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Hitchcock's Pro-Nazi Film?

During the Second World War in the United States, cinema was extensively used as a propaganda vehicle. All the great filmmakers were involved: Capra, Ford, Huston, and Hollywood's new master of suspense, Alfred Hitchcock. After making several films advocating American entry into the war alongside the British, in direct violation of the Neutrality Act, Hitchcock took advantage of Zanuck's departure from 20th Century Fox to launch a major new propaganda project: Lifeboat. He asked John Steinbeck to write the basic story. This great American literary figure, author of The Grapes of Wrath, whose adaptation was one of Fox's biggest successes, was himself very committed to the war effort. When Lifeboat was released, success quickly turned to controversy. What if Hitchcock's film had completely missed the mark? What if, instead of providing anti-Nazi propaganda, the film actually defended the thesis that the German people were superior to the Allies and the union of democracies?

Hitchcock's Pro-Nazi Film?

6.0 2023
The Oath of Tobruk

The war in Libya as seen from the inside: both on the scene and as discussed by world politicians. After thirty years of chasing wars and conflicts, Bernard-Henri Lévy takes us along for a journey reminiscent of Malraux and Hemingway, though retaining a style all his own. Six-months of exceptional dramaturgy. Six months of a war for freedom, resulting in the fall of one of the longest, most relentless dictatorships of modern times. A war with a beginning but perhaps no end. The making of a war.

The Oath of Tobruk

5.5 2012
Cinéma documentaire, Fragments d'une histoire

Resorting to the images that make up three quarters of the last century, Jean-Louis Comolli chose films that crossed his path fifty years ago, discovering his own history of cinema, and particularly the documentary cinema. Visual score orchestrated by a voice off (his) which lists topics that are important to him - the place of the viewer, the fiction in the documentary, the impact of technical progress on the artistic field ... -, the film weaves unpredictable wires between the excerpts .

Cinéma documentaire, Fragments d'une histoire

6.2 2014
Hoggar

A 1959 documentary about climbing in the Hoggar Mountains of Algeria. For the first time, a mountain expedition was organized for 60 young aspiring climbers, accompanied by renowned mountaineers such as Lionel Terray, Lucien Bérardini, Maurice Herzog, and Jean-Paul Gardinier. In two weeks, dozens of new routes, often extremely difficult, were established. Jacques Ertaud's camera followed the climbers through all the challenging sections of the first ascent of the south spur of Assekrem.

Hoggar

10.0 1959
Circus Baobab

French filmmaker Laurent Chevallier always wanted to make a documentary on an African circus, but there were no native circuses on the continent. So Chevallier decided to help found a circus in Guinea. 36 young people were chosen from the city of Conakry to participate in what would become Circus Baobab. A group of French circus artists were imported to train the participants for 2 years in acrobatics and trapeze. Then the group took their show on the road. This film is Chevallier's account of the troupe's inaugural tour in Guinea, from March 1 - April 11, 2000.

Circus Baobab

9.0 2001
From the East

In this incisive dispatch from the newly collapsed Soviet empire, bullet holes from WWII still pockmark the old stone buildings. Akerman journeys from East Germany to Moscow between the late summer and winter of 1993 ('while there’s still time'), chronicling in deliberate tracking shots, circular pans, and domestic tableaux yet another moment of radical upheaval in the 20th-century, the faces and bodies of Poles, Ukrainians, Germans, and Russians weighed down with obedient resignation and uncertainty.

From the East

7.0 1993
Love & Crashes

Lucile Chaufour’s Love & Crashes takes us for an unforgettable ride in partnership. With a mixture of fictional and documentary techniques, the film immerses us in the universe of sidecar racing, paying attention to the peculiarities of a vehicle driven by a magical alliance between pilot and passenger (or as it is known in sidecar jargon, 'monkey'). Aided by a dreamy musical score and Hélène Louvart’s deft cinematography, Love & Crashes explores technique and sensuality, control and spontaneity, the physical and the mental, speed and care.

Love & Crashes

NR 2023
La fièvre

On a feverish night, a child senses a ghost, a woman who has come from the sea, coming home after a long political exile. A silent tale, a bodyless voice and visions mingle in the dark of the night and the fever. The child of the present and the political refugee coming home are now one, traveling together to a strange building, appearing to be her lost memories. Forgotten political fights appear and disappear with the fever's hallucinations. Then, new fights, the Arab spring of Morocco, flood the past.

La fièvre

1.0 2015