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Kinder sind keine Rinder

The film documents the work of an anti-authoritarian and self-organized school store in Witzlebenstraße in Berlin-Charlottenburg, which emerged as a critique of the development of children's stores. The film shows how the teachers discuss the conversion of open spaces into playgrounds with the children and how the children jointly prepare the publication of their newspaper "Radau". The concept of the children's stores was developed by the Action Council for the Liberation of Women, which emerged from the Socialist German Student Union (SDS), at the Free University of Berlin (FU) and was organized as self-help from January 1968. Helke Sander was one of the co-founders of the Action Council.

Kinder sind keine Rinder

NR 1970
Australia, Australia

The film reflects the life of the Macedonian emigrants and migrant workers in Australia. With their going away in far away countries and living abroad, some of them have succeed in socializing, but there are still some of them who always remain with the dilemma of returning in their native country. Through their personal retellings and the metaphor description of their whole way of living in the new surroundings, expressed in a mosaical cinemathographic way, one could get known with the hard work of the Macedonian emigrants; also, the education of their children, as well as the holly celebrations in the church, such as the baptizing, the weddings, but even the funerals either, as unavoidable part of human living.

Australia, Australia

7.6 1976
Grosskochberg - Public Landscape Gardens

Kochberg Castle was once owned by the von Stein family and Goethe visited Charlotte von Stein there several times. On the occasion of the "1000 years of Weimar" celebrations, the castle, which has been converted into a memorial, is being opened to the public. At the inauguration ceremony, students of the Weimar Academy of Music will give a large festive concert. On the basis of old engravings and personal letters and pictures the audience learns more about the relationship between Goethe and Charlotte von Stein.

Grosskochberg - Public Landscape Gardens

9.0 1977
Frank Sinatra: In Concert at Royal Festival Hall

Frank Sinatra: In Concert at the Royal Festival Hall was an CBS musical television special starring Frank Sinatra broadcast on February 4, 1971, of a concert given by Sinatra at London's Royal Festival Hall on November 16, 1970. The special was directed by Bill Miller, and produced by Harold Davison. Sinatra was introduced on stage by Grace Kelly. Kelly had starred alongside Sinatra in the 1956 film High Society, the last film she made before her marriage to Rainier III, Prince of Monaco. Sinatra had been follicularly challenged for many years, hence all the hats in publicity stills, album covers etc. TV directors were forbidden to photograph him from the back because of this. However, at this concert, Sinatra had completed a very successful hair transplant and deliberately turned his back on the main audience a couple of times to acknowledge the audience sitting backstage, along with running his hand over the back of his head to draw attention to his new coiffure.

Frank Sinatra: In Concert at Royal Festival Hall

7.0 1971
An Oppressed People Is Always Right

In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.

An Oppressed People Is Always Right

7.0 1976
There Comes a Time

There Comes a Time in every skiers life where they must decide whether to get up and hit the slopes or go lay back down in bed all day like a bum. Well it’s a good thing incredible skiers like Pat Carnick, Karen Huntoon, Tish Green, Bob Burns, Mark Stigmeyer, Dick Dorwith, Scott Miller, Lee Lucas, Gary Holdberg, Pat Bowman, Katie Morning, Wayne Wong, and others decided to hit the slopes so now you can see what it’s like to ski like a pro. Filmed at some of the most historic and oldest ski resorts in the world including Squaw Valley, Vail, Marmot Basin, Mammoth Mountain, Kirkwood Meadows, and the French Alps, Warren Miller’s There Comes a Time reminds us to get out of bed and go skiing.

There Comes a Time

8.0 1975
San Gottardo

In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.

San Gottardo

9.5 1977
Report on Nicaraguan Revolution

UCLA Student Film, Preserved by the UCLA Film and Television Archive. Documentary about the Sandanistas, the Nicaraguan Revolution, and their supporters in the United States. Features interviews with organizer Julio Virseños, Alex Palacios (Nicaraguan Representative to the Organization of the American States Human Rights Commission), and footage of protests in McArthur Park. It also includes news footage and excerpts from "Patria Libre O Morir," a film made about the Sandanistas in 1978.

Report on Nicaraguan Revolution

NR 1979
Disappearing World: The Last of the Cuiva

An ethnographic documentary directed by Brian Moser focusing on the Cuiva, a small group of nomadic hunters and gatherers in southeastern Colombia. Filmed in 1971, the film contrasts two Cuiva groups—one maintaining a traditional nomadic lifestyle, the other drawn into the Colombian economy—illustrating cultural and economic change brought about through contact with settlers and the pressures this contact places on their way of life. (Note: Produced as an episode of the Disappearing World television series, the film is structured as a self-contained ethnographic documentary with its own title, subject focus, and production context, supporting its treatment as a distinct film.)

Disappearing World: The Last of the Cuiva

NR 1971
This Was the Time

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

This Was the Time

8.0 1970
Double Headed Eagle: Hitler's Rise to Power 1918-1933

Presents a unique and disturbing look at the rise of the Nazi party. The documentary, directed by Lutz Becker, attempts to remain as objective as possible, serving as a neutral observer of the years 1918 through 1933 in Germany. Via newsreel footage and clips of features from the era, the film offers a kaleidoscopic view of the many elements that fueled the rise of the Socialist Nationalist Party, including post-WWI poverty. Hitler occupies a central place in the documentary.

Double Headed Eagle: Hitler's Rise to Power 1918-1933

8.4 1973
Scenes Seen with Allen Jones

Scenes Seen with Allen Jones explores the motive of the artist's famed graphic works,, paintings and sculptures. The erotic overtones of Jones's work are both controversial and exciting, drawing the public's attention towards a new sector of the avant-garde. Jones is introduced in his London studio, where he is developing an idea for a new painting as he meticulously studies his model. During his days as a top member of the Pop Art movement in Britain, Jones evolved a singular genre of imagery: totemic forms of torso-less legs, sheathed in vinyl, which have become his artistic "signature."

Scenes Seen with Allen Jones

NR 1970