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After the end of his 12-year sentence for attempted murder, activist and war veteran Kenzo Okazaki lays out his vision of an ideal world.

In 1972 a Chinese archaeological dig excavated the tomb of a woman who had been buried for 2,100 years. The body was so well preserved that many different scientific teams were requested to dissect and examine it to determine what it could reveal about ancient Chinese civilization.

A record of the skills of six artisans and craftsmen honored with the title 'Living National Treasure'

About a woman who has lived a nomadic life playing sanshin music since the age of 9, and made her CD debut at the age of 85.

In a mountain village in southwestern China, just south of Tibet, one of the last remaining traditional bearers of the Lisu ethnic group is amid the mountains of new changes seeping into every crevice of their lives. Will their tradition survive?

With the unexpected dismissal of 2045 workers, the strike by Ssangyong employees has received the most public support and attention since the IMF. It was an intense period inside and outside the factory.

“Japanese Entry Prohibited”military bases have proliferated to more than 700, occupying an area equivalent to the island of Shikoku and completely encircling Japan’s children. The film depicts the situation at several bases through the eyes of children: Chitose in the north, a base in the mountain village of Tozawamura in Yamagata Prefecture, urban bases in Yokosuka and Tachikawa and Uchinada in Ishikawa Prefecture.

In March 2011, the world was stunned by the nuclear disaster in Fukushima. Today, the people of Iidate, a town outside the 30km radiation exclusion zone around the nuclear power plant, are still suffering. The direction of the wind, rain and snow caused radiation to reach dangerous levels and the entire town was forced to evacuate.

MENTAL is a feature-length documentary that observes the complex world of an outpatient mental health clinic in Japan, interwoven with patients, doctors, staff, volunteers, and home-helpers, in cinema- verite style. The film breaks a major taboo against discussing mental illness prevalent in Japanese society, and captures the candid lives of people coping with suicidal tendencies, poverty, a sense of shame, apprehension, and fear of society.

An art curator is told about a past visit to Searles Lake, a salt desert near California's Mojave Desert, and the nearby town of Trona, while pulling out a burned pharmaceutical encyclopedia. Trona's borax serves as a raw material for film developer, becoming becomes a link between the memory of the place and the act of filmmaking. Long-held memories of conversations with the filmmaker's mentor James Benning, colleagues, and other mentors about the book found in front of a burned house in this borax-mining village are restored as script.

Alan Zhang's film delves into the journey of Beibei, a young woman grappling with societal expectations amidst the COVID-19 epidemic. As Beibei navigates the complexities of life, marriage, and her roles as a wife, mother, and daughter, the film provocatively questions the constraints of conventional gender roles. The film immerses us in the life of Beibei, who refuses to let her identity be defined by others, who demands the right to find out for herself who she is and what she wants. Moving from city to city and from lover to lover, she defies society’s expectations of what a woman should do and be. Blurring the lines between reality and fiction, the film boldly challenges traditional gender expectations, showcasing the struggles and triumphs of emancipated women like Beibei.

This documentary depicts the stories of four Chinese activists—Xie Wenfei, Zhang Shengyu, Chen Yunfei, and Liu Ping—who faced torture. It also invites Hong Kong participants Chan Ho-wun, Li On-yin, Chen Hung Sau, and Cheung Chiu-hung to experience and reflect on these situations through simulated installations. The film highlights that in the advancement of human civilization, "human rights", "rule of law", and "democracy" are mutually indispensable and interdependent. In countries ruled by authoritarian regimes, the rule of law cannot be upheld, let alone the protection of human rights.

This is a documentary movie focusing on the common problems of governance in the world's mega cities. Using the calls received by the 12345 hotline in Beijing as a clue, the movie presents the vivid stories of citizens' lives in Beijing, a mega-city with a population of more than 21 million, through documentary filming.

a BEAUTIFUL REEL. B'z LIVE-GYM 2002 GREEN ~GO★FIGHT★WIN~ is a home video by B'z, released on November 27, 2002. The release serves as a documentary film covering B'z LIVE-GYM 2002 "GREEN ~GO★FIGHT★WIN~", which toured in support of their twelfth album GREEN. The second disc contains backstage footage of B'z LIVE-GYM 2002 "Rock n' California Roll". With the exception of "Taiyou no Komachi Angel", this release contains the full setlist.

Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.

Jeju authorities felled about 900 cedar trees on Bijarim-ro for a road expansion project. Citizens exposed the project's flawed environmental impact assessment, leading to its suspension. They continued efforts to protect Seongsan, slated for the second airport, and Bijarim-ro. This documentary follows the journeys of five women involved in this movement.

The camera gazes at the crowd in Tiananmen Square. Accompanied by the music of Qigong exercises, the lives passing to and fro seem imbued with an immense weight.

Documentary on photography with the participation of twelve globally famous Japanese photographers.

Science fiction and desire collide when an American researcher meets a Japanese translator. Clouds drift beyond the towering high rise blocks; down below, nature suffocates in a Tokyo river.

The melody of the hymn echoes in the old streets and alleys of the city. This is strange in a country that regards religion as a spiritual opium. The small, messy street was full of old people, and they began to pray with the sound of the room on the street. On the roof, a simple cross gleamed in the sun. During the Cultural Revolution, Christianity was completely eradicated. In China's political environment, Christianity has always been regarded as an extremely reactionary and evil thing, and openly believing in God would bring prison sentences. After the reform and opening up, Christianity also resumed activities. Although the Three-Self Church under official control is orthodox, house churches that are not under official control have also emerged in various cities. This film documents the activities of a house church in Nanjing.

Portrait of Mrs. B., a tough charismatic North Korean woman who smuggles between North Korea, China and South Korea. With the money she gets, she plans to reunite with her two North Korean sons after years of separation.

Is being in a foreign land, separated from one’s familiar daily life and human relationships, another form of escape? Four seemingly unrelated footages from CHUNG Mong-hong's overseas studies represent a contemplation of the foreign land and self-identity. Fleeting images of the city, surrealist compositions, the multifarious landscapes and imageries presage CHUNG’s early experimental features. The monologue at the end narrates the absence of the father and the resulting solitude and regret, reflecting CHUNG’s delicate sensibilities towards family and human relationship. The local religious chants serve as a stark cultural contrast against the life overseas, highlighting the cultural barriers and loneliness brought about by estrangement.

It took Kaori Sakagami six years to receive permission for shooting her documentary in a Japanese prison. In a unique project, a limited number of inmates can participate in a therapeutic circle in order to understand the mental and social conditions of their behavior. Even after being released from prison, former inmates are supported by psychologists and social workers. What is remarkable in the process: the inmates learn to support each other and to open up toward the experiences of others.

Before 2NE1 achieved global success, Sandara was already a superstar in the Philippines.

Zi:Kill album "ROCKET" receives its first home video treatment with VIDEO ROCKET LONDON SIDE, featuring scenes shot during their stay in London.

Memories (1995) making-of featurette, includes introductions to the creative genius behind the shows and looks at Otomo’s previous works, such as Akira. It also includes snippets from interviews with Otomo, Koji Morimoto, and Tensai Okamura.

The dark night has given me dark eyes, yet I use them to search for light. A documentary about the controversial poet Gu Cheng.

When it was decided that the 88 Olympics would be held in Seoul, the residents of Sanggye-dong were forced from their homes and they struggled against the government to at least guarantee them new residences.

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

The filmmaker looks into problems of personal communication by focusing on the letters of a woman who has done enjokosai, that is, a young woman who agrees to talk with or meet or go to a hotel with (usually older) men for money. The director himself met Ryoko, the film's subject, via her telephone messaging system. Discarding the flood of sensational images found in the mass media, this film illustrates the thoughts of Ryoko and others from the perspective of those actually involved.

A documentary about the making and shooting of Shinichiro Ueda’s ‘One Cut Of The Dead’.

Grandma Kham, an 87 year-old-woman, lives lone and is still strong enough to burn charcoal and weed out grass. But what does she have to go through along the way? And how will she prepare for her own final moment?

The sound of billiard balls on a table, a montage series from television shows, steam rising from a bowl of instant noodles, reflections in the window of a public bus, a sun dressed in drab army green, daze caused by intermittent sleep, and the words hidden in a telephone card. The old wait for their coffins, the young wait to leave the island, the recruits wait and count the number of days before discharge, the rocks wait for people to come back, and I wait for the end of the film.

