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What We Remember

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

What We Remember

8.0 1984
Küchengespräche mit Rebellinnen

Oral witnesses tell about their work in the Austrian underground movement against the national socialist regime. Agnes Primoschitz, Johanna Sadolschek-Zala, Rosl Grossmann-Breuer and Anni Haider talk about helping concenreation camp prisoners escape, fighting with the partisans and imprisonment, and about various experiences which bring back happy and sad memories. Many of their friends and relatives did not survive the terrible time. Some of the oral witnesses hadn't counted on surviving the prisons and concentration camps.

Küchengespräche mit Rebellinnen

NR 1985
As If It Were Yesterday

Documents the little-known heroism of the Belgian Resistance who, during the Nazi occupation, hid over 4,000 Jewish children, rescuing them from deportation and extermination, , often risking their own lives. Directed by Myriam Abramowicz and Esther Hoffenberg, children of parents who spent the war in hiding, the film inspired the creation of The Hidden Child, a world-wide network of hidden children, which, for three decades, has organized reunions of hidden children with the families who hid them in Belgium during WWII.

As If It Were Yesterday

7.0 1980
As You See

In 'As You See', Farocki searches for those instances and facts in the history of technology that have been overlooked or ignored, also exploring the ambivalent relationship between technologies developed for civil use and those designed for military purposes. Thus the film for instance describes how in the 1970s workers at the British arms factory Lucas Aerospace attempted to develop socially useful products to replace the company's military output. Rather than following a linear argument, this essay-film juxtaposes disparate images and weaves them into a mosaic-like structure which makes it possible for the viewers to make their own connections between the different images as well as between the images and the commentary.

As You See

7.0 1986
Zwischenzeit

Designed as an exciting hybrid between documentary and fiction, this film offers a special look at the nuclear resistance in Gorleben in the years 1981-1985 in Germany. A fictional acceptance researcher tries to mediate between the fronts of the anti-nuclear movement and the police. With his sociological lectures, the committed scientist often contrasts the political utopia of the opponents of nuclear power with the given political reality in a tongue-in-cheek manner. Exciting ironic-self-critical nuances in the documentary material, which shows the turbulent events in the Wendland in the 1980s.

Zwischenzeit

9.0 1985
Elfriede Jelinek. News from Home 18.8.88

“Writer Elfriede Jelinek has repeatedly made statements about her television-watching habits. She watches a great deal, a wide variety of what is broadcast, though rarely for pleasure or the purpose of gaining knowledge. On the contrary, the TV program is one of her favorite objects of study. Three separate times on a particular day, while sitting in a comfy TV chair, she commented on Austrian TV news for VALIE EXPORT.” – Brigitta Burger-Utzer

Elfriede Jelinek. News from Home 18.8.88

NR 1988
When Women Kill

When Women Kill is a poignant documentary exploring the shocking violence that seven women fell victim to at the hands of men. The program profiles the battered women who speak frankly about the cruel abuse, threats, and fears, and the overassertive men who led them down a one-way path to death and destruction. The film features in-prison footage, including a segment depicting a confession by a follower of the notorious Charles Manson, Leslie Van Houten, who was convicted of two killing sprees and committed to life in prison.

When Women Kill

6.0 1983
Rock My Religion

Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture. Graham formulates a history that begins with the Shakers, an early religious community who practiced self-denial and ecstatic trance dances. With the "reeling and rocking" of religious revivals as his point of departure, Graham analyzes the emergence of rock music as religion with the teenage consumer in the isolated suburban milieu of the 1950s, locating rock's sexual and ideological context in post-World War II America. The music and philosophies of Patti Smith, who made explicit the trope that rock is religion, are his focus. This complex collage of text, film footage and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock 'n' roll music.

Rock My Religion

NR 1984
Nico: In Memoriam

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

Nico: In Memoriam

NR 1989
General Studies: An Everyday Miracle

In this BBC documentary directed by Andrew Neal and narrated by David Attenborough, modern medical imaging allows scientists and doctors to observe human development in the womb as never before. Following the stages of pregnancy from conception to birth, the film reveals the complex biological processes that shape the earliest months of human life. (Note: Standalone BBC2 documentary (1981) broadcast within the "General Studies" strand but produced and credited as an independent titled program.)

General Studies: An Everyday Miracle

NR 1981
The Dream Machine

A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )

The Dream Machine

4.4 1986