The Crown Jewels of Iran is a 1965 film commissioned and then banned by the Shah’s cultural ministry, featuring dazzling edits and camera movements and a charged narration assaulting economic disparities.
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The Crown Jewels of Iran is a 1965 film commissioned and then banned by the Shah’s cultural ministry, featuring dazzling edits and camera movements and a charged narration assaulting economic disparities.
A look into the world of car rallies, getting a behind the scenes glimpse of RAC events.
Christmas 1968 in Stockholm. A lot of people are working and promoting an alternative christmas. They gather to talk, paint and play music together.
A look into how police dogs and guide dogs for the blind are trained.
Traces the struggle to unify Italy from Napoleon's invasion in 1805 to the Plebiscite of Rome in 1870. Uses authentic costumes against historic locales.
BAFTA-nominated documentary exploring the British defence industry's use of chemical weapons.
Two of the greatest stars of Japan’s kabuki theater reveal what has only rarely been seen: the actual acting techniques used in this most difficult and splendid of theater forms. Onoe Shoroku II and Onoe Baiko VII discuss and demonstrate their craft in conversation with the well-known author of works on Asian arts, Faubion Bowers. Includes film of great kabuki performances of the past. These great kabuki actors make the mechanics of theater kata (poses) clear and show some of the gestures and nuances of body language that communicate specific emotions and situations. Baiko, a famous player of women’s roles, performs a classic woman’s speech in full costume and heavy white-face make-up, and then does the same scene again in plain face and simple clothes. He shows how the Japanese fan speaks in its own language. He and Shoroku act out a fight scene; Shoroku demonstrates one of kabuki’s elaborate exit walk sequences, and compares different ways of making stylized gestures.
A wordless, silent interview with Samuel Beckett for Swedish Television after Beckett won the Nobel Prize in Literature.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the South Australian regional town of Mount Gambier in the mid 1960s.
'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.
It shows workers of the fridge factory “Obod” in Cetinje.
The boom of the clothing industry brought great work for female machinists. This film presents how new recruits were hired and then trained to use the sewing machine in the workshop, or in one example, how not to manage recruits.
A documentary of SS United States on New York port.
Using animated maps and real footage, the film shows how Hitler systematically invaded and occupied one European country after another in 1939 and 1941
A day in the life of the Manchester Evening News.
This is a document that Pantelis Voulgaris filmed illegally during the years of the dictatorship. More specifically, it includes images from the funeral of George Papandreou, which developed into the first major popular anti-dictatorship event. The film was completed in Paris thanks to the Greeks abroad who showed it at political gatherings against the Junta.
Sad-is-fiction, Fredi M. Murer’s third artist film, takes as its subject the Zurich-based painter and poet Alex Sadkowsky. “Modern man leans neither to the right nor to the left; he just keeps walking” runs the start of the programmatic introduction – and, for the rest of the film, Sadkowsky does just that. He wanders through aeroplanes and through London, and leaps across rocky landscapes. Whenever he feels lonely, he carries with him an “animal metaphysicum”, which originated in his paintings. Sad-is-fiction portrays Sadkowsky as a visionary dreamer who – although he is in fact a father, artist, lover and, above all, a man with, to put it mildly, a gift of the gab – resists being pigeonholed in any way. In Sad-is-fiction,Murer works for the first time with direct sound and, for the first time, employs a colleague in the shape of cameraman Fritz E. Maeder.
A documentary on Hajj pilgrimage.
The Liberian American Swedish Mining Company (LAMCO) was a mining company that mined iron-ore in northern Liberia at the Nimba massif. About 15,000 Swedes worked for Lamco and the project was cited as a successful example of international cooperation. But in this film the Swedish TV viewers were presented a very different picture. The film broke with the conventional African portrayal and the Swedes in Liberia were portrayed as colonial-era heirs. The film was supplemented with a debate.
Documentary about a daily routine of a rural Polish family.
Also known as "Now is the Time for Violence", this is a film made clandestinely about subjects including the Cordobazo riots of May 1969 and and the assassination of Augusto Vandor in June 1969.
HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.
This feature documentary recounts the opposition between American revolutionaries and Canadian communities settled along the St. Lawrence River during the period leading up to the American Revolution. The flames of rebellion spread northward but Canada resisted encroachment. Part 2 of the series Struggle for a Border: Canada's Relations with the United States.
The film Fire Over London is about the operation of the London Fire Brigade. In an office's switchboard room we see one of the hideous T&N green and ivory telephones supplied by General Telephone Systems. Another shot deep in the bowels of St Paul's Cathedral gives a glimpse of a two-tone grey ATE 'Coffin Phone' as used on Communications Systems private exchange systems.
A look at what students get up to during their three-month summer holidays.
Sound and image captured by the Merry Pranksters in late 1965 and early 1966: the bus on the road, the Grateful Dead playing an Acid Test, Kool-Aid ritual, etc.
Released during the trial of Adolf Eichmann, this documentary uses archival footage and contemporary interviews to examine the crimes of the Third Reich and the bureaucratic machinery behind the Holocaust. Directed by Erwin Leiser, the film situates Eichmann’s prosecution within a broader historical context, confronting German audiences with visual evidence of antisemitism, deportation, and mass murder, including commentary from figures such as Fritz Bauer.
A film made for the 25th anniversary of the Fram Museum. The museum is home to the ship Fram, which was used by Roald Amundsen, Fridtjof Nansen, and Otto Sverdrup on their legendary polar expeditions. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
Shows a campaign launched in Halifax in 1967 to probe the core of poverty in that city--low incomes, ill health and inadequate housing affect more than twelve thousand people in the central area. The project combines the efforts of local agencies with those of government agencies to alleviate these conditions.
Documentary about the stonecutters from Herzegovina, celebrating human devotion for work and the struggle with nature.
