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Mord in Lwow

This documentary is about the crimes of the former Federal Minister for Displaced Persons, Refugees and Victims of War, Dr. Theodor Oberländer, as the main participant in the plans and implementation of fascist Germany to exterminate the Polish intelligentsia in the conquered territories in WW2. Documents from the USSR, CSR, Poland, England, USA, Holland, Israel, West Berlin, GDR and the West Zone convict him as an offender by conviction, who was present at the putsch in Munich in 1923 as well as in July 1941, when the Sonderkommando Bataillon Nachtigall committed the murder of Polish academics in Lemberg (Lwow/Lviv).

Mord in Lwow

NR 1960
Carolyn and Me: Part One

David and Carolyn Brooks with friends. At Martha's Vineyard, on NYC bus, shooting at the beach, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks

Carolyn and Me: Part One

6.0 1969
The Maltese Cross Movement

The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.

The Maltese Cross Movement

7.1 1967