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Robert Frost

This lovely color film from 1961 was shot over the course of a year, mostly in the region of Robert Frost’s solitary mountain cabin in Vermont. Probably the most celebrated American poet of the twentieth Century, Frost in his mid eighties is seen in three seasons walking the landscape while he is heard reading from about twenty-five of his poems inspired by what is shown. We hear all or part of “October,” “The Sound of Trees,” “Unharvested,” “Birches,” “The Road Not Taken,” “Gathering Leaves,” “Flower-Gathering,” “Good-Bye and Keep Cold,” “The Onset,” “Two Tramps in Mud Time,” “Mending Wall,” and “The Pasture,” among others. In one sequence Mr. Frost is seen in a college seminar answering questions from students. The nature photography of New England is outstanding, as is the quality of this print, mastered in high definition from the original negative.

Robert Frost

8.0 1961
Le Sénégal et le Festival Mondial des Arts Nègres

Promotional newsreel of Dakar, selected to host the first edition of the World Festival of Black Arts. The report features the history of the city, its architectural and commercial evolution, its air and maritime connections, its natural beauty, hotels and tourist attractions. Organised by Léopold Sédar Senghor on the initiative of the magazine “Présence Africaine” and the African Cultural Society, it was an unprecedented event in the cultural history of the African continent. The first festival was held in Dakar on 1-24 April 1966. Participants included André Malraux, Aimé Césaire, Jean Price-Mars, Duke Ellington, Joséphine Baker, Langston Hughes, Aminata Fall, Robert Hayden and many others. All the arts were represented: literature, music, dance, film and visual arts.

Le Sénégal et le Festival Mondial des Arts Nègres

NR 1966
Slum

Originally commissioned to record urban redevelopment in Osaka’s Kamagasaki district, Hideo Arai transcends reportage to capture a haunting portrait of displacement during Japan’s economic miracle. With a dissonant score by experimental composers Toshi Ichiyanagi and Yuji Takahashi, the film juxtaposes the brutal reality of shantytown "barracks" against the state's modernization projects. Slum remains a visceral critique of social erasure and a vital, observational work of Japanese documentary film.

Slum

NR 1961
Oslofilm: Fortere enn du tror

On traffic safety. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Fortere enn du tror

NR 1961
U-barn

"U-barn was based on a few simple things: combining some forms of societal imprinting through education and advertisement, some educational situations and an old commercial. And then genetic imprinting, i.e., handicaps of some kind, and show how children behave in a class situation in that case. But some facts about LSD are included and some voices that happen to be me and another person talking about the effects of it and they are combined with images of that kind, from therapeutic experiments at a mental hospital. For a long time it remains on a kind of immobile, introverted plane with different levels of consciousness, and then there is the breakout, that is the outwardly activating insight, the story of the crown prince and the draft." (Fahlström)

U-barn

NR 1968
African Awakening

Among the many parts of the world in which Unilever companies operate, West Africa has a special place. The Africa of popular imagination is a land of jungles, swamps and mud huts; but side by side with the traditional, a new Africa is growing and the film "African Awakening” is an expression of this, of the attitudes of those African men and women who are today the driving force of West African progress. “African Awakening”, a colour film which runs for 38 minutes, is one of a series of Unilever films dealing with different aspects of African life.

African Awakening

NR 1962
Como el Uruguay no hay

Early on, Ugo Ulive, with his short film Como el Uruguay no hay (1960), seeks to raise awareness and involve the viewer in political action and its radical transformation. Through a collage of animations, archival footage and a counterpoint sound montage, Ulive attacks traditional left-wing and right-wing politics and exposes the contradictions of a pillar of national identity: Uruguay's famous democracy. Note that we are in 1960 and while the voice over presents Montevideo as "a small agitated city", the images show a tense scenario with social protests and a politicized urban space with the presence of mounted police.

Como el Uruguay no hay

NR 1960
David, Moffett, and Ornette: The Ornette Coleman Trio

In Paris in the spring of 1966, Ornette Coleman, controversial Free Jazz composer, wrote and recorded the soundtrack for a Living Theatre project, a film entitled Who's crazy? This documentary short is a record of the two days Ornette spent in the studio making music with collaborators, virtuoso bass player David Izenson (formerly of the NBC Symphony Orchestra) and drummer Charles Moffett. Ornette plays alto, violin, trumpet and piano and introduces his haunting ballad "Sadness." When not performing, the artists discuss the precariousness of the musical life, the price of artistic freedom and personal fulfillment, and in the cases of Ornette and Moffett, the pain of discrimination.

David, Moffett, and Ornette: The Ornette Coleman Trio

4.7 1966