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Il Pilastro

The history of the Pilastro district begins in the '60s, with some council houses a few miles from the center of Bologna, built to meet the demand for housing for the growing number of immigrants in the post-war period. Under the shadow of the Virgolone, one of the largest residential buildings in the city, grows a neighborhood with almost 7000 inhabitants, often rising at the center of media attention for its crime sagas. Through the history of a neighborhood and its inhabitants, the film explores the relationship between city spaces and daily experiences, in a context where challenges and contradictions in urban development are evident.

Il Pilastro

NR 2025
Chutzpah – Something About Modesty and Shame

In the midst of a personal and work crisis, I begin to film everything obsessively: my parents, grandparents, children, friends and lovers, but also myself and psychotherapy. Some footage is consensual, some is “stolen.” This way my personal-intimate becomes narrative: the recent separation, the pain of my children’s being apart, my parents’ separation, my inadequacy as a mother. But in this autobiographical process of “coming out” I inevitably clash with the privacy of those close to me. The result is a kind of intimate diary that, in becoming public, is perhaps shameless and obscene. But where are the boundaries between what should remain private, offstage, and what can be made public and shared?

Chutzpah – Something About Modesty and Shame

NR 2023
How big, how blue, how beautiful

For me, places are people. Venice, tormented, fascinating, mysterious, is Giulio, his blue eyes, his disappearance, his ghost. There isn't a day that goes by that I don't think of the time his body was beside mine as we explored the island. Venice reawakens my memories with him and gives him back to me. Knowing that he has changed shape, that he no longer wears a human body, drives me to search for him everywhere. Yet I continue to believe in his desperate freedom, in his choice. The emptiness within me after his departure is a space I fill with what I encounter. I know only one way to combat pain: seek wonder. I will continue to do so, now also for him, now also with him.

How big, how blue, how beautiful

NR 2026
Au Revoir, Pugs

At first glance, Brett Allen Smith’s memory worlds seem slightly otherworldly but peaceful. There is a little pug – curious, bouncy and, most importantly, alive, a harmless explorer of lawns and living rooms. At the same time, the director is driven by an inner fracture, an irritation to be illuminated by means of phone conversations with family members: How real are the memories that had such a tremendous impact on him? Like the hill towering in front of Smith’s inner eye under which two dogs lie buried. And there are sunflowers, imposing plants that are impossible to pick for his five-year old’s hands because their roots have bored so deeply into the soil.

Au Revoir, Pugs

NR 2023
Eyes That Saw

A warehouse of the imaginary, a library of vision, a labyrinth of dreams: this, and much more, is the Museo Nazionale del Cinema. From the magic lanterns to the rotoscopes, from the archive footages of the Torino relics at the time of Pastrone, “Occhi che videro” reconstructs an atmosphere of magic and allure of the visual utopias before the Lumière brothers that any technologic marvel will ever be able reach. But the film is first of all an homage to the founder of the Museum: Maria Adriana Prolo.

Eyes That Saw

NR 1986
Radiant Exposures—Facts Run on Light Beams These Days

The new 16mm film Radiant Exposures—Facts Run on Light Beams These Days (the latter part of the title quotes from Donna Haraway) returns to Rosa Barba’s long-standing motif of the desert and its exploration of modern archives as a manifestation of human’s desire for progress. As in previous films, Radiant Exposures—Facts Run on Light Beams These Days appears to portray a site out of time and space—ethereal, timeless and unearthly. The predominant motif of the film is the human-made landscape with large expanses of rectangular panels reflecting the sun light. These reflective panels are in fact concentrating sunlight, creating and collecting energy. The presence of the sun is made palpable by the shimmering light and the and the blurring of the imagery.

Radiant Exposures—Facts Run on Light Beams These Days

NR 2022
Desideri Di Sabbia

This documentary film by Pierluca Rossi recounts a journey to the southern Algerian Sahara, near Amguid, a small Tuareg village renowned for its unusual nearby crater. In the Tefedest massif, with its mythical summit, Garet el Djenoun, on the slopes of a vast sand dune rising to over 400 meters, one can practice an unusual sport: sandboarding, a new technique to try. Surprising speeds can be reached, and participants can familiarize themselves with the equipment of this new sport, perhaps paving the way for new practices.

Desideri Di Sabbia

10.0 1992