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Pier Paolo Pasolini: An Italian Journey

In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.

Pier Paolo Pasolini: An Italian Journey

7.0 2018
Estland im Aufbruch - Eine sowjetische Ostseerepublik sucht ihren Weg

Occupied Estonia on its way to freedom. Demonstrations, public discussions, a "singing revolution". Goal: more self-determination and autonomy. At a time when almost 50% of the population is Russian, Estonians are fighting to rediscover their nationality. There are protests against Russian paternalism, Estonian is to become the national language again. Relations between the peoples shall normalize in order to enable peaceful coexistence.

Estland im Aufbruch - Eine sowjetische Ostseerepublik sucht ihren Weg

NR 1989
Peak

At night, a convoy of tractor crawlers rattle through the snow to groom the ski slopes. Just under 3000 metres in altitude, excavators dig into the ground using dynamite to build a reservoir for the preparation of artificial snow. Concrete blocks of apartments are springing up everywhere, while elsewhere in the mountains, young people have long since moved away and old people talk about how their hometown no longer has a future. Too many regions in the Alps have become dependent on hopelessly commercialized skiing. In PEAK, Hannes Lang observes the invasion and hostile takeover of the Alps by ski tourism and introduces us to the people affected: winners and losers, enthusiasts, sceptics and lost souls.

Peak

10.0 2011
Not Without My Dogs

Out of love for Huskies, nature and cold winters Dave and Kristen Olesen moved from Minnesota to the North West Territories in Canada 25 years ago to create their own little universe on the magnificent East arm of Great Slave Lake. With their two daughters Annika 15 and Liv 12 and their 37 dogs, the Olesens enjoy a unique lifestyle in the wide open wilderness far away from civilization. One winter they all leave their self-built homestead with ten dogs on a two and a half thousand mile family expedition allowing Annika to run the Junior Iditarod in Alaska. As unexpected obstacles all along the trip culminate in three heavily injured dogs the whole endeavor is at risk. Optimism, love and loyalty prevail on this exciting epic family voyage.

Not Without My Dogs

NR 2013
How the Berlin Worker Lives

This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.

How the Berlin Worker Lives

5.9 1930
Redemption Blues

A life-time after the Shoah: Forgetting is not an option and memory only goes so far. When prayers are not enough, music can keep us going. It's not too late to mourn, And not too soon to replenish. In Redemption Blues, a feature-length documentary shot in New York, Vienna, Oswiecim, and Bethlehem, director Peter Stastny engages with several outspoken Holocaust survivors whose lives have been shaped by their experiences from more than 70 years ago. As the director's personal narrative guides us along, we watch these humorous, wise, hardened and joyful individuals rise above the despair and loss. A rich emotional landscape comes to life, containing some of the deep questions with which the world is still grappling today. In the end, we see these people as leaders and visionaries in moments of homecoming, renewal and progression, not merely as captives of their past.

Redemption Blues

NR 2017
Leben für den FC Bayern

They do not earn millions, yet they are happy nonetheless: Maria Meissner (87), Josef “Sepp” Schmid (74), and Rudi Egerer (65) have spent most of their lives working for FC Bayern. Maria still cleanses the trophies nowadays, Sepp still washes and prepares the jerseys of the players in the basement, and Rudi is still the bus driver. They are simple people who may have access to the glamorous world of the big stars, but who never wanted to adapt to the ‘modern times’ unconditionally. They have remained side characters and experience their club from a special angle: Being witnesses of the development from a people’s sport to star cult and commercialisation.

Leben für den FC Bayern

9.0 1999
CORRECTIV Unveils: Right-wing Extremist Secret Plan Against Germany

On January 10th, the investigative editorial team of CORRECTIV published research into a secret meeting of right-wing extremists, which no one was supposed to know about and which led to demonstrations and protests all over Germany. AfD politicians, CDU politicians, members of the WerteUnion, neo-Nazis and financially strong entrepreneurs came together in November 2023 in a hotel near Potsdam near the Villa on Wannsee, where the “final solution to the Jewish question” was once decided. They met to debate to expel millions of people from Germany, including non-German citizens with a migration background, as well as German citizens with a migration background and German citizens without a migration background who do not want to adapt to the ideological worldviews of those present. On January 17, 2024, the research premiered in the Berliner Ensemble as a staged reading with a political satirical character.

