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The Shadow of the Strings

Throughout the streets of Huelva, a man with his guitar has been disambiguating for years, day and night he goes out into the streets to make a living asking for money in bars and terraces. His guitar almost never has the six strings, his hands are dirty, his mind long ago could not stand the life that he had to live, and he continues as he can stuck to that guitar with which he expresses himself continuously, indefatigable. That vagabond, an omnipresent street artist, is the "Niño Miguel", considered by many to be the best guitarist in the history of flamenco, a genius who revolutionized the guitar with only two records in the 70s, a source of inspiration for all other guitarists... a guitarist of guitarists, a living legend, a mystery, a misunderstood genius, excluded from society: The shadow of the strings.

The Shadow of the Strings

8.0 2009
In the Darkness of Water

Mauro Morandi has lived isolated from society for 30 years on Budelli, an italian island. He is now 83 years old and, despite his advanced age, he is concerned about caring for and preserving the island's nature. One day he discovers that he will be evicted. At the same time, someone contacts him and encourages him to abandon this lifestyle and return to society. Both factors will have repercussions in Mauro's life, who, certainly disturbed, will have to deal with the conflict and assume the possibility of leaving his beloved island, with which he has a truly special connection.

In the Darkness of Water

NR 2026
108

Of all my uncles, Rodolfo was the only one who didn't want to be a blacksmith like my grandfather: He wanted to be a dancer. The search for the traces of his life leads to the discovery that in the eighties in Paraguay, under Stroessner's dictatorship, Rodolfo was included in one of the "108 lists of homosexuals", arrested and tortured. Rodolfo's story reveals a part of the hidden and silenced history of my country. In "Cuchillo de palo" two generations come face to face in a confrontation that ultimately allows each of us to understand our place in the world.

108

7.0 2010
A Landscaped Area Too Quiet for Me

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

A Landscaped Area Too Quiet for Me

NR 2022
Amanecer en mi tierra

The partnership of Vecinos Sin Techo and the Lof Mapuche Curruhuinca, through a National Act, took control of lands that were previously in the hands of the Army. They received 400 hectareas as a collective property in San Martín de los Andes, a highly coveted city for tourism infrastructure developers, because of the beautiful landscapes and the mountain sports, where the public use of natural assets as rivers, forests, lakes and the snow are increasingly limited. In this place they are building 250 houses and had reached new levels of organization and dignity.

Amanecer en mi tierra

NR 2019
Lots of Kids, a Monkey and a Castle

Julita expressed her three greatest wishes shortly after getting married: lots of children, a monkey and a castle she can call her own. That all of these wishes have become a reality is probably down to the immense stubbornness of this charismatic and equally hilarious matriarch who has a weakness for collecting crazy objects. When financial circumstances force the family to sell their castle, her adult children are left sifting through a lifetime of peculiarities in search of a few lost bones… Spanish actor and neo director Gustavo Salmerón paints a deliciously absurd family portrait that just happens to reveal a lot about Spain, Catholicism and the economic crisis.

Lots of Kids, a Monkey and a Castle

7.3 2017
Dreams of Ice

In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.

Dreams of Ice

8.0 1994