Using black-and-white images ranging from African statues to contemporary film posters and political meetings, Chihying considers aesthetic dynamics between the West, China and Africa. How did so many African artefacts end up in European museums? And what if this Western power of selection were replaced by Chinese control?

Somewhere in Myanmar is a forest rich in amber and controlled by the Kachin Independence Army (KIA). Most of its inhabitants work in a mine, digging the earth night and days in the hope of finding the precious ore that will get them out of poverty. But on top of the excruciating hardship of the work, they also have to fear an attack from the army.

It is another rainy day in Pyongyang and the long boulevards of utilitarian buildings have taken on a misty shade of grey. School children do daily exercises before saluting a portrait of Kim Jong-un and adults don lapel pins depicting their leader before a day’s work at the farm or factory. Tracing a form of cultural uniformity that is unfamiliar to many in the West, this is a portrait of life behind the world’s last iron curtain.

Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmissions, and intimations of an impending hazardous event that may never arrive.

This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.

A discussion between the director Satoshi Kon and Tamaki Saitō, a psychologist known for his work about "hikikomori", and an interview of the director Satoshi Kon and the series' music composer Susumu Hirasawa. Part of the special features of Paranoia Agent (2004).

2H combines documentary and dramatic film techniques to depict the psychological passages of two Chinese expatriates in Tokyo as they attempt to accommodate their existence to the two universal events of life - birth and death. Ma Jinsan is a 95 year-old former Kuomintang general who defected to Japan nearly 50 years earlier, shortly after the Communist revolution. Bound to Ma by chance, circumstance, and emotional need, Xiong Wenyun is an avant-garde artist desperately seeking to fulfill an innate but inarticulate desire to have a child.

Documentary of an Imperial Japanese Army regiment's advance from Shanghai to Wuhan in 1938. This film was shelved before submission to Home Ministry censors amid rumors that Fumio was a Communist.

Drawing on films made by Chinese state studios in the 1950s–1980s, this work revisits island narratives of war, revolution, espionage, and class struggle once shaped to engineer shared sentiments. Images from these features are dismantled and recomposed as propaganda dissolves into tropical murmurs, blurring borders between history and fantasy, individual and collective.

K.M.Lo , tech-nomad, filmmaker, trainer, starts an ONE-MAN-MISSION, he uses a Tuk Tuk (tricycle) as platform/symbol to run a mobile film school by day and open air cinema by night, to train young folks in developing world to get film education, a sense of achievement and organizing self-generated entertainment and cinema art as cultural events. He wishes to spread happiness to the community and it might eventually change the world.

A documentary of the Yuanda Song and Dance Tent Show, a wandering troupe from the countryside of Henan Province that is on the road all four seasons of the year.

On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what tormented him in his last days.

This piece consists of two parts, a documentary and a short film. It is a realistic depiction of some girls aiming for their dream to become actresses! The documentary part starts with five girls who want to become actresses taking part in a "Make a movie" project under director Yu Katsumata. This is a real record of the days from the start of lesson until the announcement of the cast. The second half then contains the short film "We don't wanna", as five high school girls who don't want to grow up face anxious days, paths, love, dreams and the future... With all of this in their hearts, the five of them, head off on a "We don't wanna grow up tour". They take a slow train, headed for "paradise". It's only a one day trip, but becomes their battle diary road movie.

This documentary chronicles the creation of FACE, Jimin's debut solo album, as he embarks on a new artistic journey.

Seventeen hold an online concert on January 23, 2021 as their first concert with all 13 members since 2019.

At a school for Korean residents in Japan, KIM Sang-su coaches at an afterschool boxing club. The students in the club start training for the big tournament which all Korean schools in Japan will attend. They train hard as they all work towards their dreams. As the school year moves toward the end, the students prepare to take their first steps into Japanese society.

A short visual meditation, OF THE UNKNOWN is set in Hong Kong where millionaires and the ‘working poor’ live side by side in one of Asia’s wealthiest and most densely populated cities. The film explores how our notions of freedom and happiness are shaped by the place we occupy, both literally and metaphorically, in our society. What is the importance of freedom when one faces a daily struggle for survival? Is it even possible to have dreams, or to dream, if one was never given any opportunities in life? https://vimeo.com/113548756