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Uniformed men march in step, in widely spaced ranks of each other.

A marriage procession following the bride and her father enter a church.

A train arrives in Cologne Central Station and employees and travellers are seen on the platform.

Lumiere brothers actuality, filmed the 12th of March 1896 in Rome, in front of the Spanish Steps. It shows some couples of Ciociari performing their traditional dance. The Ciociari are the inhabitants of Ciociaria, a region in the south east of Rome.

A tribute to F1 pilot Patrick Depailler.

President Félix Faure, escorted by horsemen, marching past the troops at Longchamp.

A moustachioed Frenchman presents his performing cats.

The facade and the traffic in front of the Cinematographe in London, close to the large ensign of the historical Empire Theatre, in London.

Different species of fish and frogs, inside an aquarium.

Early water rollercoaster-type ride.

Ellen von Unwerth, a legendary fashion photographer, was able to slip backstage at the Azzedine Alaïa Fall Winter 1990 show. Supermodels such as Christy Turlington, Linda Evangelista, Naomi Campbell, Helena Christensen play and reveal themselves under the photographer’s lens.

A girl in a Sevillian dress dances to the sound of music played a couple of men at the "Féria Sevillanos" [sic] during the Exposition Universelle de Paris - though she does not look a real Sevillian dancer.

Friends and relatives playing a game of boules, arguing about who's team is winning.

Japanese actors act out an early martial arts weapons scene.

Zora has no complaints about her husband, except that he gave her 20 children in 20 years! Kheira, who was married at 13, recounts her story through tears: the young grandmother remembers the years she spent fighting to get back the son her first husband took away from her. These touching portraits of Algerian women were filmed in Marseille.

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

3 women dance

On September 13, 2018, President Emmanuel Macron visited Josette Audin at her home in Bagnolet to ask for her forgiveness, presenting her with a declaration acknowledging that her husband had died under torture at the hands of a "legally established system" implemented by the former French colonial power in Algeria. This acknowledgment, however belated, is a victory for Josette Audin and her family, but above all, it is a victory for human rights, achieved together by mathematicians and historians. This film retraces this shared commitment against torture and state abuses, first within the Audin Committee and then within the Committee of Mathematicians, which also intervened to support other mathematicians imprisoned and sometimes tortured around the world.

In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.

A woman from the Ashanti tribe bathes her child in a shallow bowl.

In front of a building, five carpenters are working on woodworking machines.

The Phono-Cinéma-Théâtre was a special pavilion at the 1900 Paris World's Fair which featured filmed performances presented with sound via wax cylinder recordings. Many of these short films were also presented in hand-tinted color. The performances ranged from theatre (Coquelin the eldest, Gabrielle Réjane, Sarah Bernhardt, Félicia Mallet), opera & operetta (Mariette Sully, Emile Cossira, Jeanne Hatto, Mily-Meyer, Désiré Pougaud), to café concert & music hall variety (Footit et Chocolat, Mason and Forbes, Little Tich, Brunin, Polin, Jules Moy) and dance (Blanche and Louise Mante from the Paris Opera, Carlotta Zambelli, Michel Vasquez, Rosita Mauri, Jeanne Chasles, Achille Viscusi, Christine Kerf, Cléo de Mérode).

A bunch of guys pulling a long rope out of the water, never revealing what its attached to.

A crowd of young children dance around.

People raking a field.

A French family consisting of father, mother and two children, sitting around a table and eating a meal.

Rickshaws and pedestrians traffic on the street.

A group of tambours and dancers in traditional outfits pass the camera.

King Umberto I and Queen Margherita of Savoy stepping down a staircase, followed by their escort, before climbing into a horse-drawn carriage.

A crowd of passers-by is granted access to a drawbridge by its gatekeeper.

Fishermen, sitting by a boat, are mending nets.

A documentary about French naturism with some perspectives from Germany. The film includes discussion on the history of French naturism; distinctions between naturism and nudism; nudism in various historical, social, cultural and political contexts; and personal shares from many individuals. Naturists from a wide age range, young children to adults in their 80s, speak to how naturism supports self-acceptance, acceptance of others, deep meaninful relationships, wellness and vitality.

Excursions in the mountains of a group of riders.

Carmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the stationary camera. Atop the first level of the brick smelter, workers push full carts of coal along a track.

Young people dive into the sea by jumping off a manmade wooden raft, while a small boat loaded with passengers passes by.

Also known as 'Un incendie à Dublin I', 'Crowds Watch City Fire Brigade' and 'Crowds Watch Dublin Fire Brigade.' Lumiere Catalog no. 710.

A man in a diving suit emerges.

Never before have we watched as much porn as today yet the traditional porn industry is dying. The arrival of web sites showing amateur clips has transformed the way porn is made and consumed. Behind this transformation lies one opaque multinational.

At just 19 years old, in 1942, Anne Beaumanoir had already experienced so much: involved in the clandestine communist youth movement, she had begun medical studies, secretly distributed parcels, saved Jewish children, changed her identity, lost her first love, and narrowly escaped death several times. Twelve years later, as a courier for the FLN (National Liberation Front), she was sentenced by France to 10 years in prison for terrorism, but fled to Algeria where she became the principal advisor to the Minister of Health under Ben Bella. Until the military coup, she went to Switzerland where she would head the neurophysiology and epileptology division of the Geneva University Hospital for 26 years. Through the eyes of Annette, witnesses, and rediscovered friends, this film recounts Algeria, France and its litany of buried tragedies, racism, and the fight for freedom and independence. Annette ultimately instills in us a necessary and difficult-to-define virtue: courage.

A visually stunning narrative documentary, NAKED GARDENS immerses audiences in the complex, unseen world of a family nudist resort in the Florida Everglades. Filmed over one season at this lush tropical campsite, the film follows the stories of individuals drawn to an unusual community, which promises both non-conformist values and, more importantly for some, a cheap place to live. As aging owner Morley and his residents prepare for the largest gathering of nudists in the US, the Mid-Winter Naturist Festival, they are faced with challenges both as a community and as individuals.

A group of young women and children enjoy a rowdy picnic in the countryside.

From his childhood in a modest family in the Pyrénées to his unexpected career as a porn actor in the 1970s, the film traces the life of Claude Loir, who set out to fully embrace life. His homosexuality and curiosity guide him through encounters that lead into the shadowy, liberated circles of a pre-AIDS era, caught between conservatism and sexual freedom. Loves and lovers, flamboyance and fragility… the film offers a striking portrait of a fearless, hedonistic man navigating desire, identity, and society’s constraints.

The Swedish Royal family arrives at the General Art and Industrial Exposition at Djurgården in Stockholm on 15 May 1897.

American filmmaker Stanley Kubrick (1928–1999), one of the greatest in history, but also one of the most reserved, gave few interviews throughout his long career, and none of them were filmed. A first-person journey through his life and work, based on a recorded conversation with French film critic Michel Climent.

Pedestrian and rickshaws traffic on Shijo Kobashi bridge, in Kyoto.

It’s the story of two guys — a comedian and a journalist — who become friends and get up to all sorts of antics. It’s the story of two men reflecting their era. It’s the story of one man, Coluche, seen through the eyes of his friend, Michel Denisot. It’s the story of his Coluche.

A procession of young male athletes.

Emilie Busquant, a woman with an exceptional destiny, was born on March 3, 1901, in Neuves-Maisons, Lorraine. In 1923, she moved to Paris to find work and met Messali Hadj, who had also come seeking employment. A beautiful love story began; she fell in love with both a man and a cause: the independence of Algeria. Together, in 1926, they founded the first Algerian independence party, the North African Star (Étoile Nord-Africaine). She would support the Algerian people's struggle throughout her life.