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Schimpft uns nicht Zigeuner!

The film accompanies Linda and Gallier in their everyday lives and gives them space for self-representation: at school, at the family table, at the disco, or in conversations with friends. The racism of the majority society, the pressure to assimilate, and the counterarguments of the two young people and their community members are omnipresent. The parents and grandparents are survivors. Linda summarizes that experiences of persecution and oppression have shaped the strong sense of belonging among the Sinti.

Schimpft uns nicht Zigeuner!

NR 1980
Report from Hollywood

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

Report from Hollywood

7.0 1985
Henri Storck, ooggetuige

Robbe de Hert’s Henri Storck, ooggetuige (1986) is a brilliant cinematic homage to the founding father of Belgian documentary cinema. Filmed around Storck’s 80th birthday, the film eschews standard biographical formulas. Instead, De Hert crafts an intelligent, vibrant collage that synthesizes rare archival footage with intimate anecdotes told by Storck himself.The documentary excels at tracing Storck’s evolution from an Ostend avant-garde poet to a fierce social activist. De Hert’s signature rebellious tone shines through in bold creative choices, such as overlaying John Lennon's "Working Class Hero" onto the silent, gritty footage of Misère au Borinage (1933). This creates a powerful bridge between 1930s labor struggles and modern social critique

Henri Storck, ooggetuige

9.0 1986
Escaping Satan's Web

In the mid 80s during the Satanic Panic era Pastor Flether A. Brothers who was director of Freedom Village USA interviewed Satanic teen killer Sean Sellers for an exclusive video only offered through Brothers Ministry. Brothers interviews Sellers and discusses what "Satan doesn't want you to know". This video was one of the highlights of the Satanic Panic epidemic first started by Geraldo Rivera in the mid 1980s. The clamshell case bodly [sic] professes "This tape may save your childs [sic] life and even your own!" […] This tape is hard to find and the interview with Sellers has rarely ever been seen outside of the owners of this release. The clamshell and video we have is in perfect condition and has pretty much only been played once in 25 years. (serialkillersink.net)

Escaping Satan's Web

NR 1987
The Second Journey (To Uluru)

As the camera moves gently from afar into the very heart of the monolith, the magic of the holiest site of the Aborigines unfolds in shimmering nuances of light. Shot at different times of day, the close-up and panorama shots of this more than 500-million-year-old stone formation combine silence and acoustically altered birdsong to convey a feeling of timelessness into which a sense of loss is also inscribed. The somnambulistic moonrise in the great sky seems almost like an abstract painting and yet it is real. The areas of discolouration in the film material caused by problems in the developing process were deliberately left in the film as a metaphor for the looming threat to this natural environment through bushfires and tourism.

The Second Journey (To Uluru)

7.5 1981
Voices from the Attic

Jewish family history is reconstructed in this documentary about the traces of German terror in Eastern Europe during World War II where in which is about the attic of a peasant's home where her family's parents and relatives hid in squalor during the war for two frightening years hid, and then spent most of their lives afterwards trying to forget what happened. Yet their children somehow knew what their parents went through. Deciding to confront her personal demons, Goodstein went back to Poland with her aunt and a group of cousins to meet the woman who sheltered her family.

Voices from the Attic

8.0 1988
Nullarbor Dreaming

In 1988, Andrew Wight and his team went on to attempt a record cave dive in Pannikin Plains Cave on the Nullarbor Plain, where flash floods turned the expedition into a life-or-death adventure. This was captured on film by his support team, and eventually published as Nullarbor Dreaming. This short film launched his career as an international film-maker and culminated in him becoming James Cameron's right-hand man on many 3D and other film projects. Sanctum was inspired by his Nullarbor experience

Nullarbor Dreaming

6.6 1989
Costa Rica: Child of the Wind

In war-torn Central America there is a country with no dictator and no army, a country at peace with itself and its neighbors. It is the oldest democracy in Latin America. This film explores the history of Costa Rica and the reasons it has been able to exist as a neutral country firmly committed to social welfare and free elections. Costa Ricans live without an army, preferring to invest their resources in hospitals and schools rather than machine guns and tanks. The film explores the issue of Costa Rica's neutrality in the face of its dependence on U.S. aid.

Costa Rica: Child of the Wind

NR 1988
Meat Loaf Live At Wembley 1982

Live is a live video of Meat Loaf, recorded at the Wembley Arena in London, on April 29, 1982. According to a misprint on some versions, the songs "Paradise by the Dashboard Light" and "Read 'Em and Weep" were also performed, but neither song was ever released. Track listing[edit] 1."Bat Out of Hell" - 10:37 2."You Took the Words Right Out of My Mouth" - 5:59 3."Dead Ringer for Love" - 6:06 4."All Revved Up with No Place to Go" - 9:27 5."I'm Gonna Love Her for Both of Us" - 7:59 6."The Promised Land" - 6:21 7."Two Out of Three Ain't Bad" - 5:09 8."All Revved Up" (reprise) - 0:47 All tracks written by Jim Steinman, except "The Promised Land" by Chuck Berry

Meat Loaf Live At Wembley 1982

NR 1982
Morton Feldman and lannis Xenakis, A Conversation

A conversation between Morton Feldman and lannis Xenakis which took place on Friday, July 4, 1986 at De Kloveniersdoelen, Middelburg, The Netherlands. The conversation was part of a five day master-class given by Morton Feldman during the Festival Nieuwe Muziek, June 19–July 6, 1986. Morton Feldman’s Trio (1980) was performed by Aki Takahashi, piano, Mifune Tsuji, violin and Tadashi Tanaka, violoncello on Thursday, July 3, 1986 at De Kloveniersdoelen, Middelburg.

Morton Feldman and lannis Xenakis, A Conversation

NR 1986
Arthur Erickson

A portrait of Arthur Erickson, a Vancouver-based architect internationally known for his unique style. Seated in his Vancouver home, Arthur Erickson talks easily about his art, the importance of interpreting the site and of achieving harmony between environment and structure, the inseparability of climate and site, and the cultural role of a building. Five of his projects are shown. He explains how the designs evolved and what he was trying to achieve. Shot on location in Canada, Japan and Kuwait, the film introduces the man, the architect, the humanist.

Arthur Erickson

NR 1981
Elegy in the Streets

Hand-processed 16mm. Exploring the AIDS crisis from both a personal and a political perspective, the film intertwines two main motifs: memories of Roger Jacoby, a filmmaker who died of AIDS, and the development of a mass response to AIDS. The collective response begins with mourning at a candlelight vigil and the deep sadness of the AIDS Quilt and then progresses toward a much more determined reaction by ACT-UP: first, in the Gay Pride March in New York City, then in separate demonstrations that build in militancy -- with a corresponding increasingly heavy-handed response by the police -- culminating in a demonstration during a baseball game and the thumbs-up sign of a teenager sporting a Silence = Death button.

Elegy in the Streets

NR 1989