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La clara y oscura

Salango is a small parish south of Manabí. What this land means to Ecuador, however, is huge. Its name is associated with the pre-Columbian legacy of the Manta Wancavilca cultures, the humpback whales that arrive each year to mate, the homonymous island and its coral reefs, the great wealth of marine fauna. It is there, in one of the places with the greatest archeological and environmental heritage of our country, where the Polar fishmeal processor has been operating for 35 years. What does not emerge from the idyllic postcards of the area is the foul smell that pollutes the air, the portrait of people sick from the factory's toxic wastes, the disgusting black smoke that flows into the sea directly from the processor pipeline. That is why it is the struggle of the few members of the community who have not given up and demand that Polar leave.

La clara y oscura

NR 2014
The Costume Designer

This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.

The Costume Designer

10.0 1950
I Am Evel Knievel

I Am Evel Knievel features footage of Evels greatest jumps, including the seminal Snake River Canyon and Caesars Palace jumps. The film also showcases Knievels rise from a small town rebel in Butte, Montana, to a cultural icon whose rise to superstardom was built on nerves of steel and the ability to get up and do it again no matter the severity of the fall. He lived life like every day was his last, which led to a tumultuous life filled with stunts no man would ever dream of, encompassing meteoric success, wild hubris, egomaniacal mistakes, and ultimately redemption. The documentary combines original exclusive interviews with archival footage of this larger-than-life character to tell Knievels incredible story. Among those featured include Matthew McConaughey, Kid Rock, Michelle Rodriguez, Guy Fieri, Robbie Maddison and family members including sons Kelly and Robbie, and former wives Linda Knievel and Krystal Kennedy-Knievel.

I Am Evel Knievel

6.1 2014
APEX: The Story of the Hypercar

Rocket science meets the auto industry as "APEX" follows a thread that starts in the design studios and R&D labs where these "fighter jets of the street" are created, and leads to a perilous racetrack in Germany where drivers can reach new heights of speed and performance -- if they dare. Equal parts human drama and speed, "APEX" follows Swedish entrepreneur Christian von Koenigsegg, a lifelong sports car enthusiast on a personal quest to build a "mega" car whose golden ratio defies all expectations for a hypercar's velocity and power, while competing against the biggest names in motorsports for space on the world stage. With insights from top engineers and designers, "APEX" pulls back the curtain on the top-secret development facilities at Porsche, Ferrari, McLaren and Pagani, where awe-inspiring hypercars are imagined and built, and puts you inches from the action, as top drivers shake down the latest hypercars, flat-out on some of the world's greatest racetracks.

APEX: The Story of the Hypercar

6.5 2016
Chefs' Burnt Bits

Cookery and food disasters aren't the exclusive domain of home cooks... things famously go wrong for TV chefs for millions of viewers to see. Chefs including Gino D'ACampo, James Martin, Ainsley Harriott and Lisa Faulkner watch and remember those moments where it all went horribly wrong - on telly. Chefs' Burnt Bits blends some of the best food bloopers in TV history to cook up a classy and funny dish of moments where things didn't go quite according to plan in the kitchen.

Chefs' Burnt Bits

NR 2020
Emily @ the Edge of Chaos

Emily @ the Edge of Chaos interweaves Emily Levine’s live performance with animation, appearances by scientists, and animated characters. The film uses physics, which explains how the universe works, to explain our metaphysics – the story of our values, our institutions, our interactions. Using her own experience and a custom blend of insight and humor, provocation and inspiration, personal story and social commentary, Emily takes her audience through its own paradigm shift: from the Fear of Change to the Edge of Chaos.

Emily @ the Edge of Chaos

NR 2021
Death Row Uncut

Between 1993 (with the release of Dr. Dre's The Chronic) and 1996 (when 2Pac dropped both All Eyez on Me and The Don Killuminati: The 7 Day Theory), Death Row Records was the most successful label in hip hop, releasing a string of major hits featuring a distinctively laid-back but funky sound that took gangsta rap to the top of the charts. Death Row Uncut collects videos of 28 tunes that Death Row released during their heyday, including "Dre Day" and "Let Me Ride" by Dr. Dre and Snoop Doggy Dogg, "Gin and Juice," "Who Am I (What's My Name)," and "Murder Was the Case" by Snoop Doggy Dogg, "Natural Born Killers" by Dr. Dre and Ice Cube, and "To Live and Die in L.A.," "Hit 'Em Up," and "Dear Mama" by 2Pac. Death Row Uncut features unreleased live performance clips and uncensored versions of some videos that were softened for broadcast; it also includes an interview with label CEO Suge Knight, who has few kind things to say about his former co-workers.

Death Row Uncut

6.2 2000
Cosmic Collisions

Cosmic Collisions launches visitors on a thrilling trip through space and time—well beyond the calm face of the night sky—to explore cosmic collisions, hypersonic impacts that drive the dynamic and continuing evolution of the universe. Groundbreaking scientific simulations and visualizations based on cutting-edge research developed by Museum astrophysicists, scientists at the National Aeronautics and Space Administration (NASA), and other international colleagues—many seen for the first time—depict the dramatic and explosive encounters that shaped our solar system, changed the course of life on Earth, and continue to transform our galaxy. The new show explores the full range of space collisions, past, present, and future.

Cosmic Collisions

8.5 2006