Documentary about the obstacles handicapped people face when looking for love
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Documentary about the obstacles handicapped people face when looking for love
Explores the extraordinary artistic, cultural and political flowering that took place in Harlem during the "Roaring 20s." This vivid portrait of the "Harlem Renaissance" is created entirely with period photographs.
Filmed in the Canadian Rockies and in Garibaldi Park, this documentary features magnificent footage of mountain solitudes and the wildlife found there, of natural splendour in all its changing moods. The film carries the implicit warning that all this may pass away if people do not seek to preserve it. Without words.
With his seemingly naïve, symbolic paintings, Joan Miró formed a new artistic language in the 20th century. Brought up in Barcelona, the painter, graphic artist and sculptor was drawn to Paris and, under the influence of the surrealists, developed his unique style and poetic imagery that unite Catalan folk art and fantastic elements. Robin Lough followed the 85-year-old Miró to theatre rehearsals and went to see him in his studio on Majorca. There he met with an amazingly creative and disciplined artist, whose visionary pictures paved the way for abstract expressionism.
The intervention of a student at the "counter convention" at the Fabbrica della Comunicazione di Brera, against the convention on anti-psychiatry by A. Vermiglione.
A short film on the first Gay Pride March in San Francisco in 1971 the year after the Stonewall Riots. This film was lost for 50 years before it was found and restored by SF Art & Film.
This highway scare film produced by the Highway Safety Foundation in 1971, "Decade of Death", is a retrospective of the organization's 10 years of gory, shocking social guidance films which aimed to promote traffic safety and driver responsibility through the display of bloody and horrific footage of traffic crashes.The Highway Safety Foundation made driver scare films such as "Signal 30," "Mechanized Death," and "Highways of Agony" that intended to encourage drivers to drive responsibly and with consideration of the risks and consequences. It was the organization's belief that crash footage, while horrific, was the best way to convey the importance of driving safely.
From the boy who played on the streets to the man who won the Golden Ball, "Eusébio, a Pantera Negra" shows the life of the portuguese football idol, since the first kicks, passing through the great moments of his personal life, till his consagration as football player.
Promotional behind-the-scenes look at 'The Drowning Pool' (1975).
In the 1960s, as West Indians, Pakistanis, Indians and Africans began to arrive in Britain from former British colonies, race became a political issue. In the 1964 General Election, a swing to the Conservative Party in Labour’s Smethwick constituency and Enoch Powell’s “rivers of blood” speech on immigration four years later put attitudes towards ethnic minorities on the political and social agenda. In One British Family, made in 1974, John Pilger focuses on Gus and Julie Gill, who arrived in Britain from Trinidad in 1961. They now had three children and their own house on Tyneside, where they were the only black family in the street. “They take less from the social services than the equivalent white families,” says Pilger. “They’re not on any council’s housing lists and they’ve never been out of work.”
A BAFTA award winning documentary looking at the development of the BP Forties oil field in the North Sea.
An adroit expansion on the notion of a "blue" movie, Mark Rappaport's early short BLUE STREAK contrasts the rarified realm of classical composition with an unspoken assortment of words predisposed to human sexuality, all layered over footage of a room filled with naked women and men. At the intersection of high art and low art, Rappaport skillfully dissects the absurdity of such distinctions and brings notions otherwise undiscussed in polite society to the forefront.
Short film about the tanks of the NVA (army of the German Democratic Republic)
A conceptual bicentennial film dealing with spatial and temporal relationships between two travelers, their car, and the geographic, political, and social changes from NY to Los Angeles.
The film is a character study centered on a rag tag group of young artists, mechanics and environmental activists who successfully built the largest electrical generating windmill in the world.
In this episode, a portrait of politician and businessman Mr. Dirk U. Stikker.
American cities, unlike, say, European ones, cannot boast of a history of the past two millennia. There are no old palace fences, no deep antiquity.., but even in this row, Dallas, spread out on the Texas prairies, is considered a newcomer in America - an upstart without family and tribe.
A parallel of the life and work of two Volkswagen workers, one in Brazil and the other in Germany, who perform identical functions in assembling the VW Beetle.
The first uncensored documentary about the Soviet Union ever made by an outsider. The film takes viewers to 12 of the 15 states of the former USSR.
The potter's task: making clay pots with his hands.
This feature film made during an exceptionally feverish period of popular revolt that saw the coming together of Quebec’s 3 main unions (CSN, FTQ, CEQ) is a cinematic tract by socially engaged filmmaker Gilles Groulx. Propped against the backdrop of the 1970 October Crisis, the film is a frontal assault denouncing a “consumer society” viewed as the ultimate embodiment of evil.
In 1954, the "Automat Imbiss" opened on Alexanderplatz. With its compartments from which meals could be taken in exchange for coins, it corresponded to the ideas of modernity and the future at that time. Twenty years later, when Thomas Heise shot his film, the snack bar had long since lost its showcase character. With a sober eye, he documents its everyday routines.
Get Yer Ya-Ya's Out!: The Rolling Stones in Concert is the second live album by the Rolling Stones, released on 4 September 1970 in the UK and the United States. It was recorded in New York City and Baltimore in November 1969 prior to the release of Let It Bleed.
First transmitted in 1977, this documentary follows three months in the life of the 1st Battalion of the Royal Green Jackets (also known as the Black Mafia) as they move from their Dover barracks for a tour of duty at the Tower of London. The Royal Green Jackets are light infantry, trained to move fast. Above all they are riflemen and take pride in their reputation of being thinking fighting soldiers.
