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The Expulsion from the Temple/Female Christ

Performing in the work The Female Christ, Lene Adler Petersen walks – entirely unannounced – through the building’s vast hall while carrying a cross. The artists introduce a new, vibrant image depicting one of our grand narratives and carry out a startling intervention within the pulsating business world. The resulting clash has become an iconic modern-day image. The footage created for this work should also be viewed within the context of the film community ABCinema, which worked with e.g. collectively produced film and collective film screenings where several films were screened simultaneously. (National Gallery of Denmark)

The Expulsion from the Temple/Female Christ

NR 1969
Noon in Tunisia

The two-part film "Noon in Tunisia" by Peter Lilienthal is a meeting of jazz and Arabic music at various public or open-air venues in Tunisia. Under the direction of George Gruntz, European and US jazz musicians play his suite-like composition "Maghreb Cantata", which is based on original Bedouin dances, together with Arab performers. The highlight is the Fazani, a rhythm of Bedouin tribes from the desert region of the Libyan-Tunisian border. The recording took place from 5.5. - 24.5.1969 in and around Tunis.

Noon in Tunisia

7.0 1969
The Velvet Underground in Boston

This newly unearthed film, which Warhol shot during a concert at the Boston Tea Party, features a variety of filmmaking techniques. Sudden in-and-out zooms, sweeping panning shots, in-camera edits that create single frame images and bursts of light like paparazzi flash bulbs going off mirror the kinesthetic experience of the Exploding Plastic Inevitable, with its strobe lights, whip dancers, colorful slide shows, multi-screen projections, liberal use of amphetamines, and overpowering sound. It is a significant find indeed for fans of the Velvets, being one of only two known films with synchronous sound of the band performing live, and this the only one in color.

The Velvet Underground in Boston

NR 1967
Laos, Day and Night

Documentary about the struggle of the Pathet Lao (or Neo Lao Hak Xat, the Patriotic Front) against the USA during the years 1966-1968. Includes footage of the Laos countryside showing the daily lives of civilians, including farming and education. Also features footage of the caves in which civilians lived and worked, with areas for printing books, sewing, and preparing medicines for an underground hospital. Footage of soldiers of the Patriotic Front using anti-aircraft guns to fire at US planes, and debris from crashed plane.

Laos, Day and Night

NR 1968
Lasery

The video discusses the design and significance of molecular lasers, which can have a continuous power output of several thousand watts. Given the extreme temperatures generated by a focused laser beam, materials traditionally considered fire-resistant—such as asbestos, ceramics, and even quartz glass—become ineffective. Molecular lasers have numerous applications—they are used in the metal and mining industries as well as in telecommunications. A single beam of gas laser light can simultaneously transmit 100 million telephone calls or 100,000 television programs, and in the age of satellites, laser devices track the movement of satellites and measure the speed of spacecraft.

Lasery

NR 1968
El largo viaje hacia la ira

After the experience with 'Será tu tierra,' Soler becomes aware of this cruel reality, until then unknown; Soler makes this documentary on his own initiative and with complete freedom. The film analyzes and quantifies, using extensive data, the social and economic consequences of internal migration during the 1960s, especially in Barcelona and its metropolitan area, focusing on the problems that arise from a lack of housing, with people crammed together in old apartments without hygienic conditions; and the phenomenon of shantytowns.

El largo viaje hacia la ira

7.3 1969
A Study of Relationships Between Inner and Outer Space

David Lamelas' first film analyses the architectural, social, climatic, or sociological data that make up the exhibition's spatial environment, that of the institution and its geographical location. Beginning with the empty exhibition hall, the description is neutral and analytical. It progresses in ever larger circles, placing emphasis on all the important functional elements, from the electronic devices in the exhibition space, to the city's traffic regulation to the communication and information media and finally, to the climatic conditions of the London environment. The film concludes with six interviews regarding the big news item of the day: the future "landing" of the first men on the moon.

A Study of Relationships Between Inner and Outer Space

NR 1969