw representation of sexual practices. He raises more general issues, without ever being judgemental, about his interviewees’ relationship to their bodies, seeking to understand the secret motivations and aspirations of men and women who are sometimes ready to go as far as mutilation to experience more intense pleasure.

No Body Is Perfect

NR 2006
The Giants

We follow the epic lives of sumo legends who made it from humble beginnings in Hawaii, to becoming the first foreigners to rise to the highest ranks in sumo. Starting with Takamiyama who paved the path for Konishiki, Akebono, and Musashimaru who soon followed and ignited sumo fandom around the world. As diplomats for the sport and Japanese culture, these 600 pound outsiders share their hero’s journey from a small Hawaiian village, to having God-like adulation from fans across the world.

The Giants

8.3 2021
Kiki Kirin's Life

This documentary follows the last days of actress KIKI Kirin, who passed away on September 15, 2018. The documentary is the first long-term, in-depth coverage of Ki-kin, and is a re-edited version of the NHK documentary of the same title that was broadcast on September 26, 2006, adding previously unseen footage. She was loved all over Japan for her blunt remarks, her attentive concern for those around her, and her overflowing sense of humor. Despite her busy schedule, she valued her daily life and had her own unique style, even though she talked about life as it came. This film captures the last days of her life and gives us hints for living from her "life as it comes" and her many inspiring words.

Kiki Kirin's Life

NR 2019
Sleeping Village

In 1961, a spectacular criminal case shocks Japan: at what became known as the “Nabari Poison Wine” incident, five people lose their lives at a village social gathering. One of the attendants, Masaru OKUNISHI, is made out as the main suspect. Rumor has it that he wanted to kill his wife and his lover in order to end his extra-marital affair. After being questioned by the police for days, he signs a confession, only to withdraw it soon afterwards. Nonetheless, he is sentenced to death and all pleas for a retrial are denied.

Sleeping Village

6.7 2019
父と子 市川猿翁・香川照之

The story follows the "father and son", actor Teruyuki Kagawa and his father, Kabuki grandee Ennosuke Ichikawa III (now Enno II, 73), who were once torn apart but, lured by a strange fate, are now trying to reconnect. The film follows their 300-day drama. Kagawa's parents divorced when he was a child and he was never allowed to see his father. She has always wondered what her father was like. Kagawa has held on to this thought for some time. Then, in September 2011, she suddenly announced her intention to enter the Kabuki world. Her father, Ennosuke, also attracted attention when he announced his return to the stage eight years after suffering a stroke. Then began their epic days together. Kagawa stayed at home and spent every day practising. His father, Ennosuke, battled with screaming pain and devoted himself to rehabilitation, while at the same time training his son, Kagawa. Father and son are driven by Kabuki, as if they are trying to regain something they have lost.

父と子 市川猿翁・香川照之

NR 2013
The God of Ramen

Every day, people would queue for over two hours for a bowl of ramen. What’s the celebrated chef’s secret ingredient? There is no secret ingredient. In fact, as most fans of Taishoken believe, it’s the charisma of owner Kazuo Yamagishi that attracted people from all around Japan to his modest shop. His personality and love for his craft, combined with a precise mélange of flavours, combined to create perfection in each ramen bowl. This heart-warming documentary is not just for noodle fans, but for anyone who loves to be inspired by passionate people.

The God of Ramen

6.8 2013
The Chocolate Man

In Toyohashi City, Aichi Prefecture, “QUON CHOCOLATE” is gaining popularity for its carefully selected flavors and colorful designs. This brand, which now has 52 locations nationwide, has continued to offer a creative workplace to people of many diverse backgrounds, including those with mental or physical disabilities, single parents, those who have never attended school, to sexual minorities, and many others. This film depicts the tumultuous 19 years of the chocolate brand’s pursuit of ideals. The newest work of the producer of the documentary “Life is Fruity.”

The Chocolate Man

NR 2023
Outlaw-Matsu Comes Home

“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura

Outlaw-Matsu Comes Home

6.3 1973