Discover Movies

A look at the sales practices employed at the LPE Superette run by John Beasley on Berwick Street market.

An undercover investigative documentary on illegal bookmaking in Boston, using concealed-camera footage to expose institutional corruption and regulatory failure, and triggering major political and law-enforcement reforms following broadcast. (Note: Originally produced and broadcast as part of CBS Reports, but widely cited, archived, and treated as an independent investigative documentary due to production method, cultural impact, and historical significance.)

Burgess Meredith narrates this insightful MGM-produced documentary about the life and career of Hollywood legend Clark Gable, from his childhood in Ohio, to his star status in Hollywood, and to his romantic life off-screen, including his marriage to Carole Lombard. The film incorporates classic film footage of Gable with interviews of people from his past, including an old classmate from his school days, a former sweetheart, and his press agent. Another treat is the rare home movie footage of Gable and Lombard on a camping trip.

A depiction of the 1961 ‘Marshal Tito Cup’ football match, which was played in Belgrade between the Skopje club Vardar and Varteks from Varaždin.

Master baker, owner of Duffryn Bakery, Onllwyn, turns his hand to film-making and captures community events in glorious colour.

Thirty distinguished astronomers are visited at their observatories throughout the world in this comprehensive report of astronomical theories, research, and discoveries.

In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.

Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.

Documentary about the nightlife in Athens. The nightclubs, the musical acts, the striptease shows, but also some dramatized acts with well-known actors...

In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.

"China!" is a documentary by Felix Greene presenting everyday life in the People’s Republic of China, filmed during extensive travel across the country in the mid-1960s.

The new Brazilian cinematic movement (Cinema Novo) through films starring actors Antonio Pitanga and Luiza Maranhão.

A short featurette on the making of "Petulia"

A short film produced between September and October of 1969, during the course of the Brazilian military dictatorship. It's authorship remained anonymous for a long time and the precariousness of the production was due because of its clandestinity. The film is a collage of images of popular repression, ruling power violence and its people resistance around the world.

This short covers some of the wildlife (predominently birds) on four islands-the Galapagos, Guadelupe, Falklands and an island in the Midway chain. While touching very briefly on the turtles of Galapagos and a bit more in-depth on two varieties of iguana and a species of crab, the documentary focuses primarily on birds, including several species of penguin on at least two of the islands, cormorants, frigate birds and the albatross.

Documentary of the Symposium on the Dialectics of Liberation and the Demystification of Violence, held in London, July 1967, organized by R.D.Laing, with Stokely Carmichael, Allen Ginsberg, Paul Goodman, Herbert Marcuse, John Gerassi, and many others. An important record of the spectrum of left-wing politics and personalities during the turbulent Sixties.

Filmed during a studio-organized press junket, "Meet Marlon Brando" observes Marlon Brando as he fields a succession of television interviews meant to promote Morituri. Rather than comply, Brando deflects questions with irony, flirtation, and philosophical detours, subtly undermining the promotional ritual itself. Shot in direct-cinema style by Albert Maysles and David Maysles, the film becomes a candid study of celebrity, media performance, and resistance to commodification.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Film clips highlight the funniest scenes and brightest comic stars in MGM's history.

This long-suppressed and controversial documentary was produced in 1961 for network television but never broadcast. Co-mingling cinema verité and narrative techniques, the film offers a sensitive but critical look at the slum called Cortile Cascino in the center of Palermo, Sicily where poverty and early death are constants and where the church and the Mafia compete for the inhabitants' fealty. The established church, largely ignoring the plight of its parishioners, nonetheless voices its outrage when a faith healer draws large crowds. The Mafia runs an illegal slaughterhouse and controls the concession to funerals but also distributes free food to the district's hungry residents. In the face of relentless adversity, the women provide the only stabilizing force. The neighborhood's despair is tragically foregrounded in a sequence depicting the burial of baby who died of malnutrition. The soundtrack is composed of comments by the people, recorded and translated by the filmmakers.

Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols – representing the musical moods of London, Liverpool, Hollywood and Detroit – packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.

A young man finds in an old abandoned farmhouse in Vans in Ardèche some fifty letters and a notebook forgotten there. Back in Paris, he discovers that it is a romantic correspondence between a young peasant girl and a captain during the 14-18 war. The film recreates this love story.

A seventy-six-minute version of Häxan, re-edited and re-released in the United States by Metro Pictures Corporation in 1968. It is narrated by author William S. Burroughs, with a jazz score and soundtrack featuring violinist Jean-Luc Ponty.

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

A documentary about the kamikaze, the brave pilots who gave their lives for their beloved country.

The past and present of Inverness, Scotland.

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

A group of youths try to create works they think suitable for filling up the "hollowness" of life. For example, by hiring an orchestra and having its members count the stars in the sky from dusk to dawn, they create a new kind of music. Ms. Yoko Ono, the leader of the group, who calls herself a one-time musician, poet, and painter, explains the motives of their eccentric conduct.

Tree of processed film material is intended to KINEMATOGRAF movement of the backbone using to base the new pictorial movement and phrase. Movie Screen efficacy has been added to paintings. Different kinds of film material is painted, scratched, punched or etched. This has resulted in different directions and at different speeds, functional movement sequences and the "normal film" outside the functional image.

