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Bam Pay A! – Rends-moi mon pays!

In this feature documentary, a Haitian, exiled in Canada for twenty years, returns to his country after the departure of Jean-Claude Duvalier. Through his encounters with former friends, professors and colleagues, the face of this newfound Haiti gradually takes shape… Shot in Haiti after the fall of the Duvalier regime, this film, beyond a simple observation, shares with us the hopes of the Haitian people as well as their fears and uncertainties regarding this country that has yet to be built.

Bam Pay A! – Rends-moi mon pays!

7.0 1986
Die Scooterfahrer

In the north of the Philippines lies the area of Banaue, known for its rice cultivation. Roger lives here in a small village. Roger is thirteen and has five brothers and sisters. As the oldest, he is responsible for the daily firewood. To get this, Roger sets off into the mountains every other day. At seven in the morning, they start. A truck takes Roger and his four friends out into the steep, forested slopes above the rice terraces. With them on the back of the truck are the 'scooters', homemade wooden scooters with which the firewood is driven down to the valley. Once they reach the top, they cut down smaller logs, chop them up and pack their scooters full of them. After this strenuous work, the great fun begins. On bumpy paths and at breakneck speed, they make their way back to the village. Races and tricks are part of the fun, of course.

Die Scooterfahrer

NR 1988
The City

Merlyn Solakhan’s feature documentary The City offers an unusual narrative on Istanbul. Solakhan roams every inch of the city, witnessing separate instances of standing stones, balloons, kites, cars, roads, and neighborhoods with her camera, whilst looking into the city’s nature, yesterday and today. The city from her perspective is intertwined with history. An essay film as well as a documentary, The City is a daring gaze on Istanbul. The movie goes beyond observation to working through and reflecting on the city, with no hesitation in bestowing a new image on it and seeing it in a new light.

The City

7.0 1983
Alpaqueros de Chimboya

This documentary shows the daily lives of alpaca herders in Chimboya and describes the alpaca fiber marketing system, from the factory in Arequipa through intermediaries to the producers. Large companies advance money to traders or middlemen, who in turn provide advances in cash or food to the producers, to be repaid in wool. To supplement their diet, the farmers make long journeys to the lower valleys to exchange the products they produce on the high plateau, such as wool, textiles, and meat, for agricultural products like corn, barley, and wheat grown by the communities in the lower valleys.

Alpaqueros de Chimboya

NR 1983
Ridin' the Dog

The world-famous Greyhound bus is almost as old as the Wild West. It is a symbol of North America, of progress, and of nostalgia. Reporter Studs Terkel travelled 2,000 miles across the United States by Greyhound. From Seattle to Chicago, he observes his fellow-passengers. He meets a number of travelers who appear to be very interesting people: a Native American boxer on his way to his birthplace in Montana, a bar owner who was a bank robber in a former 'career', a 99 year old woman who is still running a busy hotel, and, of course, a pedigree cowboy. The spectator of this film listens to their personal stories, watches the beautiful scenery, and is treated to famous feature film fragments in which the Greyhound bus plays a part. Seven states and two time zones later, he is back in his cinema seat.

Ridin' the Dog

NR 1989
Peasant Painter

Cleto Rojas, a peasant painter in Venezuela, discusses his artwork. From movies and Roman mythology to his own dreams and scenes of rural life, Rojas takes inspiration from all sources and transforms the world around him into fantastic visions. He teaches village children his technique of using house-paint on canvas, as his wife goes about her own housework, singing slowly. The painter is bemused by the attention of anthropologists and art critics, and he talks about the pitfalls of attention. He remembers traveling to Caracas as a young man to meet famous painters and being disappointed in them. His ambitions are more focused on the content of his work - Rojas wishes he could envision and paint one of Venezuela's heroes, Simon Boilvar, as he really was, as no accurate representations exist now. Without looking for fame, he continues painting all kinds of images as he sees them.

Peasant Painter

NR 1984