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Torrent du Mont Blanc à la nage

A documentary about André Payraud's descent of the Mont Blanc torrent by swimming down it. "I've always had a thirst for adventure. At 19, I was in a diving club and I loved Jacques Martin's show, 'Incroyable mais vrai' (Incredible but True). I dreamed of participating in this hit program." After careful consideration, André Payraud had the idea of ​​the century, an idea that would attract media attention: to descend the Grands-Montets glacier on his stomach, wearing a full wetsuit (mask, snorkel, fins, and neoprene suit). A crazy idea that drew a flood of press coverage. The film, "Swimming Down the Mont Blanc Torrent," directed by Didier Lafond, was broadcast twice on France 2 and even won an award.

Torrent du Mont Blanc à la nage

10.0 1982
The World of 'The Dark Crystal'

A documentary which explores the making of Jim Henson and Frank Oz's 1982 fantasy film 'The Dark Crystal', which originally aired on PBS in the United States on January 9, 1983. This one-hour documentary details the technological innovations in the field of animatronics, art design, film making, and Henson's own brand of magic. Requiring 5 years of production, including over two years of pre-production, The Dark Crystal was inspired by the imagination of artist Brian Froud and conceived by scores of talented designers, builders, technicians, and performers. The World of the Dark Crystal shows how Jim Henson's Creature Shop in London and the Muppet Workshop in New York brought Brian Froud's art and Jim Henson's vision to life.

The World of 'The Dark Crystal'

6.7 1983
The Falklands War: The Untold Story

Five years after the war in the Falklands between Britain and Argentina, many facts were still wrapped in red tape. Many of the key figures had remained silent. No-one had been to Argentina to tell the other side of the story. For the majority of the British people, the war was another glorious chapter in their history. With flags waving and bands playing, British troops had sailed away to repel the invaders. Patriotic emotions were stirred as they returned victorious. Government MPs tried to get the film banned, but Yorkshire TV's telephones were jammed with messages of support from wives and mothers of those who died in the conflict. Called 'the documentary to end all documentaries about the Falklands War' in the British press, it was also described as 'more poem than polemic - a hymn against war'.

The Falklands War: The Untold Story

8.7 1987
Shake! Otis at Monterey

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

Shake! Otis at Monterey

7.3 1987
Fyra dagar som skakade Sverige - Midsommarkrisen 1941

At dawn on June 22, 1941, Germany invaded the Soviet Union. On the same morning, Germany demanded permission from the Swedish government to transport 18,000 German soldiers from Norway to Finland across Sweden by railway. This was a difficult problem for the Swedish government. On one hand remaining friendly with Germany at the height of its power, on the other maintaining a strict neutrality. The Swedish cabinet meet in Stockholm to decide upon the best reply to the German demands.

Fyra dagar som skakade Sverige - Midsommarkrisen 1941

8.3 1988
My Mother Is In Sri Lanka

“Every day I think about my family, my children, the future.” Two years ago, Magheswaran Naganathy fled Sri Lanka. He lives with Ratha Sivaramalingam, Puniya Sundarampillai, and around fifty other Tamils in a Salvation Army refugee camp in Zollikofen near Bern. Time is killed in the camp. Shopping at Shoppyland, if the social security money is enough. Regular work is not allowed. Practicing the dreaded police interrogation in role-playing games. Getting summer clothes from the Red Cross. Waiting for the mailman to bring newspapers and letters from home. “My children always ask me what my life is like in Switzerland and when I'm coming home.” (Translated from German)

My Mother Is In Sri Lanka

NR 1987
Palestinian Identity

In 1982, Israel invaded Lebanon and occupied its capital, Beirut. The film is a rare example of a PLO film made after the PLO’s departure from Beirut. It documents the burned and destroyed cultural and educational centers from which Israelis stole films, photographs, and historical and contemporary manuscripts. It includes interviews with key members of the Palestinian cultural scene such as Mahmoud Darwish and Ismail Shammout and those in charge of cultural and educational centers that were destroyed.

Palestinian Identity

NR 1984
Journey into the Mine

“Journey into the Mine” (礦之旅) is a 1981 documentary directed by Chang Chao-Tang (張照堂). Part of the “Journey Through Images” series (映象之旅), it documents the Ruìsān Coal Mine (瑞三煤礦) in Houtong, Ruifang (瑞芳侯硐). Using a portable ENG camera, the crew descended 600 meters underground to record miners working amid heat, coal dust, and gas hazards. Rejecting elite-centered television perspectives, the film foregrounds the resilience of working-class laborers. Its essayistic voice-over is paired with ECM jazz and blues, creating a distinctive tone. In 1982, it won the Golden Bell Award (金鐘獎) for Best Educational and Cultural Program. A rebroadcast added footage of the Neihu Futian Coal Mine disaster (內湖福田煤礦災變), producing a stark dialogue between policy narrative and industrial tragedy. Its footage was later used in Hou Hsiao-hsien’s 1986 film Dust in the Wind”(戀戀風塵).

Journey into the Mine

NR 1981
Māori

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

Māori

NR 1981
N!ai, The Story of a !Kung Woman

This film provides a broad overview of Ju/'hoan life, both past and present, and an intimate portrait of N!ai, a Ju/'hoan woman who in 1978 was in her mid-thirties. N!ai tells her own story, and in so doing, the story of Ju/'hoan life over a thirty year period. "Before the white people came we did what we wanted," N!ai recalls, describing the life she remembers as a child: following her mother to pick berries, roots, and nuts as the season changed; the division of giraffe meat; the kinds of rain; her resistance to her marriage to /Gunda at the age of eight; and her changing feelings about her husband when he becomes a healer. As N!ai speaks, the film presents scenes from the 1950's that show her as a young girl and a young wife. The uniqueness of N!ai may lie in its tight integration of ethnography and history. While it portrays the changes in Ju/'hoan society over thirty years, it never loses sight of the individual, N!ai.

N!ai, The Story of a !Kung Woman

6.8 1981
Takeover

About Aborigines and Australian politics. On 13 March 1978 the Queensland Government announced its intention to take over management of the Aurukun Aboriginal Reserve from the Uniting Church. The people of Aurukun complained bitterly, believing that the Church was more sympathetic to their aims and fearing that the State was merely seeking easier access to the rich bauxite deposits on their Reserve. When the Federal Government took the side of the Aborigines the stage was set for national confrontation. Shows the situation at Aurukun during those crucial three weeks.

Takeover

NR 1980