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Near and Dear

An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.

Near and Dear

7.7 2022
Volvoreta

Volvoreta is a 3-year-old racing filly trained by an Argentine installed in France for more than 30 years. Carlos Lerner, born in Tucumán and raised in Monigotes, Santa Fé province, made a place for himself in the elite French turf with determination and work. When a Spanish owner entrusts him with Volvoreta to run in France, Carlos still does not know that the filly is an unusual competitor. He makes his debut winning, and after three races he is still undefeated. This opens the door for him to run the Prix de Diane, a prestigious Group 1 that would allow Carlos, in the event of victory, to establish himself as a first-line coach. The film closely follows the filly's training during the two weeks leading up to the big race and the stress of those tending to her.

Volvoreta

NR 2003
A Quiet Inquisition

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

A Quiet Inquisition

8.0 2014
Lo que pasó entre medias

The cell phone in my right hand and the microphone in my left hand document what happened between studying film between 2019 and 2023, following my friends in the cities of Madrid and Prague and being lucky enough to barely alter their behavior. A very fine narrative thread links the seemingly unconnected events, imitating the disruptive and non-linear nature of our memory. Now I ask myself: What do I remember about these four years? A series of snapshots come to mind that I don't even know how to put in order and that I have tried to protect from oblivion with my cell phone.

Lo que pasó entre medias

NR N/A
El último verano

Every summer night, in some small towns, locals and vacationers gather in the town squares to enjoy the experience of watching an outdoor 35mm film screening. To make this event possible, there are people who work tirelessly on what may be their last days, as the traditional photochemical format is disappearing in favor of digital cinema. This documentary chronicles the summer journey of an outdoor cinema entrepreneur who is facing the forced restructuring that the digital age has imposed on film exhibition. As the director explains, "I wanted to tell the story of one of the people who has impressed me most throughout my professional career, Miguel Ángel Rodríguez, with whom I have worked on outdoor screenings during the summer for many years. He is the perfect protagonist to show the transition from celluloid to digital screenings."

El último verano

7.2 2016