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Art Lives Series: Joan Miro

With his seemingly naïve, symbolic paintings, Joan Miró formed a new artistic language in the 20th century. Brought up in Barcelona, the painter, graphic artist and sculptor was drawn to Paris and, under the influence of the surrealists, developed his unique style and poetic imagery that unite Catalan folk art and fantastic elements. Robin Lough followed the 85-year-old Miró to theatre rehearsals and went to see him in his studio on Majorca. There he met with an amazingly creative and disciplined artist, whose visionary pictures paved the way for abstract expressionism.

Art Lives Series: Joan Miro

NR 1978
Decade of Death

This highway scare film produced by the Highway Safety Foundation in 1971, "Decade of Death", is a retrospective of the organization's 10 years of gory, shocking social guidance films which aimed to promote traffic safety and driver responsibility through the display of bloody and horrific footage of traffic crashes.The Highway Safety Foundation made driver scare films such as "Signal 30," "Mechanized Death," and "Highways of Agony" that intended to encourage drivers to drive responsibly and with consideration of the risks and consequences. It was the organization's belief that crash footage, while horrific, was the best way to convey the importance of driving safely.

Decade of Death

NR 1971
One British Family

In the 1960s, as West Indians, Pakistanis, Indians and Africans began to arrive in Britain from former British colonies, race became a political issue. In the 1964 General Election, a swing to the Conservative Party in Labour’s Smethwick constituency and Enoch Powell’s “rivers of blood” speech on immigration four years later put attitudes towards ethnic minorities on the political and social agenda. In One British Family, made in 1974, John Pilger focuses on Gus and Julie Gill, who arrived in Britain from Trinidad in 1961. They now had three children and their own house on Tyneside, where they were the only black family in the street. “They take less from the social services than the equivalent white families,” says Pilger. “They’re not on any council’s housing lists and they’ve never been out of work.”

One British Family

NR 1974
Death Is Their Destiny

This fascinating amateur film of punks on the streets of London in 1978 - shot by prominent punk chronicler Captain Zip - captures the outfits and irreverent attitudes of the time. Punk PVC exposes her rear to tourists, while Joe Rex simply sticks two fingers up at passers-by. Famous faces glimpsed include Slits singer Ari Up and punk's fashion-designer-in-chief Vivienne Westwood. The soundtrack to this film - which includes a voice-over from Captain Zip (Phil Munnoch) as well as music of the time, and the voices of Rat, Mouse and Fliss - was added later, in 1991. Those seen on screen include Eds and Wobble, Joe Rex, PVC, Mandy, Ziggy, Tampax, Sherry, Michael, the Kingston Lurkers, Hamster, Ari, Bethnal, Ari Up, Caroline, Rat and Mouse, Nige, Tracey, Spider, Carrot, Julie, Vivienne Westwood, and Vaughan.

Death Is Their Destiny

10.0 1978
Tragedy or Hope

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

Tragedy or Hope

NR 1972
July '71 in San Francisco, Living at Beach Street, Working at Canyon Cinema, Swimming in the Valley of the Moon

July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with “straight photography” than Brakhage, but far more engaged with tactility and the plastics of the image than Jonas Mekas, this early work embraces the mundane—making bread in the kitchen, riding bikes by the San Francisco Bay, hanging out in a cheap-looking flat with friends, plucking a game fowl for supper—while also paying attention to the wind, water, and trees that surround these fleeting moments.

July '71 in San Francisco, Living at Beach Street, Working at Canyon Cinema, Swimming in the Valley of the Moon

5.7 1971
Berliner Pluspunkte

Did you know that there are 100 trees for every Berliner or that West Berlin has the newest congress center in the world? This film shows the chocolate sides of the city in the areas of work, living, entertainment, sports and transport. He is one of several "recruitment films" with which the West Berlin Senate specifically wanted to convince new specialists from West Germany to work in West Berlin in the 1970s. Because of the island situation and politically unstable situation, West Berlin was particularly lacking in the influx of qualified workers.

Berliner Pluspunkte

NR 1978
Politiewerk

A nuanced portrait of the (Amsterdam) police which portrays not only the police as an institution, but also individual officers. Issues raised include: ethnic profiling, lack of influence by neighbourhood officers, the role of women within the police force and the question of whether the police sometimes use excessive force, for example during the clearance of squats by the ME (Riot Police) in Amsterdam’s Kinkerbuurt neighbourhood, where defenceless locals were beaten by officers with batons.

Politiewerk

NR 1978
Report

Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson’s experimental political science course “Toward an Expression of the Idea of Freedom.” The film, which features cinematography by avant-garde filmmaker Ed Emshwiller, merges fiction and documentary as it portrays the widening generation gap within the university, and in society at large. At the center of the film is an uncertain teacher and the students who challenge him.

Report

NR 1970
Letter from Romania

Part of a series of promotional films commissioned by Romania's National Tourism Office in the early 1970s with the aim of reconnecting diasporic communities with the country they left behind. In this case, the film is addressed to Jews who emigrated in the context of the Second World War or were sold by the Romanian state to the State of Israel starting in the 50s and settled in Israel and the USA - therefore, a target group made up of seniors, probably retired , possibly prosperous, eager to revisit the places of youth and willing to forget, temporarily, the traumas associated with them.

Letter from Romania

NR 1973
Pilgrimage to Japanese Baths

Ippei was born at the cost of his mother's life. This fact haunts him, he felt a longing for Japan's ancient hot springs and embarked on a journey to find his ideal bath. The pinnacle of baths was the bathhouses with female bathers during the Keicho and Kan'ei eras. Men would drink sake with female bathers, push them down, and moan as they did so. Bathing also had an aspect of women's pursuit of beauty. Beautiful women try out various forms of bathing. Ippei's pilgrimage introduces various hot springs and engaging in sexual acts with the hot women he encounters. He experiences various bathing scenes, including Turkish baths and secretly filmed geishas bathing.

Pilgrimage to Japanese Baths

6.2 1971