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The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.

Deolindo and Stevenson try to find their place in the middle of the jungle. Along their path we will witness the transformation of a territory where in every moment the present and the past become confused, in a thought-provoking struggle between modernity and tradition. What are the secrets of the jungle? Where are its limits?

Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.

Real testimonials from five Latin American immigrants who share their experiences and challenges, recounting what it has been like to build a new life in Brazil from their different perspectives in the city of Foz do Iguaçu. Individual experiences are revealed and reflect on belonging, identity, and the constant reinvention of those who cross territories in search of new opportunities.

1950s. An escape. A new family. Through VHS footage and rescued letters, a grandmother's past is revealed.

Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.

Short documentary film about the afrobrazilian religion Candomblé.

Cássia Eller Rejane. Cássia Eller. Cássia. A powerful restless force on stage, shined herself out of it. One of the greats of Brazilian music, Cássia Eller marked the 1990s and shocked the country with her early death in 2001. A film about the singer, the mother, the woman who exposed her personal life and broke barriers, leaving a beautiful social and artistic legacy.

The delicate process of rebuilding the memory and identity of the Guatós Indians, currently scattered throughout the Pantanal region.

Recalling the films "Sol Sobre a Lama" and "A Grande Feira", which portrayed the living conditions of Bahian society in the 1960s, the scenario was the Feira de Água de Meninos that was set on fire. Today the Feira de São Joaquim and its marketers live situations similar to those of the Cinema Novo films, in parallel they wait with hope for the beginning of the revitalization and expansion of the largest open market in Bahia.

The documentary takes us into the worlds of Berna and Zélia, two women who care for different marine conservation units. Beyond the obvious need to preserve these environments, we delve into their stories, relationships, and daily lives. The changing tides reveal courage, warmth, death, and life. After all, do these places need them, or do they need these places to survive?

This film touches on political thought, worldview, as well as the direct actions of a group of militants from autonomous movements in the Federal District of Brazil, from 2005 to 2013.

Three men united by blood and art. The photographer Christian Cravo travels through Africa while mourning for his father, Cravo Neto, icon of Brazilian photography, and facing disagreements with his grandfather, Cravo Junior, icon of modernist sculpture.

It explores Rita Lee's personal life and her creative process, revealing her musical talent and her ability to transform on stage. Rita herself guides the narrative through past interviews she gave throughout her career and current testimonies.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

On a Sunday, the actors Maria Ribeiro, Fernanda Torres, Wagner Moura, Carolina Dieckmann, Sophie Charlotte, Mateus Solano, Alexandre Nero and Du Moscovis have lunch at one of their houses. The occasion gives way to an incredibly sincere debate on the art of acting, the profession and, above all, the doubts about love and life.

Docudrama about the life and career of Zico, Arthur Antunes Coimbra, one of the greatest Brazilian football players ever. An amazing journey of conquers and victories. His overcoming and perseverant spirit are a living example of the Brazilian capacity to fight all barriers of prejudice and accomplish much more than was ever expected. To become a hero.

Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.

The art of Arrigo Barnabé, one of the pillars of the São Paulo experimental music scene during the 80's and author of critically acclaimed albums such as "Clara Crocodilo" (1980) and "Tubarões Voadores" (1984).

Thamirys and Raphael are filming the short film "Peixe Vivo", starring their children Agatha and Gustavo - two 8-year-old trans children.

Indigenous chief Juma Xipaia fights to protect tribal lands despite assassination attempts. Her struggle intensifies after learning she's pregnant, while her husband, Special Forces ranger Hugo Loss, stands by her side.

Bon Odori dives into the world of karaoke and the ways this Japanese tradition has taken root and evolved in Brazil. Through an event that brings together young Japanese-Brazilian descendants and participants with no prior connection to Japanese culture, the documentary reveals encounters, memories, and exchanges across generations. Amid touching stories, striking voices, and charismatic personalities, the film crafts a sensitive portrait of belonging, respect, and cultural preservation—celebrating the power of the connections that emerge when differences are embraced.

