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Le Tour de la France, exactement

On August 10, 2011, Lionel Daudet set off on the Dodtour, a circumnavigation of France without motorized transport, following the land border and coastline as closely as possible, from the Alps to the Rhine, from the English Channel to the Atlantic, from the Pyrenees to the French Riviera. On November 15, 2012, he returned to his starting point, the summit of Mont Blanc, after traversing the country on foot, by bicycle, through fields and along beaches, by kayak, and by sailboat, sometimes alone amidst breathtaking landscapes, sometimes accompanied on the outskirts of towns. 3,000 kilometers of mountain ridges, forests, and rivers, and 3,500 kilometers of coastline. A 15-month (465-day) journey to take on a physical challenge, explore, and tell the story of what makes France what it is.

Le Tour de la France, exactement

10.0 2014
Tuschinski's Dream

After 50 years of exile, an old man comes back to the cinema of his childhood. The Tuschinski Theater of Amsterdam was born from a foolish dream; the one of Abraham Icek Tuschinski who has left his shtetl from Poland, and settles in Rotterdam where he opens a canteen to welcome Jewish immigrants. He then opens three little cinema halls that become a fast success and that’s how he decides to built a real cathedral like cinema hall. Real Art Deco palace inaugurated in October 1920, the Tuschinski encounters a meteoric success. During 20 years of a brilliant activity and despite the rise of intolerance in the Netherlands, Abraham Tuschinski believes in his dream. And, though weakened by financial difficulties, Tuschinski will never give up his dream. It will be the Nazis, invading the Netherlands, organizing the deporting of Jews and despoiling the properties, that will make Tuschinski’s dream turning into a nightmare.

Tuschinski's Dream

NR 2017
Hitler's Big Fear: The Trial Against Degenerate Art

In 1937, the Nazi regime launched its war on modernity, branding artists like Picasso, Chagall, Van Gogh, and Matisse as “degenerate”. Their works were banned, destroyed, or mocked in grotesque exhibitions, while Aryan ideals were glorified in state-sponsored shows. Framed by a major new exhibition at the Musée Picasso in Paris, the documentary revisits this ideological assault through rare footage, suppressed artworks, and the voices of curators and survivors. It broadens its scope to music, literature, and architecture, exposing how the Reich targeted all forms of dissenting expression. A timely meditation on repression, resistance, and the enduring fight for creative freedom.

Hitler's Big Fear: The Trial Against Degenerate Art

NR 2026
Gallant Indies

Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes galantes to the visual artist Clément Cogitore. Based on the experience of his short film Les Indes galantes, the artist updates Jean-Philippe Rameau's baroque masterpiece (1735) by bringing together lyric song and urban dance. The choreography is entrusted to Bintou Dembélé who supervises dancers from krump, popping, voguing or even experimental hip hop. From rehearsals to the Premiere, Philippe Béziat films the meeting of urban dancers with the lyric institution and invites the spectator to share a human and artistic experience.

Gallant Indies

7.5 2021
Gerry Rafferty: Right Down the Line

Gerry Rafferty, who died in January 2011, was one of Scotland's best-loved singer/songwriters, famous around the world for hits such as "Baker Street" and "Stuck in the Middle With You". This ArtWorks Scotland film, narrated by David Tennant, tells the story of Rafferty's life through his often autobiographical songs and includes contributions from Gerry's daughter Martha and brother Jim, friends and colleagues including Billy Connolly, John Byrne, and Joe Egan, admirers such as Tom Robinson and La Roux, and words and music from Rafferty himself.

Gerry Rafferty: Right Down the Line

NR 2011
Videocracy

In a country where bella figura is a national pastime, Prime Minister Silvio Berlusconi is the maestro of media manipulation. Having risen to political primacy with the aid of his Mediaset empire, he now controls 90% of the bel paese’s television channels including the state-run RAI network. Quantity, it seems, does not equal quality. Fed on a diet of semi-naked dancing girls, inane competitions and rickety reality shows built around the most ridiculous of premises, is it any wonder that Italians are becoming a nation of fame-hungry wannabes?

Videocracy

6.5 2009