CORRECTIV Unveils: Right-wing Extremist Secret Plan Against Germany

NR 2024
Dance Of Death - Cabaret in the Concentration Camps

In a fitting tribute to the murder of scores of Jewish artists and performers, the filmmakers meticulously matched audio from pre-war recordings with films and still photographs taken by the Nazis in Westerbork, Theresienstadt, Dachau, and Auschwitz, resurrecting, if only for a brief time, the lives and art of some of Europe¹s best known performers, including Willy Rosen, Max Ehrlich, Kurt Gerron, Die Ghetto-Swingers, Johnny and Jones, Fritz Grünbaum, and Lisl Frank. Dance of Death reveals the underlying pathos of the artists, who lived to perform (and owed their lives to performing), yet were forced to watch as others were lead to their death.

Dance Of Death - Cabaret in the Concentration Camps

NR 2000
Berlin Fever

In 1973, Wolf Vostell, an artist associated with Fluxus, made a happening in which participants were required to perform a series of ritual, obsessive actions, such as “go to the trunk of your vehicle, there open and close the trunk 750 times and 375 times put a white plate in it and take it out 375 times.” Described by Ottinger as a documentation of what Vostell called “dé-coll/age-happening”, the film is an illustration of her creative method, a surrealist act, a separate work of art, and a strange object. She would later describe her method as “fragments of reality assembled in an unusual manner”.

Berlin Fever

7.0 1973
King of Comics

You may not recognize the name Ralf König, but you probably recognize his art. One of the most commercially successful German comic book creators, he is best known for books like “SchwulComix (GayComix)” that offer a twisted take on queer culture. Equal parts Tom of Finland and R. Crumb, König’s comics are sexually charged and often politically incorrect, portraying daily routines of gay life alongside serious subjects like AIDS. King of Comics is a touching portrait of a cutting-edge artist with a wicked sense of humor. All hail the king! —Jimmy Radosta

King of Comics

4.5 2012
Queer Exile

After escaping Egypt following the 2011 revolution, an activist finds himself in Berlin, hoping to start a new life and find safety and freedom. However, he ends up living in a refugee camp located in an area where far-right groups frequently hold anti-refugee protests. Caught between the hostility of his new home and the nostalgia for his past life, he begins to question his life choices and what it means to walk down a queer path. By exploring his memories archives, he develops a new understanding of what it means to be in exile. He also forms new friendships with those around him and redefines the concept of "home" in Berlin.

Queer Exile

NR 2024
Trinkerkinder

Children of alcoholic parents have been fighting for a precarious normality within their family since early childhood. They look after the addicted mother or father and try to stop them from drinking. They are always afraid that someone might find out and put them in a home. They feel guilty or become aggressive, cause problems at school or become addicted themselves - another single and often misunderstood cry for help in a social environment characterized by helplessness, looking away and silence.

Trinkerkinder

NR 2020
Where Are You, João Gilberto?

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

Where Are You, João Gilberto?

6.4 2018
Das Singen im Dom zu Magdeburg

Jewish and Christian music merge in this film about one of the oldest choirs in Germany, the choir in Magdeburg Cathedral, which has been performing together with the head cantor of the Jewish community in West Berlin, Estrongo Nachama, since 1980. The choir already existed when Walther von der Vogelweide celebrated Christmas here; the cathedral has survived devastation and wars, most recently the bombing of Magdeburg in January 1945. The choir sings "Oh, how the city lies so desolate, which was full of people". The choir now rehearses and sings together with Estrongo Nachama.

Das Singen im Dom zu Magdeburg

NR 1988
About ‘Song of Ceylon’ by Basil Wright

Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.

About ‘Song of Ceylon’ by Basil Wright

NR 1975
Die Legende vom Nil

The Swiss painter Paul Klee (1879-1940), who believed his ancestors came from North Africa, traveled to Egypt in 1928. He visited Tunesia in 1914, together with August Macke. The light and colors there influenced him a lot. German documentary filmmaker Rüdiger Sünner travels through Egypt with Klee's diary in his luggage. This film essay shows Klee's paintings, sepia toned filmed sequences of early 1990s Egypt, and tells of old Egyptian myths (Osiris and his adventures in the underworld) from the Book of the Dead, stories that deeply inspired Paul Klee.

Die Legende vom Nil

7.0 1991
Schimpft uns nicht Zigeuner!

The film accompanies Linda and Gallier in their everyday lives and gives them space for self-representation: at school, at the family table, at the disco, or in conversations with friends. The racism of the majority society, the pressure to assimilate, and the counterarguments of the two young people and their community members are omnipresent. The parents and grandparents are survivors. Linda summarizes that experiences of persecution and oppression have shaped the strong sense of belonging among the Sinti.

Schimpft uns nicht Zigeuner!

NR 1980