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Night 'n' Day

First of all, the music. The music in Night and Day by Gianni Castaglioni is in the repetitive rhythm of the images, usually very rapid (with some suddenly slowed down, figements, yet with a fiery intensity). And as each shot, (brief like those of Mekas or Brakhage), moves,; as the camera moves to the nervous rhythm of a wrist, the music becomes a sort of Free Jazz — and not only visually, since the soundtrack is composed of piano frenzies à la Elton John. The extreme close-ups that sprinkle this sort of intimate journal and which are among the most admirable - as well as the most rapid - ever made in cinema, don’t float adrift like the film’s music through a hundred flowing veins.

Night 'n' Day

NR 1976
My Brother

Actor, clown, archeologist and university researcher Alberto Musacchio took his own life in 2001. His death hurt many people who had been touched by his vitality. One of these was Stefano who, fourteen years later, goes on a journey looking for the emotional traces left by Alberto’s life and work. He visits Rome – Mostar, where together they had run theater workshops for children and youths traumatized by war – and Canada, where Alberto spent the last years of his life studying and teaching. And where he had also left a written request that his ashes should remain.

My Brother

NR 2015
Danger in the Depths

Pearl fishermen from Red Sea, scuba harpooners from Polinesia, Japanese diver women expose themselves every day to attacks by sharks infesting their waters. Fishermen of abalone from Mexican California work in waters where they often meet the killer whale, the biggest predator of all the oceans. Scuba divers collecting the black coral at the Hawaii do their job 80 m deep, where a bad encounter and a risk of an embolism are continuous. Even bigger is the risk the coral fishermen from Sardinia take, when they reach 120 m deep using special respiratory mixtures. Then there're also the scuba diver geologists trying to study underwater volcanic eruptions and the biologists who approach dangerous animals

Danger in the Depths

8.0 1977
Raw Dogs

Cesenatico, a town located on the Romagna Riviera, has always been synonymous with seaside tourism. Every 100 meters, an endless series of massive buildings alternate—structures that, over the years, have welcomed generations of teenagers during the summer: the colonies, many of which have since been abandoned and left to decay. In 2014, Simone Tribuiani—known as Tribu—with the help and support of other local creatives, decided to revitalize one of them: the former Santarcangiolese colony, later renamed Bronx Ponente. Inside, he created a space dedicated to local artists, surfers, and skaters—a place for meeting and self-expression. In 2020, members of H.C.B.P. (Hard Core Bronx Ponente)—a collective of skaters that emerged from the events of La Santa—breathed new life into another structure, located just a few meters from the Bronx.

Raw Dogs

NR 2023
Sons of No-One

Starting from the discovery of a propaganda film from 1927, L’Estate Silana, made when King Victor Emmanuel III visited Calabria, the film Sons of No-one focuses on the unused fragments in the film, and digs into the edges of the shots pointing a finger at how history, and cinema, is staged. The texts, from the book Calabria grande e amara by Leonida Repaci, seek in these reels what propaganda excluded and deliberately kept in the side-lines. Sons of No-one is a short film made during a workshop conducted by Gaetano Crivaro and Margherita Pisano for The Memories Film Fest, organized by the Cineteca della Calabria Association.

Sons of No-One

NR 2024
Ouaga, the Capital of Cinema

Between 1983 and 1987, Ouagadougou, the capital of Burkina Faso and the home city of FESPACO, one of the most important Pan-African film festivals in the world, was the scene of an exciting cinema utopia. With the support of the young president Thomas Sankara, the festival became a symbol of the cultural renaissance of a whole continent. The assassination of Sankara stifled the hopes of millions of young Africans, but the dynamism of FESPACO and African cinema did not stop.

Ouaga, the Capital of Cinema

NR 2000
Signals of Life

In Lignan, a village of few souls in the Saint-Barthelemy Valley in the Aosta Valley, an Astronomical Observatory scans the skies every night. Like a bell tower or a lighthouse, the large telescope marks the time of the small mountain community. In autumn, the astrophysicist Paolo Calcidese moved into the structure as the sole custodian and inhabitant to carry out his scientific research and experiment with new technologies. Due to a technical accident, however, he will be forced to put aside the stars and solitude to dedicate himself to other forms of life not yet considered: human beings.

Signals of Life

NR 2025
Gillo of Ladies and Knights, of Loves and Arms

Pontecorvo is one of those Italian filmmakers marked for life by neorealism. He declares that he decided to do cinema after leaving a screening of "Paisa" by Roberto Rossellini. The future filmmaker was then in Paris, a year after a war during which he became one of the main figures of the Italian resistance and one of the founders of the Youth Front. Leaving his status as a war hero behind him, Pontecorvo made his directorial debut with "Giovanna", a short film heralding a cinematic career dedicated to what he himself calls the "dictatorship of truth."

Gillo of Ladies and Knights, of Loves and Arms

10.0 2007
Farse dei film

Postcards—and the forgotten act of sending and receiving them—belong to a bygone era. A Venetian gentleman has been collecting them for years, preserving especially the old ones from his city. Some messages written on the back struck him so deeply that they sparked his imagination. From there, two stories take shape: two children playing among the squares and the water; a Venice immersed in emptiness, silent and stripped of presences. With their head in the clouds and their gaze lost among the faded lines of ink, the viewer is drawn into a small journey between memory and disappearance, childhood and desolation, presence and absence.

Farse dei film

NR 2026
Memory Is an Animal, It Barks with Many Mouths

Eva Giolo’s latest work takes us to Val Gardena, where people still speak Ladin, a Rhaeto-Romance language. Giolo subverts the usual representation of mountain communities to deliver a portrait of a precious cultural heritage in constant evolution. Here, the inhabitants preserve and nurture their culture for future generations with awareness of the world and creativity. Shot on 16mm film sensitive to the grandeur and fragility of nature, Memory Is an Animal, It Barks with Many Mouths is an exquisite essay on the vital importance of linguistic diversity. Made in Ladin language.

Memory Is an Animal, It Barks with Many Mouths

NR 2025