This MGM short film narrated by Richard Burton promotes its upcoming major release "The Sandpiper" (1965), starring Burton and his then wife Elizabeth Taylor. Panoramic shots of the ocean, the seashore, and the desert segue into the artistic community with various of its well-known artists at work and play. It all leads to clips from the film being made.

In 1963, the businessman Juan Huarte Beaumont, art patron, collector and founder of X Films, a film production company based in Madrid, invited the Basque artists Nestor Basterretxea and Jorge Oteiza to make a promotional short about his companies. Certain conditions were attached to the commission: the artists were each to present finished scripts without any contact with each other about them. Huarte chose Basterretxea's script, and Basterretxea directed the film, which was given the title 'Operación H' in postproduction.

Loose collection of individual portraits of the inhabitants of the Isle of Pinos (now Isla de la Juventud), who tell their stories, share ideas and discuss topics such as racism and crime.

"I was interested by the fact that some old guy, after the Parthenon’s glamour, devoted himself in a much smaller temple, where there was no white marble, no nothing. All Greek temples are dedicated to Apollo etc, and this particular one was not dedicated to anyone and is in a place where there never was a city nearby, in a kind of wasteland, in a ditch. But, just by going up a bit –you are in the centre of Peloponissos- on a clear day, you can see the sea on both your left and right. I went back there, at least six, seven or eight times, as if I wanted to think or find myself. So, at the temple in Bassae, I made a short 10 minute film and I was lucky enough to encounter two days of clouds and mist between the columns."

This short, silent film captures a Sunday afternoon at a community skating rink. Iconic Quebec director Gilles Carle has the camera follow toddlers learning to skate, young girls flashing their skates and boys decked out in the colours of their favourite hockey teams. A picture perfect moment on a bright winter's day.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

A portrait of Raymond Chandler, creator of the Philip Marlowe mystery thrillers, by John Foster and Fred Burnley. The film portrays Chandler's life and creative attitudes in his own words. Dramatised excerpts from his letters and novels reveal conflicting aspects: the sensitive, diffident writer - and the tough, cool private eye hero. With JB Priestley.

A short film by Walerian Borowczyk in two parts. The first 'panel' follows the morning routine of Leon Boyer who, despite being almost 100 years old, still farms the land, drives a vintage car, and plays with his two dogs. The second panel shows shots of beautiful flowers and a cat, to a recording of Tino Rossi singing 'La romance de Nadir / Je crois encore entendre' from Bizet's opera 'Les pêcheurs de perles'.

CICLÓN is a coverage of hurricane Flora's sweeping the Cuban provinces of Camagüey and Oriente in October 1963: the damage, the evacuation of the villages, and the aid to victims.

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.

A document of a drag show at Los Angeles' Queen Mary nightclub.

The life of Pedro Infante, with scenes from his best films and the chaos that his tragic death caused in the public.

A documentary about the self-taught painter William Kurelek, told through his paintings. There are scenes of village life in the Ukraine and the early days of struggle on a prairie homestead and the growing comfort of family life. In Ontario, Kurelek paints the present life of Canada with the same pleasure he painted the old.

Shot with a big cowboy nod to the Western genre, this road safety film shows the danger of speeding on an unknown country road at night.

A documentary look at striking workers in a textile plant in Besançon, France, centering on interviews with workers about their motivations for becoming involved with the union and the struggles of their day to day life.

Narrated by Robert Culp, this special examines racism in the sixties

Documentary about the first Assembly of Trumpeters in Guča.

"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.

With ghostly eyes looking through the winter landscapes of the plains and villages of Ain, where the sanctified priest the Curé of Ars once lived, Jacques Demy tried to understand this fighter for communal spirituality and his daily torments of mysticism.

In 1962, René Vautier, together with some Algerian friends, organised the audio-visual formation centre Ben Aknoun to encourage a "dialogue in images" between the two factions. Together with his students he made a film that shows the history of the Algerian War and of the ALN (National Liberation Army), and life during the reconstruction.

A behind-the-scenes, promotional short about the making of the feature film The Gypsy Moths (1969), which extensively features free fall skydiving.

A need for national ethnic studies in colleges and social justice led to strikes at San Francisco State University.

A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...

Italian mondo documentary

A discouraged and frustrated emergency-room doctor explains why many of the auto-accident injuries and deaths he sees, could have been prevented if people would only use their seat belts.

When he was cutting "Phantom India," Louis Malle found that the footage shot in Calcutta was so diverse, intense, and unforgettable that it deserved its own film. The result, released theatrically, is at times shocking—a chaotic portrait of a city engulfed in social and political turmoil.

Albie Thoms' Marinetti was the culmination of the synthetic environments that the UBU group had pioneered in Australia; festive public 'happenings' that combined the energy and volume of creative rock and jazz with the mesmeric effect of multi-dimensional lightshows. Another kind of culmination: Marinetti records most of the principal collaborators in the UBU film group, like Aggy Read and the Perrys. Uniquely valuable as a document of Australia's late 1960s counter-culture, the soundtrack provides the best indication of the unrestrained liberty that bands like Tully and the John Sangster Underground band some of whose members perform on this recording were famously achieving in their improvisations of the period.

The practices of football in Brazil and the issues surrounding the sport. Press, players as a commodity, the popular passion, the practice on the fields of várzea. The statements of Luiz Carlos de Freitas, a young promise of Palmeiras, and Feola's coach, as well as an interview with Pelé.