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Crazy English

A documentary about Li Yang, who tries to teach large numbers of Chinese to speak English, using unusual methods. He holds motivational rallies, where he gets the crowd to shout out English phrases, in order to instill confidence, and tells them not to be afraid of losing face. His goal is to increase Chinese trade, and export Chinese culture, to the main world markets: North America, Japan, and Europe. After the rally, they can continue their English lessons using his taped courses.

Crazy English

6.0 1999
Beijing Besieged by Waste

Photographer Wang Jiu-liang travels to more than 500 landfills, fearlessly documenting Beijing's unholy cycle of consumption through poignant observational visits with the scavengers who live and work in the dumps. While China's economic ascent commands global attention, less light has been shed upon the monumental problem of waste spawned by a burgeoning population, booming industry, and insatiable urban growth. Award-winning photographer Wang Jiuliang focuses his lens upon the grim spectacle of waste, excrement, detritus, and rubble unceremoniously piled upon the land surrounding the China's Olympic city, capital, and megalopolis, Beijing.

Beijing Besieged by Waste

7.5 2011
The Transition Period

As Chinese Communist Party secretary, Guo Yongchang was the most powerful man in his county, located in the rural inland province of Henan. Guo invited acclaimed documentary filmmaker Zhou Hao to record his final months in office. Through Zhou’s lens, we see Guo work tirelessly to achieve his greatest desire: for Henan to match the affluence of booming coastal areas. Zhou also captures the sordid details of local-level politics in pursuit of growth: lavish parties with foreign investors, threats to local workers protesting unpaid wages, and offers of bribes and kickbacks. (dGenerate Films)

The Transition Period

7.7 2009
The Way of the Shaman Drum

During the Cultural Revolution in China in the late 20th century, ethnic Manchu people were persecuted and forced to give up such cultural traditions as the shaman dance (tiao tchin, meaning "spirit-jumping" or "god's dance"). However, on Changbai Mountain in Northeast China, a farmer named Guan Yunde decided to start designing and building traditional Manchu shaman drums. At age 70, he is one of a minority of ethnic Manchu people in China's Jilin province, and one of the few people keeping the Manchu shamanic tradition alive.

The Way of the Shaman Drum

9.0 2017
Pathway

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

Pathway

3.0 2012
Cui Jian: Rocking China

Crowned as the “godfather of China rock” and yet banned from large-scale performances in Beijing over the past thirteen years, Cui Jian has made his come back in 2005 and remained an icon of the artist versus the State in the hearts of millions. Although the rocker has been reluctant to be identified with any specific political movement, whenever a new democratic voice has emerged (in media forms from underground film to the Internet), it has always found a way to embrace him, thus reconfirming Cui’s “outlaw” status. This documentary reviews his life and career paths from his early days and documents his crew and fans to three very different cities in Wuhan, Inner Mongolia and Beijing. Broadcast on HK Cable TV in summer 2006, the purpose of the video is to review Cui Jian’s career at the point of his new album release after a 6 year gap. The album is titled “Give You Color”.

Cui Jian: Rocking China

NR 2006
The Battle of Shanghai

Informed by the conviction that film was a means to advocate patriotism, Lai established China Sun Motion Picture Company in the early 1920s. He teamed up with friends to follow Dr Sun, traversing provinces for several years and filming precious historical moments such as Sun's inspection of the country and the Northern Expedition led by Chiang Kai-shek after the death of Sun. Some of those footage was edited into A Page of History, available to the public today, albeit deteriorated and incomplete. The Battle of Shanghai records the famous conflict at the beginning of the war in 1937 when, fervently resisting the invading Japanese army, 800 soldiers defended a warehouse until the very last moment. Shot by Lai and his team at the risk of death, the film is now an invaluable visual document in Chinese modern history.

