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ave HRUBÁ

Poet, performer, and local legend Eva Hrubá is a woman of contradictions, sparking both devotion and public outcry. This documentary dives into her dual existence of vibrant joy and silent suffering. Moving beyond her reputation as the "eccentric lady on a purple bike," the film explores how she transforms loneliness into art and pain into a shared celebration of life. The film explores the world of a remarkable woman, seeking the boundary between her persona as an author and her performance.

ave HRUBÁ

NR 2026
De Indische tafel, jongens van de Japanse kampen

In De Indische Tafel, men in their nineties, who meet weekly for an Indonesian lunch, reflect on their Indonesian childhood, a childhood they never spoke about, but which profoundly shaped them. Using never-before-seen footage from Japanese propaganda films, they revisit their youth in the Japanese camps during World War II. Born in the colonial Dutch East Indies before the war, they reflect on how their lives changed during the Japanese occupation, their existence in the camps, their liberation by the atomic bomb, the struggle of young Indonesian freedom fighters, and how the old colonial power returned in the form of new capitalist companies that were more profitable than ever.

De Indische tafel, jongens van de Japanse kampen

NR 2026
Conversations with My Dead Friends

Claire was my childhood love. I heard Yonatan, a kibbutznik, lecturing on Marx and Tolstoy the day we both enlisted. Jacques was a painter; the sergeant major ordered him to smear the cannons with grease so they would shine in the parade. I met Hanoch after the army; every morning I would wake to the clatter of his typewriter—he was then writing "Solomon Grip." With Shmuel I played chess; I loved the quiet that accompanied the game. Era, the editor, was my cinematic conscience. My friends are no longer here. But I still speak to them through the memories.

Conversations with My Dead Friends

NR 2026
NO MORE THAN ANYONE ELSE

Blending candid interviews, experimental moments, and reflective narration, this 55-minute personal doc explores what it means to grow up when the people who love you also struggle to accept who you are. Through screen-recorded calls with friends, street interviews, and distant footage of everyday life, I examine my upbringing as a queer non-binary trans person—where love, expectation, and shame often coexisted—among a sea of other stories about adolescence. Anchored by a conversation with a close friend and fellow artist, the film sits in the tension between care and rejection, asking if anyone is even really special—or maybe all of us are.

NO MORE THAN ANYONE ELSE

NR 2026
Dicsérjük Szent László királyt!

In the summer of 2021, young people from Hungary and Transylvania embark on a horseback pilgrimage following the traces of Saint Ladislaus, King of Hungary. Along the way, pastors from churches across Székely Land help uncover the hidden messages, symbolic meanings, and deeper spiritual truths encoded in the frescoes that preserve the legend. The journey unfolds on horseback along the border between past and present—reaching all the way down to the deepest layers of the soul.

Dicsérjük Szent László királyt!

NR 2026
The Last Responders

On 23 March 2025 in Tel al-Sultan, Gaza, Israeli forces massacred fifteen Palestinian aid workers travelling in clearly marked humanitarian vehicles, later burying their bodies and vehicles in a shallow mass grave. Earshot and Forensic Architecture worked with the Palestine Red Crescent Society and survivors of the massacre to reconstruct the incident with unprecedented precision. The Last Responders is an investigative documentary about this massacre. Anchored in the situated testimonies of two survivors, the film draws on firsthand video and voice recordings captured during the night of the attack by the Palestine Red Crescent Society. Through these materials, the film probes acts of execution and concealment, while reconstructing a fuller account of what unfolded in Tel al-Sultan in the hours and days that followed.

The Last Responders

NR 2026
Alles Moet Beter

Explores what it's like to come of age in a world plagued by systemic institutional failure. Rohan (23), a victim of the Dutch childcare benefit scandal, shows us what happens when the system turns against you. As a whistleblower, Ruben (25) pushes against the boundaries of the system. Sam (27) takes it even further and finds herself on trial for civil disobedience. All three become entangled in the system and its institutions in their search to change things for the better. Underscored by protest music, their individual actions combine in one urgent plea: Do better.

Alles Moet Beter

NR 2026
The Baghdadi Collector

During a routine visit to Grandpa, who has lived in the same small, cramped, and neglected apartment for 54 years, Grandpa declared emphatically - "I will never move!" Grandpa suffers from compulsive hoarding, which is rooted in the displacement of his family from their home in Baghdad, Iraq, without names, possessions, or dates of birth. A year passes, Grandpa's health changes, and suddenly - there is no choice but to move him to a new apartment with an elevator.

The Baghdadi Collector

NR 2026
Dear Juhee

After recovering from leukemia, Jang Juhee, who once dreamed of becoming a filmmaker, begins working at a center for independent living for people with disabilities. There, she meets documentary director Bu Seongpil, disabled and bedridden Seon Cheol-gyu, and In-sook, who lost a family member in the Sewol ferry tragedy. Shaped by childhood memories of domestic violence and years of illness-induced isolation, Jang’s gaze and inner world begin to expand through these individuals.

Dear Juhee

NR 2026
Mianhua Islet

The refracted gaze on Mianhua Islet, Taiwan's eastern de facto border, turns the concrete landscape of physical territory into a mirage of topography and politics. The fragmented image of the frontier reflects the ambivalent state of Taiwanese subjectivity. The camera slowly sweeps over the contour of the islet as if touching the country's body to ensure its existence. The ever-imaginary border that eludes, obscures, and fictionalizes the construction of a nation confronts us with its external mirrored image, as a subject and as a site, where the process and paradox of forming national subjectivity are materialized, embodied, and caught in a liminal space.

Mianhua Islet

NR 2026