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Hard things were said. Incredible things were said. It is time to think about everything that was said. An account of Kirchnerism, a left-wing populist movement that ruled Argentina from 2003 to 2015, led by Néstor Kirchner (1950-2010) and his wife Cristina Fernández de Kirchner.

Domestic service worker Lera is accused of a crime. In a cell in the premises of a Civil Guard barracks, she meets Mihaela and Julia, two prostitutes with whom she shares the story of Santa Vicenta María, founder of the Religious of Mary Immaculate, which she says saved her life.

David Prowse is an eighty years old actor, who has lived behind Darth Vader's mask during three decades. A group of Star Wars fans find out why he has been apparently forgotten by Lucasfilm during thirty years, and decide to give him back the glory he never had. This is their last opportunity.

Heinz Stücke left Germany in 1962 with a bike, a tent and a goal: to see everything in the world. Now for the first time in 50 years, he's come home.

Made as part of the Noticiero ICAIC Latinoamericano in celebration of the first Latin American University Games.It is a short film of ten short minutes, dominated by jazz music, which presents, through the typical structure of a report, the arrival of the delegates, their reception, the atmosphere of camaraderie, the training, the parade of participants, the words of Raul Castro at the inauguration, the sports competitions and the final party.

Trans and queer communities shaped carnival traditions in the Canary Islands, exploring their historical role in developing costumes, performances, and celebrations that define the region's festive identity.

[m]otherhood will make us stop asking women without children why they don’t want to be mothers, because it gives us all the answers. These types of inquiries can become very annoying after a while; at times, the only way to get out gracefully is by smiling and not saying a word. This documentary brings together several women who’ve decided to sound off on the subject, and whose reasons –hard-hitting and solid– knock the concept of contemporary motherhood as an “ideal” off its pedestal.

The New York of News from Home was filmed in 1976, while the one of Taxi Driver was filmed in the summer of 1975. Both works reflect the same decadent city. Two visions that shift from the everyday to the existential complement each other. A resignification of Akerman's images through the voice-over of Scorsese's work.

The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.

Commissioned by the Maeght Gallery with the exhibition of Joan Miró, organized by the French Ministry of Cultural Affairs at the Grand Palais, which opened on May 17, 1974 in Paris. This film was shot in six days in Montroig del Camp (at the Miró) and Tarragona during the implementation process, by Josep Royo, a tapestry by Joan Miró. Five people worked for eight months in the realization of this tapestry, using wool 1200kg and 600kg for the warp. The total weight of 3500kg and a half was six meters wide by 11 meters long. They need a purpose built weaving loom. The day of the attack on the World Trade Center in New York on September 11, 2001, the tapestry was placed in the lobby of one of the towers when they were demolished.

A short documentary film about Alejo Palacios (@alejopalacios_) an Argentinean painter who lives in an austere and simple way in a small country house, which he builds little by little. Like his life, his work also breathes simplicity in form and austerity in materials, as he uses primary colours and organic materials. This film was made for Alejo's first solo exhibition at the Alzueta gallery, Barcelona.

In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.

Jose Maria and his sister Mercedes are archaeologists who have been given a grant to study the story of Our Lady of Guadalupe, whom Juan Diego, an ordinary man living near the hill of Tepeyac, witnessed in December 1531.

A new reading of the historical period that began with the reign of the Catholic Monarchs (1479-1516) and the discovery of America (1492), as well as an analysis of its undeniable influence on the subsequent evolution of the history of Spain and the world.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

In this documentary, Lagartija Nick transports us to a surreal and innovative place, taking us on a journey through their concept albums inspired by the historical avant-garde movements of the 20th century. Through 16mm films, poetry, and, of course, the most rocking and innovative music of recent years, Generación Lagartija introduces us not only to its members, but also to beloved figures such as García Lorca, Val del Omar, and Luis Buñuel.

Pedro Lemebel, the writer and visual artist, defeated a marginal childhood to become one of the first to shake up Chile’s conservative society during Pinochet’s dictatorship. Dressed in feather boas, stilettos and a sharp tongue, he staged revolutionary performances that defied the era’s terror, he said what no one wanted to hear in a homophobic, repressed and militarized country.