Three Brazilians live different stages of the same choice: to be a warrior in a great army of a foreign nation. Discover stories of characters who have enlisted in the Foreign Legion, Israel and the United States.

The story of Manoel Loreno, a self-taught filmmaker who produced countless films in Mantenópolis, in the interior of Espírito Santo (Brazil). His works, life and trajectory leave a significant legacy for the city, the state and independent art.

Alan do Rap was one of the precursors of Hip Hop in Salvador, who to promote his songs would invade the stage of famous hip hop acts and take the mic. Alan's journey shows the difficulties and injustices faced by young blacks from the periphery who try their hand at art and end up clashing with a racist, oppressive, and violent system.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

A view of Brazil's 2018 Presidential Elections, held in October of that year. The polarizing Election led to the rise of far-right President Jair Bolsonaro

In the 1932 drought of Ceará, several concentration camps were created to imprison and prevent refugees from reaching the city of Fortaleza. Remnants narrate fragments of his memories and unfulfilled regrets, witnessed in the ruins of concentration camps and in the cult of the “souls of the dam”, resistant to the strong historical erasure.

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

Brazil from the perspective of school pupils aged 14 to 19. Combining a documentary with a fictional approach, Hora do recreio addresses topics including violence, racism and drug dealing.

Documentary about violence in games.

Marcos, famous goalkeeper who made history in Palmeiras and in the Brazilian NT - with which he was world champion in 2002 -, has a reputation as a saint due to the beautiful defenses he makes in capo. Players, coaches, journalists and fans praise the skills of São Marcos and pay homage to the admirable man and tireless athlete who became an idol.

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

Neirud died shrouded in mystery, leaving behind no trace of her past. Confronting family secrets, the filmmaker pieces together the life of her enigmatic aunt, who toured Brazil as a wrestler in an underground all-female circus troupe throughout the 60s and 80s. As she investigates Neirud's controversial ring persona, Gorilla Woman, the filmmaker uncovers a taboo-breaking love story, revealing the surprising nature of Neirud's role in her own family.

Between punches and jumps, the fighters of the team "Flecha Dourada" return to the ring after 50 years to relive the glorious era of wrestling in Santa Catarina, South of Brazil.

A Brazilian production that portrays a journey of struggle, faith, hope and transformation through powerful life experiences.

A documentary film about the taboos, stereotypes, and struggles of black actors in Brazilian television "soaps". Based on his own memories and on a sturdy body of research evidence, the director analyses race relations in Brazilian soap operas, calling attention to their likely influence on Brazilian African-Americans' identity-forming processes.

Invented by the post-New Wave, the exercise is well-known: put a filmmaker in the frame, make him talk about his career, evoke his admirations, rummage in his methods, and add words to silences, spoken images to seen images. It’s always very instructive. As is the case here too. Chantal Akerman, passing through South America, talks about herself for an hour, and it’s fascinating. Even if her recalling of the relationship between the cinema and time makes up only a few rare minutes.

Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).

The Museu da Pessoa challenged filmmakers to create films based on the many interviews that are part of the site's collection, and the result is an essay based on the interview with Francisco Edmisio da Silva, who migrated to São Paulo full of dreams and found a new reality.

This film shines a light at the story of Jards Macalé, polemic artist and controversial character of Brazilian culture over the last four decades. Author of songs such as "Vapor Barato" and "Movimento dos Barcos", a partner in crime of poet Waly Salomão, guitar player and songwriter for Gal Costa and Caetano Veloso, actor and author of soundtracks in Nelson Pereira dos Santos' films, a personal friend of visual artists Lygia Clarke and Hélio Oiticica, but, first and foremost, someone who dreams of seeing the word "love" in the Brazilian flag.

During the selection process for a film, actors show the struggle and tiredness of those who decide to make a living from Art. While parading their truths, fictional characters merge with recurring narratives from the actor's daily life. But who is just an actor and who is a character?