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Nuclear Fuel Waste Research: The Canadian Program

The Canadian program for nuclear fuel waste management is explained through interviews with people working inside and outside the nuclear industry and by a visit to the Whiteshell Nuclear Research Establishment, where a long-range used-fuel disposal program is being developed. Revised version from the film Nuclear Fuel Waste Management (106C 0179 542). Produced for the NFB by Crawley Films Ltd. for Atomic Energy Canada, Whiteshell Nuclear Research Establishment.

Nuclear Fuel Waste Research: The Canadian Program

NR 1979
Frank Zappa

Produced for Dutch television and directed by Roelof Kiers, this documentary offers an observational portrait of musician and composer Frank Zappa in the early 1970s. Filmed at Zappa’s home and during rehearsals and performances with the Mothers of Invention, the program combines interviews, backstage scenes, and concert footage recorded at the Fillmore West featuring Mark Volman and Howard Kaylan. Alongside performances and informal conversations, Zappa reflects on his musical influences, creative methods, and views on American culture and politics while working on projects such as 200 Motels.

Frank Zappa

NR 1971
Pekka Siitoin and the Patriotic People's Front

"I am a hardcore racist, sadist and fascist. The New Testament is true, the Old Testament is not. Spirits informed me that I will be born again in my next life in the United States, then as president." - Pekka Siitoin (1944 - 2003) was an occultist and a neo-Nazi from Naantali, Finland. In his youth he studied at the Theatre Academy of Finland and was a disciple of Finland's best known clairvoyant, Aino Kassinen. In the 1970s he became a neo-Nazi and founded several organizations. He saw himself as the leader of the Finnish Nazi movement but got at most a few dozen supporters. Siitoin also wrote books about politics and occultism.

Pekka Siitoin and the Patriotic People's Front

NR 1977
La casa è un diritto non un privilegio

The documentary deals with the struggle s to obtain decent housing in a metropolis such the capital city of Italy in which the right for all to an acceptable dwelling is met with by all kids of serius obstacles-the chaotic increase of urbanization, the building speculation, the degradayion of suburbs, the magnitudine of slums with their unfortunatle inhabitants whose living condition have been dramatic for years. Starting from the Roman situation, the documentary faces the general housing problem in the country as whole and therefore the problrm of the struggles which people support - also through new structures such as People's Councils and Commitees - on the entire national territory in oder to attain one the primary goals of a decent society: a home whorty of its name for all its citizens.

La casa è un diritto non un privilegio

NR 1970
Bette Midler: Ol' Red Hair Is Back

In 1977, Bette Midler's first television special premiered, featuring guest stars Dustin Hoffman and Emmett Kelly. It went on to win Bette her first Emmy Award for Outstanding Special — Comedy-Variety or Music. To make the show palatable to home viewers, the special featured heavily cleaned up versions of the material Midler was performing at that time on stage. The title of the show, Ol' Red Hair is Back, was a takeoff on the title of Frank Sinatra's recent album Ol' Blue Eyes Is Back.

Bette Midler: Ol' Red Hair Is Back

8.5 1977
Transsexuals

In 1971, a group of students in New York City learning how to use the nascent technology of portable video interviewed Deborah Hartin for this documentary short. Having spent 20-plus years trying to conform to life in the body of a man, she followed her destiny all the way to Casablanca to receive the gender affirmation surgery that she had long yearned for and had attempted to self-administer in the past. Along with Esther Reilly (who was recently post-operative) and others in the transgender community, Hartin shares her story, revealing how the procedure had transformed her body, her life and her activism.

Transsexuals

6.0 1971
The Performers

The story of five skiers, sponsored by K2, who tour the U.S. in a red, white and blue van that matched their skis. They travel like a pack of joyful wolves, devouring powder and looking for challenges. Just 26 minutes in length, the film offers ferocious detail, with ski footage that still holds up today. The film revealed the ski culture as a surrogate family. In an interview years later, skier Charlie McWilliams recalled how people came up to him to explain how they deeply identified with this happygo- lucky skiing clan. He saw the film as a groundbreaking portrayal of skiing as a tribal experience. “It was the first time anybody had gone out and made a film of a group of guys traveling around the country having a great time skiing.”

The Performers

NR 1971
Film-Essay on the Euphrates Dam

The construction of a dam on the Euphrates River is an example of a country’s economic development. Through grandly composed images, rhythmic editing, and aestheticized details, the director demonstrates his admiration for the interwar avant-garde. The film is a celebration of the new, while at the same time showing a traditional way of life and calling attention to working conditions; it is a refrain-like evocation of an arid country that explores the difficult lot of Syria’s rural inhabitants.

Film-Essay on the Euphrates Dam

2.5 1970
Léon Degrelle, Autoportrait d'un fasciste

On the sidelines of history, some characters, often ignored of the greater public have, in the shadows, had a decisive weight on the most important events of our century. We are presenting you there «unknows». A two-part documentary, which is a two-and-a-half-hour interview with Léon Degrelle himself, was produced for FR3 in 1978 by Jean-Michel Charlier, as part of the series "LES DOSSIERS NOIRS" (The Obscure Records).The first part, "LÉON DEGRELLE: CHEF DE 'REX'" and the second part, "LE 'VOLKSFÜHRER' LÉON DEGRELLE".

Léon Degrelle, Autoportrait d'un fasciste

NR 1978