This is a montage of different images from the JFK, Martin Luther King and Bobby Kennedy triumphs and assassinations, all three events being observed by Lyndon Johnson as the dark figure who is plotting the anti-black rights movement.

We embark on a journey in which the deepest feelings of a group of trans friends will guide an intimate and emotional relationship between two trans people through their experiences.

A documentary that takes an emotional journey through the life and career of David Delfín, a unique, controversial, and revolutionary artist who was much more than a fashion designer. It portrays a complete and multidisciplinary creator who used couture to express himself and the catwalk as his megaphone. Beginning with the scandalous 2002 Cour des miracles show—known as “the rope show”—the film explores his artistic vision and his intimate world as a son, brother, boyfriend, and friend. Through moving testimonies from those closest to him, it reveals both his brilliance and vulnerability. In a tragic twist of fate, Delfín and his soulmate, model Bimba Bosé, were both diagnosed with cancer at nearly the same time; she died in January 2017, and he followed five months later.

Documentary produced for the We Are Water Foundation, on the ecological disaster of the Aral Sea in Central Asia. Aral was just 50 years ago, the fourth largest lake in the world, with 66,000 square kilometers. Today is a vast desert with skeletons of boats stranded on the sand.

Ten young people from all over the world meet in Rome with Pope Francis with the aim of talking and conveying to him the main concerns of their generation. What awaits them is an unprecedented meeting, a face-to-face conversation, and a unique event.

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.

Through interviews with friends, family, and colleagues, the documentary relates the life and career of Rafael Hernández, one of Puerto Rico’s most renowned and beloved composers of popular songs.

The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.

Remarkable footage of a Barcelona anti-austerity demonstration – and its quelling – shaped into a lyrical tribute to the spirit of protest by Victor Kossakovsky ( ¡Vivan las Antipodas!) and 32 Spanish film students.

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

Through five portraits of relatives and mentors, five expressions of resistance, Pegah Ahangarani sketches her life story. Drawing from personal archives, home videos, street protests footage, newspapers, and recorded voices, she retraces more than 40 years of Iran’s history. From the early days of 1979, until the war that began in 2026, she pieces together intimate and collective memories, forming the portrait of a country shaped by political repression and in constant hope for a revolution.

Filmed over the course of 2013 to 2019, it is a photograph of the scars left by the Great Recession in Spain. Who are the losers of this crisis? Young people, women, workers between 35 and 45 who will never again be what they trained to be, those over 45 who have lost their jobs, retirees who see their purchasing power shrink, the “emotional proletariat”… and this film is about them.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

San Sebastián de los Reyes Bullring, Madrid, Spain, March 27, 1977. In response to the strange political alliances that were taking place between antagonistic forces in search of a self-serving consensus, the anarcho-syndicalist union CNT organizes a rally to denounce the reprehensible machinations of its adversaries. (Documentary shot in 1977; edited and released in 2011).

This true-crime documentary film features Rosa Peral's first interview from prison since she was convicted of murdering her partner aided by an ex-lover.

The documentary captures the fall or rebuilding what had been a symbol of the Franco regime, but the cessation of work due to the economic crisis turns into a viewer of the financial and economic paralysis of the country during these years.

The ruins of a falling apart care system frame the stories of two women whose job is to always be. Wait. Always.

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

The massacre occurred 500 years ago. In 1525, the Spanish Royal Council ordered the execution of five members of a cult recently discovered in the Pyrenees. This event marked the beginning of a relentless, century-long prosecution against Basque witchcraft, which exhibited all the hallmarks of the great European witch hunts, including an unstable border between powerful nations, revolts against the lords, raging misogyny, confessions obtained under torture, and mass accusations. These past five centuries, only one account has been heard: that of the inquisitors and jurists, the same ones who invented the myth of flying witches who met with the devil at sabbats to plot their crimes.

In the south of Chile on the Chiloé Island, Carlos Ruiz works as an operator in an industrial cannery. He is one of the cogs that makes the machine turn, except when he is a machine himself, like when he delivers blows on the punching-ball. A machine that dreams of glory. Because in his other life, Carlos is little-by-little becoming “the Guru”, who ceaselessly trains in what little leisure time he has so that he can win his match.