Discover Movies

12,539 Matches Found

Neil Young and Crazy Horse: The Complex Sessions

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

Neil Young and Crazy Horse: The Complex Sessions

6.0 1995
Pure & Simple: An Introduction to the Joys of Canning

Join renowned fun and rewarding than ever. chef Alice Waters Alice will even take you of Northern California's Chez Panisse as she leads you step- through a pair of easy, scrumptious recipes -one a spicy for and tomato salsa, by-step through the pure simple joys of canning. You'll be amazed at how easy it is to create delicious, nutritious snacks and meals that come from the freshest ingredients, picked at their peak of perfection. You'll be introduced to the simple procedures that make home canning more the other for preserving the wonderful taste of fresh green beans. See why so many people get so much pure enjoyment out of the and simple process of canning!

Pure & Simple: An Introduction to the Joys of Canning

NR 1997
Crucified on a Black Cross

The third film of documentary trilogy «Black Candle of the Bright Road. In memory of Vasyl Stus» covers the events from the return from Kolyma in 1979 to the reburial on November 19, 1989. Interviews with the last cellmate of the writer Leonid Borodin, former political prisoners Vasyl Ovsienko, Levko Lukyanenko provide an opportunity to recreate the last episodes of Vasyl Stus's life: the conflict with Romashov, a fictional report about Stus's behavior in the cell, his emotional explosion due to slander, the announcement of a hunger strike, solitary confinement, night from September 3 to 4, 1985.

Crucified on a Black Cross

NR 1992
Emigration N.Y.

When Hitler's infamous "Anschluss" annexed Austria to Germany in 1938, the lives of 130,000 Jewish Austrians were placed at risk. Over the next three years, some 30,000 managed to emigrate to the United States, settling mainly in New York City. In Austrian filmmaker Egon Humer's brilliant and moving documentary EMIGRATION N.Y., twelve Viennese Jews -- seven women, five men -- recount their lives as children in Austria, as emigrants, as New Yorkers. Deceptively simple in style, the film gathers striking emotional power as its subjects (who include Amos Vogel, co-founder of the New York Film Festival) offer fresh and often surprising views on their experience of exile and assimilation.

Emigration N.Y.

8.0 1995
Ousmane Sow, Le soleil en face

This is the story of time passing, at the slow pace of Ousmane Sow, and of time rushing by, from the birth of a work to its unveiling one spring day in Paris on the Pont des Arts. For a year, while preparing the exhibitions in Dakar and Paris, Béatrice Soulé witnessed the creation of Two Moon, Sitting Bull, Chief Gall, and Crazy Horse by Ousmane Sow—Sioux and Cheyenne chiefs who, gathered along the Little Bighorn River, won the most important Native American victory against the American army in 1868, a victory that led to the death of General Custer. In the intimacy of the sculptor's home in Dakar, a home itself a place of creation, she shares with us her emotion at seeing works emerge from the sand, works that seem to journey from death to life.

Ousmane Sow, Le soleil en face

10.0 1999
Recidīvisti

For thousands of years, there has been a struggle between good and evil in the world; it also takes place within each person from birth to death. By getting to know and trying to understand prisoners – repeat offenders – the filmmakers encourage us to think about human nature, morality, and destiny, as well as the place of prisoners in society. The film was shot in Valmiera Prison, where inmates knit socks and mittens for children in orphanages, sing hymns and read the Bible, develop their artistic talents and train their muscles, but will all this help them to reintegrate into society after their imprisonment?

Recidīvisti

NR 1998
Le Dernier Regard – L’Européenne, portrait du Fayoum

Using a funerary portrait from the Fayum preserved at the Louvre Museum, this documentary explores the art of portrait painting in Roman Egypt during the 2nd and 3rd centuries AD. These strikingly realistic faces, painted on wooden panels and placed on mummies, reveal a multicultural society shaped by Egyptian, Greek, and Roman traditions. Through this single portrait, the film reflects on identity, memory, and the human relationship to death.

Le Dernier Regard – L’Européenne, portrait du Fayoum

NR 1998
Dziedot dzimu

The 20th Latvian Song and Dance Festival was the first in which compatriots from all corners of the world gathered in a free Latvia, including those who had gone into exile in the West and those who had been forcibly deported to Siberia. Director Dzintra Geka also brings together those who were unable to return to their homeland – footage for the film was shot in Sweden, at the 6th European Latvian Song Festival in Norrköping, where Latvian Minister of Justice Laila Freivalde, who is of Latvian descent, marches alongside her compatriots, and in Siberia, in the village of Lejas Bulāna, where Latvian women sing "...because this is Latvia, this is Bulāna...". The older generation of Canadian Latvians also dance at the festival with the Dardedze dance group from Toronto, while Mārtiņš Brauns prepares his song Saule, Pērkons, Daugava (Sun, Thunder, Daugava) for the choir.

Dziedot dzimu

NR 1991
Puppy Love

A curious title given that for 50 minutes, Januszczak snarls his way through a canine critique and it’s not clear which he despises more, dogs or their owners. He visits a dog show which he regards as incorrigibly eccentric and he considers breeding practices to be the canine equivalent of eugenics practised by the Nazis. “We breed them until their heads look like misshapen Halloween pumpkins (often to the detriment of their health), we cut their bollocks off, we send them to a doggy psychiatrist and still most of them won’t do what we want them to do. The message appears to be that we love dogs, but not for themselves, it’s for the prestige they can bestow upon their owners.

Puppy Love

NR 1999
Back from Madness: The Struggle for Sanity

In part of the HBO's America Undercover series, this documentary provides an insider's view of mental illness, and the use of psychotropic drugs to alleviate some of its symptoms. Tracks the odyssey of four psychiatric patients, beginning with their arrival at Massachusetts General Hospital and the affiliated Lindemann Center, revealing their personal struggles and inner strength as they enter the world of psychiatric treatment to seek relief from insanity.

Back from Madness: The Struggle for Sanity

6.0 1996
Pripyat

After the catastrophe in 1986, a 30-km restricted zone was erected around the Chernobyl nuclear power plant, and 116,000 persons were evacuated from this area. Pripyat is a portrait of the people who still live and work there, and of those who have moved back. What is life like for these people, a life with the invisible and incomprehensible danger of radioactivity? How do they deal with the aftereffects of an accident which is claimed to be statistically improbable? Four protagonists tell their stories and provide a look at everyday life in “their“ zone.

Pripyat

7.0 1999
Signer's Suitcase

SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.

Signer's Suitcase

6.8 1995
Hidden Faces

The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.

Hidden Faces

NR 1991