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Polar Outpost

This RKO-Pathe short film produced with the assistance of the United States Air Force is about the construction of the DEW Line, the Distant Early Warming System, a string of radar stations built across Alaska and the Canadian north as part of NORAD, the North American Air Defense Command. These are isolated outposts, many of which are only accessible by air. Buildings, roads and landing strips had to be built from scratch. There's a visit to Barrow Village, Alaska the most northern point of US territory.

Polar Outpost

7.5 1957
Oslofilm: Oslo Rådhus: Den kunstneriske utsmykking

The City Hall of Oslo has its unique artistic decoration. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Oslo Rådhus: Den kunstneriske utsmykking

NR 1952
Gesher HaZiv Camp

After the hero of this story saw hundreds of boys and girls participating in the first national camp of the Youth Companies Brigade that took place in Gardosh (Kibbutz Parod), he decided to join the movement. Taking part in the third camp, he, together with his fellow brigade members, set up the camp tents on the beach next to Kibbutz Gesher Haziv, and after a march, they prepared a big meal. The camp held sports activities and martial arts, games, and an art exhibition.

Gesher HaZiv Camp

NR 1955
Developing Friendships

Bob used to be a loner, keeping to himself and thinking "my own thoughts"--until he meets Joe, a "sincere and real" young man who befriends Bob, and several other local boys, and together they form a group of happy young teens. Joe eventually wins a trip to the state capital by turning in the winning essay on Junior Citizenship in a contest, and Bob and the other boys learn of the rewards of friendship--which are, apparently, that all the hard work you put in on a project results in someone else getting a trip to the state capitol.

Developing Friendships

8.0 1950
Oslofilm: Byen og gatene

A presentation of some of Oslo’s streets and places, viewed through a historical lens reaching back to the Middle Ages. We trace the city’s development from its original location in Bjørvika to Christian IV’s new city behind Akershus Fortress. The use of the street network has also evolved, along with changes in modes of transport. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Byen og gatene

NR 1951
It Never Rains Oil

Color animated film with audio. Begins showing a man named Stanley McGrokel and highlights his dependence on oil and oil related products then highlights what his life would be without these products. Illustrates that oil runs our nations agriculture, economy, and national defense. Shows where oil comes from and how it is extracted. Gives the odds on finding oil breaking even and discovering a large oil field. The film details the Depletion Plan of 1929 and how this helped spur investment into the oil industry and other extractive industries.

It Never Rains Oil

NR 1953
Look to the Forest

This 1950 documentary examines the penalties of forest destruction: fire, flood, wasted resources and barren lands. The film describes measures to preserve Canada's prime source of national wealth. Scenes of the wilderness created by stripping land of protective trees show the need to halt careless exploitation. Contrasting the slow process of re-seeding with the swift, modern methods of felling trees, the film urges planned cutting to ensure a protected yearly crop.

Look to the Forest

9.0 1950