A DIVEDCO film that is about the DIVEDCO program
Every May, Gypsies flock to the French seaside town of Saintes-Maries in the Camargue, for a festival in honour of a black Madonna (Sara) - the Gitan Pilgrimage.
In Montesano, Salento, during the festivities held in August in honour of Saint Donatus, patron saint of epileptics and the mentally ill, the power of collective suggestion causes strange phenomena and rituals to occur. Luigi Di Gianni, master of anthropological documentary, films the worshippers with Dionysian force as they writhe and scream as if in a pagan rite, showing how the content of the Catholic liturgy succumbs to the primitive passion of popular religiosity.
The first part of this film is devoted to the Greek resistance against fascism and the civil war for independence. While the voice-over recites facts and names, photos take us into the past and the everyday lives of the people. The second part takes us to Greece in 1965, where the masses are protesting against the removal of the liberal Georgios Papandreou. – Two years later the military junta seized power in Greece. When Filmecho/Filmwoche called the film “communist”, it was doomed. It was rarely shown and originated the stigma that ultimately made it impossible for Peter Nestler to continue to work in Germany.
A look at the role women play in the British Police Force.
A promotional documentary made for ABU fishing gear manufacturers from Svängsta, Sweden. Every year, ABU awards a number of prizes for the largest fish caught with ABU equipment. This prize consists of a trip to a famous fishing area. This year, it was a seven-day trip to Iceland, including three days' fishing at Laxá, and a visit to both the north and south of the country. The film follows the prize winners from the time they board the airplane at Kastrup airport until they leave Iceland, after a short but memorable visit.
Compilation of images by cameraman William Gericke (credited as producer and cinematographer), who for 50 years traveled around Brazil and recorded some rare images of the country's history in the 20th century.
Mark Lane interviews witnesses to the Kennedy assassination and exposes serious flaws in the conclusions made by the Warren Commission.
Documentary filmed by young directors in Japan that was shaken by the US-Japan security pact struggles and student disputes. An illusionary image comes back to life for the first time in 34 years. (Produced in 1968 but unreleased until 2002).
Film inspired by the beauty of medieval tombstones, stećaks, scattered around the mountains of Bosnia-Herzegovina and Mak Dizdar’s poem about them. Film explores the distant past immortalized in inscriptions on these ancient tombstones.
A film aimed at showing young people the range of careers open to them if they joined British Rail as an apprentice. It shows the support and education given to apprentices during their training.
"Skoplje '63" is a 1964 Yugoslavian documentary film directed by Veljko Bulajić about the 1963 Skopje earthquake (Skoplje, per film title, is the Serbo-Croatian spelling of Skopje). The filming started three days after the earthquake and lasted for four months. After that, Bulajić spent 12 months editing the footage at Jadran Film studios.
Mario Montez in drag eats a banana.
The success of this first full-scale nuclear power station on the shores of Lake Huron has shown the way for the economic large-scale production of electricity from uranium. This film describes the plant at Douglas Point, Ontario, and the process by which the uranium atom is split, employing heavy water with a special property, deuterium, giving the name CANDU (Canada Deuterium Uranium) to the Canadian system of atomic energy production. Produced for the NFB by Crawley Films Ltd. for Atomic Energy of Canada Limited.
Institutional documentary about the exploitation of Chuquicamata mineral that, as is usual in Balmaceda's work, highlights the social role of this industry and the context - human and physical - in which it operates.
A look into the depths of Britain's only salt mine, in Cheshire.
The three-spined stickleback is shown. Nest building, zigzag dance, fanning at the nest, sometimes following a female, also short mouth fights, the female swimming into the nest, spawning, the male poking at the rear end of the partner, inseminating the eggs in the nest after the female swims away.
A short filmed mostly in Sarandi'. Central to the film is the August 11, 1963 fire at the power plant in Dock Sud and the killing of a firefighter en route to the fire by a military unit, in the context of the conflict between the military factions of the Azules and the Colorados.
This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.
A lesson in the history of portrait art. A game with the camera's eye and our prejudices by artist Ola Billgren and filmmaker Carl Slättne.
A look at the Ordnance Survey and the maps it has been producing for over two centuries.
It illustrates the operation of a large bird catcher (uccellanda) with a net and bait, characteristic of northern Italy and in particular the Veneto region. Preparations for bird-catching nets, training to call numerous birds, laboriously prepared tricks to deceive migratory birds and catch them in the net.
A look at the sport of speedway racing, a sport which satisfies the modern thirst for speed. Also, with a look at how cross-country riding introduced a new hazard of man made obstacles
The film version of Dr. Richard Beeching's plan for the re-shaping of British Railways, showing some of the problems involved, the research necessary, and the answers that were produced.
Gerard Malanga and Mary Woronov pose against a painted wooden backdrop with their heads close together, occasionally nuzzling each other.
SIT-IN (1960) is filmmaker Robert M. Young’ (Nothing But A aman, The Ballad of Gregorio Cortez) seminal documentary on how the Student Nonviolent Coordinating Committee and Students of Fisk University desegregated the lunch counters in Nashville, TN.
Film follows pupils from a village in their long and arduous voyage to school.
"In my filmography, An Engineer’s Assistant (1963) is called my “first film.” This PR film on the safety of the Japanese National Railways was designed to be “self-criticism” after the big accident on the Joban line at Mikawashima Station, which had occurred in 1962. Right after the events back then, the responsibility for the accident was considered to be negligence of the engineer and the engineer’s assistant. The topic of this project was the promotion of a new device to avoid accidents. However, I had seen that the true cause of the accident was a congested service schedule, and I consciously placed emphasis on the depiction of the actual work of the engineer and his assistant, and of those who had chosen the route and were responsible for safety on the line on which the accident took place."