The Battle of Shanghai

NR 1937
Ai Weiwei's Appeal ¥15,220,910.50

Ai Weiwei’s Appeal ¥15,220,910.50 opens with Ai Weiwei’s mother at the Venice Biennial in the summer of 2013 examining Ai’s large S.A.C.R.E.D. installation portraying his 81 day imprisonment. The documentary goes onto chronologically reconstruct the events that occurred from the time he was arrested at the Beijing airport in April 2011 to his final court appeal in September 2012. The film portrays the day-to-day activity surrounding Ai Weiwei, his family and his associates ranging from consistent visits by the authorities, interviews with reporters, support and donations from fans, and court dates. The Film premiered at the International Film Festival Rotterdam on January 23, 2014.

Ai Weiwei's Appeal ¥15,220,910.50

NR 2014
Chinese Portrait

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

Chinese Portrait

6.9 2018
One Recluse

In June 2008, Yang Jia carried a knife, a hammer, a gas mask, pepper spray, gloves and Molotov cocktails to the Zhabei Public Security Branch Bureau and killed six police officers, injuring another police officer and a guard. He was arrested on the scene, and was subsequently charged with intentional homicide. In the following six months, while Yang Jia was detained and trials were held, his mother mysteriously disappeared. "One Recluse" is a documentary that traces the reasons and motivations behind the tragedy and investigates a trial process filled with shady cover-ups and questionable decisions. The film provides a glimpse into the realities of a government-controlled judicial system and its impact on the citizens’ lives.

One Recluse

7.0 2010
Girl in Wheelchair

In Yuncheng County, Shandong, there is a girl born in the 90s named Han Wenjing who was paraplegic in a car accident in her childhood. As Han Wenjing gets older and older, she is worried about her future life. Marriage has become the biggest concern of parents. Han Wenjing got acquainted with a soldier online, but finally broke up under his father's opposition. The younger sister-in-law also had a dispute between the two over her marriage. When Han Wenjing was depressed, her father proposed to carry her to Liangshan. First, fulfilling Han Wenjing's wish was also compensation for Han Wenjing. Later, Han Wenjing met a dumb while studying e-commerce sales. The dumb liked her very much. Both parents were satisfied when they met. However, Han Wenjing felt that she still couldn't accept the disabled and wanted to try to combine healthy people, even if it failed. Under the pressure of her parents and sister-in-law on Han Wenjing, Han Wenjing still insists on her choice

Girl in Wheelchair

NR 2017
A Long Way Home

A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.

A Long Way Home

10.0 2018
Papa Rainbow

In China, most families have difficulties facing their lesbian, gay, bisexual and/or transgender (LGBT) children. They have to contend with common social beliefs that homosexuality is shameful, abnormal, a perverted condition caused by deviant family relationships. Many parents see their kids as their property, and fathers often assert their authority to ensure that no harm comes to the family reputation. The documentary 'Papa Rainbow' features six Chinese fathers who talk openly and freely about their experiences with their LGBT children. Speaking out against discrimination and stigma, they redefine what it means to protect a household. They fully embrace their kids for who they are, and become pioneer activists fighting for an equal and diverse society.

Papa Rainbow

8.0 2016
My Life in China

In America, everyone has a family story of immigration. Every family, at some point, has had somebody leave their native country behind to search for a better life. How did they hold onto their identity? How did they adapt to their new life? Every family has a special story. In my case, it's my Chinese-American story. My father would always tell us his story about walking for 7 days and 6 nights, before swimming for 4 hours to Macau to escape communism in 1966. His story would fall on my deaf ears until I returned to China with him.

My Life in China

9.0 2014
Chinese Animation: A Century

A major documentary paying tribute to the centenary of Chinese animation, the film presents, for the first time on the big screen, a panoramic view of the tumultuous and remarkable development of Chinese animation over the past century, through detailed historical materials, vivid narratives, and profound reflections. It takes audiences on a journey through time, reliving the childhood memories of several generations, and witnessing the extraordinary path of Chinese animation from its inception to its rise, from exploration to its glory.

Chinese Animation: A Century

NR 2026