This fascinating amateur film of punks on the streets of London in 1978 - shot by prominent punk chronicler Captain Zip - captures the outfits and irreverent attitudes of the time. Punk PVC exposes her rear to tourists, while Joe Rex simply sticks two fingers up at passers-by. Famous faces glimpsed include Slits singer Ari Up and punk's fashion-designer-in-chief Vivienne Westwood. The soundtrack to this film - which includes a voice-over from Captain Zip (Phil Munnoch) as well as music of the time, and the voices of Rat, Mouse and Fliss - was added later, in 1991. Those seen on screen include Eds and Wobble, Joe Rex, PVC, Mandy, Ziggy, Tampax, Sherry, Michael, the Kingston Lurkers, Hamster, Ari, Bethnal, Ari Up, Caroline, Rat and Mouse, Nige, Tracey, Spider, Carrot, Julie, Vivienne Westwood, and Vaughan.
Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.
In this film Bert Haanstra shows how important the formation of national parks is for the protection of nature.
July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with “straight photography” than Brakhage, but far more engaged with tactility and the plastics of the image than Jonas Mekas, this early work embraces the mundane—making bread in the kitchen, riding bikes by the San Francisco Bay, hanging out in a cheap-looking flat with friends, plucking a game fowl for supper—while also paying attention to the wind, water, and trees that surround these fleeting moments.
The original 1979 documentary that introduced the world to Bolton steeplejack Fred Dibnah as he goes about his death-defying job demolishing or repairing factory chimneys, steeples and towers.
A Quechua and Christian peasant festival in the town of Ocongate, featuring purification in the snows of Mount Ausangate and before a crucifix. The film is spoken in Quechua and Spanish.
Vraneštica, a village near Makedonski Brod, in the west part of Macedonia, unlike other villages in this region, still exists today thanks to its unique craft – pottery.
"The Incredible Machine" takes viewers on a journey through the human body using groundbreaking medical photography and imaging techniques. Featuring microscopic footage, color X-rays, and rare internal camera views, the film reveals the complex systems that sustain life while showcasing some of the earliest motion images captured inside the body.
Did you know that there are 100 trees for every Berliner or that West Berlin has the newest congress center in the world? This film shows the chocolate sides of the city in the areas of work, living, entertainment, sports and transport. He is one of several "recruitment films" with which the West Berlin Senate specifically wanted to convince new specialists from West Germany to work in West Berlin in the 1970s. Because of the island situation and politically unstable situation, West Berlin was particularly lacking in the influx of qualified workers.
A nuanced portrait of the (Amsterdam) police which portrays not only the police as an institution, but also individual officers. Issues raised include: ethnic profiling, lack of influence by neighbourhood officers, the role of women within the police force and the question of whether the police sometimes use excessive force, for example during the clearance of squats by the ME (Riot Police) in Amsterdam’s Kinkerbuurt neighbourhood, where defenceless locals were beaten by officers with batons.
Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson’s experimental political science course “Toward an Expression of the Idea of Freedom.” The film, which features cinematography by avant-garde filmmaker Ed Emshwiller, merges fiction and documentary as it portrays the widening generation gap within the university, and in society at large. At the center of the film is an uncertain teacher and the students who challenge him.
A little Japanese girl of six is transferred to a school in Sardinia where she slowly finds friends and a place before going off again.
A pendulum swings by until it comes to a complete stop.
Profile of a Chinese immigrant to Canada narrated by her son.
A portrait of the Scottish town of Ayr.
Part of a series of promotional films commissioned by Romania's National Tourism Office in the early 1970s with the aim of reconnecting diasporic communities with the country they left behind. In this case, the film is addressed to Jews who emigrated in the context of the Second World War or were sold by the Romanian state to the State of Israel starting in the 50s and settled in Israel and the USA - therefore, a target group made up of seniors, probably retired , possibly prosperous, eager to revisit the places of youth and willing to forget, temporarily, the traumas associated with them.
The first rape trial aired on the italian television.
Hans Magnus Enzensberger's film about Spanish anarchist Buenaventura Durruti (1896-1936).
The purpose of this film isn't entirely known but I suspect it's targeted at the parents with a mentally disabled child who want to educate her about menstruation. It shows what's likely a real family in which the youngest girl has down syndrome discussing periods and the older sister demonstrating the correct use of a pad.
The beloved theater and film actor, Dionysis Papagiannopoulos, talks about his life in Diakopto, reminisces about his childhood and school years, and his first amateur theatrical attempts. He describes his passion for theater and the difficulties he faced in pursuing theatrical studies, mainly due to his family's objections.
About the creator of famous aircraft - aircraft designer Ilyushin.
Ippei was born at the cost of his mother's life. This fact haunts him, he felt a longing for Japan's ancient hot springs and embarked on a journey to find his ideal bath. The pinnacle of baths was the bathhouses with female bathers during the Keicho and Kan'ei eras. Men would drink sake with female bathers, push them down, and moan as they did so. Bathing also had an aspect of women's pursuit of beauty. Beautiful women try out various forms of bathing. Ippei's pilgrimage introduces various hot springs and engaging in sexual acts with the hot women he encounters. He experiences various bathing scenes, including Turkish baths and secretly filmed geishas bathing.
Guerrilla style documentary about Finnish Neo-Nazi and occult wacko Pekka Siitoin.
Life, customs and the fight for survival in the desolate wastelands of the Venezuelan plains.
Part of the "Video-Film Concert" collection on EAI. From 1966 - 1972. Music by K. S. Narayanaswami.
This rural documentary features poet Jin Makabe. Thoughts about agriculture, memories, landscapes.
In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges.