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Nico: In Memoriam

"Not a documentary but the the ruins of an attempted documentary." - Grashina Gabelmann Nico’s solo concert in West Berlin 1986. She’s high, giggly, not entirely there but her voice is still haunting and raspy and her presence still the one of a star. We see short clips of an interview held the same year in a hotel – an interview Gaul found somewhere, where he can not remember. We see footage borrowed from Andy Warhol’s estate. Footage of factory parties and screen tests.

Nico: In Memoriam

NR 1989
Takeover

About Aborigines and Australian politics. On 13 March 1978 the Queensland Government announced its intention to take over management of the Aurukun Aboriginal Reserve from the Uniting Church. The people of Aurukun complained bitterly, believing that the Church was more sympathetic to their aims and fearing that the State was merely seeking easier access to the rich bauxite deposits on their Reserve. When the Federal Government took the side of the Aborigines the stage was set for national confrontation. Shows the situation at Aurukun during those crucial three weeks.

Takeover

NR 1980
Profession grimpeur, Eric Escoffier

A documentary portrait of the legend Eric Escoffier at the height of his mountaineering career. A true athlete, Escoffier has comprehensive, cutting-edge preparation in three different climbing disciplines: rock climbing, ice climbing and solo free climbing, without any safety devices. Philippe Lallet's camera follows Eric in his performances and in his preparation for one of the first La Sportroccia climbing competitions, in 1985 in Bardonecchia in Italy.

Profession grimpeur, Eric Escoffier

10.0 1985
Fantasea

This true classic from 1980 features the incredible surfing performances of Australia's Simon Anderson, Chris Byrne, Terry Fitzgerald, Wayne Lynch, Mark Warren, Col Smith and Mark Richards. Plus heavyweight Hawaii talent Dane Kealoha, Bobby Owens, Larry Bertlemann, Mark Liddell, Mark Foo, Buzzy Kerbox, Rory Russell, Reno Abellira and South Africa's Shaun Tomson. Fantasea opens with a powerful animated sequence that dissolves into one of Greenough's tube shots filmed from a camera mounted on his back and sets the mood for a full-on surfing epic covering Australia, South Africa and Hawaii.

Fantasea

NR 1980
Sahara Vertical

The climbing couple Heinz Mariacher and Luisa Iovane abandon their usual winter training spot to go in search of places more conducive to free climbing in Algeria in the Sahara desert, more precisely in the Hoggar massif, which saw pass the cream of world climbing Lionel Terray, Roger Frison-Roche, Lucien Bérardini, Michel Vaucher, Pierre Mazeaud, Guido Monzino, Patrick Edlinger, Patrick Berhault and many others. Their objective, to climb the east face of Garet El Djenoun, 500 m high, failed because the wall was too smooth and the cracks unstable. The journey continues in the Hoggar massif towards other peaks, where they find the climbing conditions they were hoping for. An overhang in the face of Tizouyag Nord will prove to be a major challenge for Heinz Mariacher.

Sahara Vertical

10.0 1986
Da L'Mulud

An emblematic figure in the defense of Berber culture, Mouloud Mammeri (1917-1989) experienced numerous confrontations with the authorities in Algeria, including the suspension in 1973 of the teaching of Berber at university and the ban of the conference he was to deliver on March 10, 1980 at the University of Tizi Ouzou on ancient Kabyle poetry... which will be the detonator of the powerful and harshly repressed cultural demands movement of April 1980, also called the Berber Spring. Mouloud Mammeri is one of the "historians" of French-speaking Algerian literature from the middle of the last century who, through his pen, gave back the soul to a country by giving it back its voice.

Da L'Mulud

10.0 1987
Bobby McFerrin: Spontaneous Inventions

Filmed live at the Aquarius Theatre in Hollywood in February 1986, Spontaneous Inventions was Bobby McFerrin's first live concert video, and was the basis for his debut album with Blue Note Records. Spontaneity has always been the key to a Bobby McFerrin performance, and this particular appearance is an early testament to his astonishing creativity and vocal technique. With a special and surprise guest appearance by sax legend Wayne Shorter as an added inspiration, this program shows Bobby�s unlimited creative resourcefulness and illustrates how and why he received two Grammy Awards in 1986.

Bobby McFerrin: Spontaneous Inventions

NR 1987
Max Ward

This documentary tells the story of Max Ward, a former bush pilot whose company grew to become one of the major airlines in Canada. A study of entrepreneurship, the film focuses on Ward himself, depicting his distinctive style of hands-on management. Between hallway meetings, informal chats with the staff, checks on maintenance, flight preparations and in-flight conversations with vacationing customers it becomes apparent that the president's personal touch is a key element in Wardair’s success story.

Max Ward

9.0 1984
The CIA's War Against Cuba

"The CIA's War Against Cuba" - a briefing of the past ten years of CIA activities in Cuba, and the agents and other staff involved by the Dirección General de Inteligencia (DGI). DGI executed a parade of CIA agents active in Cuba, technology used, arms caches, journalists and other correspondents involved in intelligence tasks. This action was taken by Fidel Castro when his top agent Florention Aspillaga defected to the US via their embassy in Vienna, which immediately was followed by more defections and disclosure of so-called double agents. "La guerra de la CIA contra Cuba" was being broadcasted in 11 episodes.

The CIA's War Against Cuba

NR 1987
Home No. 8: From the Life of the Oligophrenics

The monotonous existence of the underage residents at the Home for Oligophrenics, designated as No. 8, is marginally diversified by preparations for Children's Day. Marching and gymnastic routines are rehearsed. In instances where the impaired children fail to perform adequately, physical violence is administered. Every effort is made to ensure the institution presents a favorable image to the ministerial superiors. Conversely, these children, disadvantaged by nature, find their own small joys—some enjoy singing, others dancing, and some playing football. However melancholic life at Home No. 8 may appear, it remains a sunlit paradise compared to the destination awaiting everyone who reaches the age of 18: the home for adult oligophrenics No. 6.

Home No. 8: From the Life of the Oligophrenics

NR 1986