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The Debate Continues

This historic film documents the restoration of the House of Commons, which was severely damaged by a bombing raid in May 1941. It also commemorates the secret location, in nearby Church House, where MPs met following the destruction of the Commons chamber. The film features Sir Winston Churchill giving a lighthearted commemorative speech to mark the occasion of the reopening of the restored House of Commons. There is also rare footage of King George VI delivering an address to both House of Parliament in Westminster Hall - the only monarch to have done so since Charles I. Many of the skills employed to restore the chamber to its original condition are also featured in sequences showing the craftsmen at work.

The Debate Continues

7.0 1950
Destination: Competence

A look at some of the institutions where the Ministry of Social Welfare and Youth provides young people eager to learn with education that opens the doors to the future. In Trois-Rivières: the School of Stationery; in Saint-Hyacinthe: the School of Textiles; in Rimouski: the Marine School, in Montreal: the School of Furniture, as well as the School of Graphic Arts, the School of Commercial Trades and the School of the Automobile which also provide courses in Quebec.

Destination: Competence

NR 1955
Nature's Strangest Creatures

We're off to Australia in the shortest of the short films found on this volume. There's lots of cute little baby animals to be found, but there's a little too much up-close footage of baby kangaroos in their mother's pouch. (It doesn't look so slimy and gooey when Roo does it!) There's also a few glimpses of the giant bat (so large it's nicknamed "the flying fox"), which happens to be the most terrifying animal I've ever known to exist. You'll also see some beautiful footage of a flying squirrel and rare underwater photography of the duck-billed platypus.

Nature's Strangest Creatures

7.0 1959
The Secret of Selling the Negro

Film commissioned by the Chicago-based publisher of Negro Digest, Ebony, Tan, and Jet to encourage advertisers to reach out to African American consumers. The Secret of Selling the Negro depicts the lives, activities, and consumer behavior of African American professionals, students, and housewives. A Business Screen reviewer noted that the film focused on the “bright positive” aspects of the “new Negro family.” The sponsor issued a companion booklet offering the “do’s and don’ts of selling to the Negro.”

The Secret of Selling the Negro

6.0 1954
American Football

A coach’s whole career depends upon winning this football game, the U.S. Air Force Academy against the University of Colorado. The film was an early experiment by Drew and his Associates to capture real life happening in front of the cameras. They had not yet developed the new equipment that would allow portable sync-sound filming, so they improvised. Drew, who was still a correspondent for LIFE Magazine at the time, was trying to make films that would promote LIFE stories on television. This idea was how Drew had convinced Time-Life to bankroll his fledgling film unit. Although the football story never became a LIFE magazine cover story, it served as a kind of dry-run for a film about another football game covered by Drew and his Associates four years later. That film, “Mooney vs. Fowle,” led by filmmaker James Lipscomb, became an award-winning, groundbreaking documentary.

American Football

NR 1957
Oslofilm: En by i vekst

About urban development in Oslo in the 1950s. On the outskirts of the city, new districts are built with housing, schools, businesses, and transport links. In the city center, older areas are demolished, such as the buildings in Vika. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: En by i vekst

NR 1958
Oslofilm: I Asbjørnsens fotefar. Vestmarka og Krokskogen

The forest areas of Vestmarka and Krokskogen lie outside Oslo. In the 19th century, storyteller Peter Christen Asbjørnsen walked in the areas. The story of the area is being told, and the life in the "fairytale forest" of the 1950s, with forestry and outdoor life, is being shown. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: I Asbjørnsens fotefar. Vestmarka og Krokskogen

NR 1953
William Faulkner on his native soil in Oxford, Mississippi

In November of 1952, the normally reclusive Faulkner allowed a film crew into his secluded world at Oxford to make a short documentary about his life. The film, shown here in five pieces, was funded by the Ford Foundation and broadcast on December 28, 1952 on the CBS television program Omnibus. The scripted film re-enacts events from November 1950, when Faulkner received the Nobel Prize in Literature, through the spring of 1951, when he spoke at his daughter Jill’s high school graduation. There are scenes of Faulkner at Rowan Oak, his antebellum house on the edge of Oxford, and at Greenfield Farm, 17 miles away, where he is shown driving a tractor and talking with workers. Faulkner is also shown briefly with his wife, Estelle, and with several prominent Oxford residents, including druggist Mac Reed, Oxford Eagle editor Phil Mullen, who collaborated with the filmmakers on the script, and lawyer Phil Stone, who was an early literary mentor and champion of Faulkner.

William Faulkner on his native soil in Oxford, Mississippi

NR 1952