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Yes: The Gates of Q.P.R.

Yes, live in 1975 (May 10), from the Relayer tour. Played in Queens Park Rangers stadium in London, England, UK with Seals & Crofts, Gryphon, and Ace. The shot is pro, the audio is soundboard, but apparently not a multi-track. This was originally a bootleg, and then later re-leased on DVD by former band manager Brian Lane without band involvement or blessing. Generally considered the best concert video of the tour. Disc One: Introduction - Igor Stravinsky: Firebird Suite Sound Chaser Close to the Edge I. "The Solid TIme of Change" II. "Total Mass Retain" III. "I Get Up, I Get Down" IV. "Seasons of Man" To Be Over The Gates of Delirium I've Seen All Good People: Your Move Mood for a Day Long Distance Runaround (acoustic) Cachaça Clap Disc Two: And You and I I. "Cord of Life" II. "Eclipse" III. "The Preacher, The Teacher" IV. "Apocalypse" Ritual (Nous Sommes du Soleil) Roundabout Sweet Dreams Yours is No Disgrace

Yes: The Gates of Q.P.R.

7.0 1975
The World of Nicolai Gedda

The world of an operatic singer is documented in a film portrait of world-renowned Swedish-born tenor Nicolai Gedda. One of the greatest singers of his day, Gedda has recorded more than 80 record albums of opera, operetta, oratorios, and recitals. The documentary follows Gedda in rehearsals and performances in New York, San Francisco, and in European cities, as he tells about his life as an opera singer, relating the personal satisfactions and frustrations of being an opera star and traveling around the world.

The World of Nicolai Gedda

7.0 1971
Street Music

A collection of performances by street musicians across the country, from New York to San Francisco, New Orleans to Chicago, the film presents 19 musicians in seven cities, and was one of Doob's first feature-length films. Among the singers, guitarists, drummers, dancers, and other artists, Doob includes street performance legends such as Brother Blue, Gene Palma, Bongo Joe, the Automatic Human Jukebox, and bluesman Jimmy Davis. The film captures a cross-section of Americans filled with raw talent, showmanship, and hustle, and presents a time capsule of the fashion, architecture, and culture of the 1970s. (Yale Film Archive)

Street Music

NR 1979
Witchcraft Among the Azande

Sir Edward Evans-Pritchard’s Witchcraft, Oracles and Magic among the Azande—based on fieldwork conducted in Sudan in the 1920s and 1930s—is one of the classic texts of social anthropology. Fifty years later anthropologist John Ryle and film-maker André Singer—among the last of Evans-Pritchard’s students—revisited Zandeland, in Western Equatoria province of Southern Sudan, for Granada Television’s Disappearing World series. They recorded the continuities in Zande culture and the changes since Evans-Pritchard’s time.

Witchcraft Among the Azande

NR 1975
Forbidden: Dead Harbor

‘Dead Harbor’ deals with the people who were living in worst asylums at that time – institutions in which the society was throwing a way all those who they wanted to get rid off and marginalize: psychiatric patients, alcoholics, old people who no one wanted, ex prostitutes and the other social cases. Work was filmed in Asylum for adults in Bidružica. Without any real care or therapy, under hard sedatives and drugs, inhabitants of Asylum wasted their days without any meaningful activities – walking in circles in the yard, sitting on the benches or in the best case drinking in local pubs.

Forbidden: Dead Harbor

NR 1976
Palestine in the Eye

Palestine in the Eye chronicles the profound impact of Hani Jawharieh’s death for the PLO Film Unit. The film reflects on his life through interviews with family, colleagues, and his own cinematography, including the moment of his death while filming for the Unit in 1976. Although the film has later been attributed to Mustafa Abu Ali, the Unit’s method of work was to describe everyone as a collective of “workers,” and we see this in the film titles, which collectively list the names of all those who participated as a non-hierarchical collective. Through this reflection on Jawharieh, we are offered an understanding of the workings of the Palestine Film Unit and its international connections.

Palestine in the Eye

NR 1977